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Movie Review ( The Divergent Series: Insurgent )

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RELEASE DATE: March 20, 2015
STUDIO: Summit Entertainment (Lionsgate)
DIRECTOR: Robert Schwentke
MPAA RATING: PG-13
STARRING: Naomi Watts, Kate Winslet, Maggie Q, Ray Stevenson, Mekhi Phifer, Zoe Kravitz, Jai Courtney, Miles Teller, Octavia Spencer, Theo James, Shailene Woodley, Jonny Weston, Daniel Dae Kim, Ansel Elgort, Emjay Anthony, Rosa Salazar, Suki Waterhouse, Keiynan Lonsdale
GENRE: Action, Adventure

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A few years back everyone and their mother was looking for the next Hunger Games in the young adult book world. Plenty of people tried and plenty of people failed. Dear god the immense amount of fail. There was one that had hope; Divergent. It wasn’t quite as well done as the juggernaut Hunger Games film but there was potential enough for a sequel and here it is. Only now, it seems that it’s found it’s way to differentiate itself from the others with Insurgent.

I was actually shocked at the amount of action in this one. The amount of gunfire and hand to hand combat was nice to help balance out some of the talk heavy sections of the movie. They also made Shailene Woodley more of a bad ass fighter than before. It adds a layer to the character of Tris that was needed. I will say though, that there were scenes that required her to express conflicting emotions and they were made comical by her inability to demonstrate subtlety in her performance. Kate Winslet is back as Jeanine and just as ruthless as ever. She holds down the role capably as in the previous movie. Miles Teller as Peter feels a bit out of place in this film coming off of his magnificent performance in Whiplash. He’s actually a pretty big part of the film and handles the role well. In my opinion though it just feels like a step back instead of forward for him. Theo James as Four is still as ho hum as ever as Four. Jai Courtney plays the ever evil Eric once more and he’s an even bigger douche than before. Zoe Kravitz who plays a rather large role in the last film is rarely seen this time around. Also, the relationship between Tris and Four is supposed to be super strong at this point but it just doesn’t come across that way. Woodley and James make for a terrible onscreen couple and all of their lovey dovey scenes seem forced. It’s painful to watch.

This movie feels more sure of what this series of films wants to be. It commits to the level of violence and keeps it up. Blood is spilled but seldom shown during kills though which is slightly disappointing. There’s even a sex scene that has Tris showing bareback and straddling Four. I thought that it was a little risque for a film made for teens but, it only lasts a few seconds really. There was also some decent 3-D in this one so that’s something, I guess.

Honestly, there were a few issues with this movie but all in all I had a good time with it. The ending made me want to see the next one and have some questions answered which is usually a problem for me as I despise movies that push a sequel all heavy handed. Robert Schwentke found a way to avoid that here and it adds to the anticipation for more. If you enjoyed the last one you’ll get more than a kick out of this one.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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