RELEASE DATE:July 29, 2016
STUDIO:Universal Pictures
DIRECTOR:Paul Greengrass
MPAA RATING:PG-13 (for intense sequences of violence and action, and brief strong language)
SCREENWRITERS:Anthony Peckham, Christopher Rouse
STARRING:Matt Damon, Julia Stiles, Alicia Vikander, Vincent Cassel, Tommy Lee Jones
GENRE:Action
[divider]Ok, so Jeremy Renner didn’t work out as the new Bourne stand-in with the last iteration of the popular spy series. But hey, Matt Damon is still around, in good shape, and still a fine actor so why not bring the films back to where their bread was buttered? Honestly, I was excited to see Damon back in the drivers seat. New Bourne-centric adventures and more of that badass fighting style we all came to love in first few films I was all about it.
Although, I wanted so badly to love this movie. I just couldn’t help but feel like I’d been there and done that while watching the story unfold in this chapter of the Bourne Saga. It’s him being hunted down by the government that made him, while he finds out new facts about the program that spawned him, and trying to stop those in charge of it from continuing. It’s the same thing in a different year with a noticeably older Damon. The Car chases were still awesome like in the inititial three pictures. I think that maybe these were a bit more emphasized due to Damon’s age but if not it was just to add action to the film to cover for the almost absent hand to hand battle scenes. My favorite scenes from the previous films were the intense close quarters combat where Bourne would break a guy down with whatever was available around him. I loved that unpredictability in the fighting it made it grittier, more dangerous, and more real to me. There was very little of this from the amnesia stricken agent. The few sequences we do get were shot in a chaotic way to where a lot of the fight is out of frame as the camera is too close at times to the combatants.
Tommy Lee Jones was a good foil to Bourne. His conniving, back stabbing, self righteous villainy in the name of America felt timely. I’ve always liked my Tommy Lee Jones stone faced and cold hearted and that’s what we get here. Heather Lee (played by Alicia Vikander) is the ambitious agent that is the catalyst for the internal struggle in the CIA. Her desire for power and position is equal with Jones’ Dewey. Vikander plays Lee in a way that you’re not sure exactly where her allegiances fall to.
All in all this was an OK, but ultimately unnecessary part of the Bourne odyssey. The action was good when vehicles were involved but hand to hand was weak save for the final fight between Bourne and another agent simply reffered to as Asset. If you never saw the other Bourne films it’s just fine. To this Bourne Universe alumni, it felt redundant and not on the same level as the original trilogy.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.