RELEASE DATE: March 6, 2015
STUDIO: Columbia Pictures (Sony)
DIRECTOR: Neill Blomkamp
MPAA RATING: R (for violence, language and brief nudity)
STARRING: Hugh Jackman, Sigourney Weaver, Dev Patel, Sharlto Copley, Jose Pablo Cantillo, Ninja and Yo-Landi Visser
GENRE: Action, Adventure
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Chappie, on it’s surface looks like a movie about a self aware robot with lots of action in it. That is not true in the least. What you get is a movie about some crazy concepts. The film questions what happens when you make a sentient being of a robot who has to learn like a baby (at an extremely accelerated speed mind you). You go through the film as Chappie has to figure out who he is and what his place is in the world like every person born has to. Except from day one he is exposed to the best and worst of humanity. What would that do to you or me if we came in to the world that way ? It also deals with how far technological science should be pushed. It makes for a film that asks good questions in some of the wrong ways.
Sharlto Copley plays the title character of Chappie. He and a team of animators bring Chappie to life in an incredibly real and awe inspiring way. Copley plays the robotic police scout with a depth and innocence that draws you in and makes you care about him from the start of his consciousness. He makes you laugh and (I’m man enough to admit) cry. His overall performance should get him some sort of recognition. Dev Patel plays Deon whom created Chappie and his kin. He is kind but determined to prove that artificial intelligence that are conscious of themselves is a good idea. He plays the part decently but it just seems too cliche. Yo-Landi and Ninja (of South African rap group Die Antwoord fame) pretty much play future versions of themselves. Granted, without money or fame and some extensive criminal activity under their belts. They act as surrogate parents for Chappie and represent almost the best and worst in humanity. With Yo-Landi being the loving mother teaching and nurturing Chappie. On the other hand, Ninja is the bad influence that seems intent on showing Chappie how bad the world can be and use Chappie for his own self serving purposes. The parenting scenes offer some of the best parts of the movie but are sometimes a little too silly to an eye rolling effect. Hugh Jackman plays a jealous engineer being out shined by Deon. The part is fairly shallow and isn’t much for the talented Mr. Jackman to sink his teeth in to. Also Sigourney Weaver is a straight forward business woman with little to do in this film.
Neill Blomkamp seems to think the near future is bleak for us as is evidenced by this and his two other films District 9 and Elysium. The near future Johannesburg, South Africa portrayed here is dingy and almost Mad Max like in it’s appearance and structure. It looks as down trodden as the people that inhabit it. This gives the world the right tone for this movie to play out in. It makes for a disturbingly plausible view of the future.
As a sci-fi movie I think it’s good, not amazing, but good. It asks serious questions about the consequences of technological advancement and how far is too far. Also, it speculates on how exposing a child to the craziness and harness of the world too fast can cause harm. The special effects are done well as Chappie never seems computer animated in his scenes. If nothing else the performance of Chappie by Sharlto Copley is worth you watching this one.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.