Release date: December 18, 2015
Studio: Walt Disney Pictures, Lucasfilm
Director: J.J. Abrams
MPAA Rating: PG-13 (for sci-fi action violence)
Screenwriters: J.J. Abrams, Lawrence Kasdan
Starring: Harrison Ford, Andy Serkis, Anthony Daniels, Kenny Baker, Peter Mayhew, Carrie Fisher, Mark Hamill, Oscar Isaac, Max von Sydow, Adam Driver, Domhnall Gleeson, Gwendoline Christie, John Boyega, Daisy Ridley, Lupita Nyong’o, Crystal Clarke, Pip Anderson, Christina Chong, Miltos Yerolemou
Genre: Action, Sci-Fi, Adventure
Read more at http://www.comingsoon.net/movie/star-wars-the-force-awakens-2015#Agd3mSJWbmlRY5Vf.99
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Not much I will say in this review will sway you to or not to see the newest chapter in the epic space saga as everyone has made up their minds already. I am here to simply give my humble opinion on this, the seventh film in the series. After the slight disappointments that were Episodes 1,2, and 3 this movie has more of the spirit and heart of the original trilogy. That’s thanks in no small part to director J.J. Abrams. His love for the Star Wars universe is apparent in the way the film is handled. It also doesn’t hurt that he got good to great performances from his cast of heroes and villains. Daisy Ridley as Rey played the out of her element and over her head role well. She also, doesn’t look lost during the action scenes or fights which is a plus. John Boyega is Storm Trooper defector, Finn. He spends an incredible amount of time on screen sweating and looking scared. Of course, he also has some of the funniest moments in the movie and as this movie is lighthearted and funny it makes him a focus. There are moments that make him seem like he’s destined for more bad-assness in later films so I’m holding out hope for him as a character. Adam Driver as the intimidating Kylo Ren is all good until he takes off his helmet. Driver looks the dorky opposite of what Ren is. I just couldn’t wait for him to put the mask on as it sort of took me out of the moments of him being evil without it on. The old cast of Leia, Han Solo, and Chewbacca slide effortlessly back in to their roles. Providing the nostalgia factor fans craved. It’s fun watching them on screen together again.
The 3-D is good in the movie and helps at the points it needs to enhance. The fighting is good but I feel like they kept it subdued only to pick it up in latter films. One of my favorite parts was Finn (with light saber) versus a Storm Trooper with a shock tonfa. It showed that Storm Troopers have actual combat ability and aren’t just Star Wars version of Putty Patrol (that’s a Mighty Morphin Power Rangers reference for the square reading this). J.J. Abrams adherence to the use of practical effects like the original movies as opposed to gratuitous CGI is a masterful move that proves sometime the old ways still work. All said and done, this is every bit as exciting as the hype machine made it out to be. This is the beginning of a new chapter in a galaxy far far away and it seems to be worth the wait.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.