RELEASE DATE: December 13,2016
STUDIO:Warner Bros. Pictures
DIRECTOR:David Ayer
MPAA RATING:PG-13 (for sequences of violence and action throughout, disturbing behavior, suggestive content and language)
SCREENWRITER:
STARRING:Will Smith, Jared Leto, Margot Robbie, Joel Kinnaman, Viola Davis, Jai Courtney, Jay Hernandez,Adewale Akinnuoye-Agbaje, Ike Barinholtz, Scott Eastwood,Cara Delevingne, Adam Beach, Karen Fukuhara
GENRE:Action, Adventure
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What happens when you take essentially criminally insane baddies and give them a joint target to take down ? The Suicide Squad is what happens. Made up of the worst of the worst that DC Comics best and brightest good guys could capture (as Joker is running loose) Deadshot, Harley Quinn, Killer Croc, El Diablo, Captain Boomerang, and Enchantress. This is the rogues gallery that makes up the Squad. Put together by the ruthless and equally deadly (government sanctioned criminal) Amanda Waller (Viola Davis) they are easily expendable and disavowed, making them the perfect force for under the table, overly dangerous missions no one wants to send good men to handle.
First off, everyone in the Suicide Squad gets a chance to shine in this film which is always a concern with super powered team movies. But make no mistake that Will Smith’s Deadshot and Margo Robie’s Harley Quinn are the focal points. Smith does a fantastic job as Deadshot giving off equal parts cold killer and caring father throughout the film. It makes him the most cheer worthy of the bad guys on the team. I would have preferred if they turned down the blackness on him a bit with statements like “That’s Gangsta !” feeling unnecessary. I don’t know if it was as egregious as Killer Croc saying “Shawty” (should’ve kept him grunting the whole film) but it annoyed me a little. Margot Robie had the dubious task of bringing the beloved Harley Quinn to the big screen for the first time. Let me say this, I think she did a wonderful job honestly if at times she was a bit overboard with some of her actions but her character is insane so I gave a bit of wiggle room with my criticism. She did play the clown princess and her undeniably unstable love for Mr. J in to her performance I dug it. Killer Croc literally spent the whole movie in the background looking menacing and grunting. This was great but then they gave him lines and I cringed every time he was on screen after fearing more inane lines from his character. El Diablo played by Jay Hernandez was OK but Deadshot calling him ese and him saying homie wore on me quickly. Captain Boomerang was there for comic relief I’m sure but it never quite landed anytime he dropped a joke. Rick Flag was there but he felt like he was just there to make you care about Enchantress. Enchantress as the main villain was weird as she really didn’t do much except stand on a roof and wave her arms for much of the film. She was a boring villain plain and simple. Jared Leto was lauded by the director as giving some sort of transcendent performance but he was in the movie so little that I honestly don’t have much to say about him. I mean the guy had the creepy factor and unpredictability down pat but there just wasn’t enough Joker to justify the director or the internet nerds words of praise or concern.
My biggest issue with this (and all DC Comics) films is their over reliance on CG special effects. It was distracting and took me out of my suspension of disbelief multiple times during the film. I wish they would use more practical effects but if it hasn’t happened yet I doubt it will.
This movie will be divisive just like Batman Vs Superman. Many will love it and many will hate it. I liked it more than I didn’t. The casting for the key Squad members was great and the performances they left on film was worth the wait. The dialogue was a bit cornball at times but not walk out the theater bad. The lack of Joker, weak villain, and detrimental amount of CG effects were the only drawbacks to a fun time at the theater. Let the nerd rage commence !
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.