Release date: January 22, 2016
Studio: Columbia Pictures
MPAA Rating: PG-13
Starring: Chloe Grace Moretz, Nick Robinson, Ron Livingston, Maggie Siff, Alex Roe, Maria Bello, Maika Monroe, Liev Schreiber
Genre: Thriller
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Ever since the initial explosion of income from the first Hunger Games movie Hollywood has been looking for it’s successor. Divergent, Mortal Instruments, Maze Runner are all young adult books that have tried their hand at taking the throne away from Katniss Everdeen. Enter new challenger, The 5th Wave. It has all the elements of the standard bearer as it’s rife with children in life or death combat, a possible love triangle ( or maybe a love square ? …Is that a thing), a brave older sibling trying to save their younger sibling, and kids as the last hope for a better tomorrow. It has all these things and frankly it works against it.
Chloe Grace Moretz is a fine actress but this material is not up to her standards. This doesn’t give her a great deal to work with. With it’s questionable writing and dialog it screams turn your brain off. About five minutes in to the movie I called the sappy and predictable love triangle between Cassie (Moretz), Ben (Nick Robinson), and Evan (Alex Roe). The plot twists you can almost see from a mile a way (I didn’t read the book it’s based on). In addition to it’s predictability there are logic holes galore. Cassie goes from high school soccer player to killer and willing resistance fighter against The Others (what the aliens in the movie are called) in a short amount of time. She gets over her first ever kill with sociopath like quickness. Liev Schreiber is wasted as bland Colonel Vosch.
There few things I did like about this film. The weight the combat seemed to carry was good. The military takes the children and trains them to fight The Others dressing them up in full combat uniforms. This visual lends a surreal quality to a fire fight we witness in the middle of the film as we see young children take bullets and die. That’s something most young adult book adaptations shy away from. It’s not full on Apocalypse Now type bloodletting, but it added something to me. The manner in which the The Others released the four waves of destruction in the form of an EMP killing all electronic convenience and communication, Earthquakes, a modified version of Avian Flu, and The Others taking over humans and controlling them (in order from 1st – 4th). The Fifth I won’t reveal as it’s a spoiler. I think that was an intelligent way to carry out the systematic eradication of the Human race.
The 5th Wave isn’t a worthy successor in the sea of Hunger Games followers but still not a completely bad time at the cinema. It’s teen cinema at it’s most pedestrian. With it’s unimpressive performances from the cast and predictable plot end this potential trilogy for me before it gets started.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.