RELEASE DATE: June 12, 2015 (3D/2D theaters and IMAX)
STUDIO: Universal Pictures
DIRECTOR: Colin Trevorrow
RATING: PG-13
STARRING: Bryce Dallas Howard, Judy Greer, Chris Pratt, Ty Simpkins, Jake Johnson, Nick Robinson, Irrfan Khan, Vincent D’Onofrio, BD Wong, Omar Sy, Katie McGrath, Lauren Lapkus, Andy Buckley
GENRE: Action, Sci-Fi, Horror, Adventure
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1993 was a magical year that brought me one of my favorite films of all time. It combined all of my childhood fantasies about dinosaurs and made them come to life. It was both frightening and wondrous. I loved it and watched it on VHS over and over again. The follow ups to the Jurassic Park were lackluster examples of the law of diminishing returns (and some terrible writing). 14 years after the Jurassic Park 3 muck up we are introduced to Jurassic World.
The lessons of the past are apparently on the people that inhabit this world as they have realized Dr. Hammond’s vision and opened the park rechristened as Jurassic World. With the public unaware of the previous murderfests involving a park of that nature Jurassic World goes on to enjoy 10 years of profitability. But, with the general public growing complacent with all the giant dinosaurs running around and money not rolling in as fast as before, the big wigs needed something to spark sales. That thing comes in the form of Indominus Rex, a hybrid dinosaur mixed with the DNA of various animals in order to make it a scarier, more vicious killer. And in typical movie fashion, when people play God things get all sorts of screwed up. The highly intelligent killing machine gets loose and rapidly approaches a park of over 20,000 people.
The premise of the movie runs close to the original in that it involves someones hubris leading to the creation of life long extinct and the eventual deadly consequences of that. The thing is that this time it’s done on a far larger level. The park is actually completed with corporate sponsors and everything. Hell, even Jimmy Fallon does the safety warning on one of the rides. The park has Sea Worldesque attractions featuring things that would well… kill a killer whale. The famous Chris Pratt riding with a pack of raptors scene is kind of awesome looking but it’s not just thrown in there for wow factor it’s done within the story and thoroughly explained why it is able to happen before hand. That speaks to the writing of this film. They explain many key points before a pay off (save for why InGen is now the way it is and one or two other things). The stuff they skimp on isn’t enough to ruin anything for the viewer although I would like to have seen what the Indominus Rex was completely mixed with (perhaps a plot device for another sequel ?) Chris Pratt as Owen is a smart ass who can also kick a butt or two. This role suits him as he is accustomed to being that guy. Bryce Dallas Howard is Claire. She does a good job as the far to focused on her career woman and not that in to it aunt taking care of her two nephews at the theme park before all hell breaks loose. She’s the person who the events change the most. Vincent D’Onofrio plays the greedy corporate a-hole, Hoskins. There’s not much to say on him as a character because he’s fairly one dimensional.
One of the best parts of the film, to me anyway, is that it’s character driven. The two leads of Claire and Owen continuously show more of themselves through the harrowing situations they encounter. There is sexual tension from the beginning and eventually leads to the conclusion as far as their relationship is concerned everyone can see coming a mile away. But, the fact that you sit and wait to see how the characters deal with the situation of being stalked by a creature is a testament to the actors, director, and writers. The true genius of the film is the monster in the darkness. It’s handled with a Godzilla like reverence. It’s not shown in all it’s glory until a little later in the film and by then you learn a lot about Indominus Rex. It’s hunting habits a bit about how intelligent it is and can become and it makes the danger even more real for the human side of the movie. Whenever you see it on screen you just know it’s about to kick the crap out of someone and something and that is a rush.
I remember the original and just falling in love with everything about it. I sat and watched this film and did the same. It has flaws (which my jaded film critic mind couldn’t ignore at first) but, it holds up against the feelings I have for Jurassic Park. It’s definitely going to make a lot of money at the cinemas but it should sate the fanboys of the series as well.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.