Release Date: November 5, 2013
MPAA Rating: PG-13
Runtime: 137 min
Director: Roland Emmerich
Studio: Columbia Pictures
Genre: Action, Thriller
Stars: Channing Tatum, Jamie Foxx, Maggie Gyllenhaal, Jason Clarke, Richard Jenkins, James Woods
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It’s that time of the year to parade out the new line of “summer movies”. That means lots of big names, big budgets, and even bigger and/or more bountiful explosions in our cinema fare. There have already been a few acclaimed hits thrown at moviegoers and now White House Down hopes to enter that pantheon of box office champions. The movie has all the right ingredients of a “by the numbers” summer flick. There are the big names (Channing Tatum and Jamie Foxx) and a big budget ($150 million reportedly). Also included are copious amounts of explosions strewn throughout the 2 hours of footage. So why does this movie seem doomed to wallow in summer movie purgatory?
That may lie in the fact that this movie has nothing new to offer. There was a little movie called Olympus Has Fallen a few months back, that was done better. Sure, the tone was more serious than this movie, but the too similar scenarios give White House Down a “been there seen that” type of feel to it. The “Van Damme” era plot premise also doesn’t do wonders for the film. The synopsis is that John Cale is turned down for his dream job as a Secret Service agent. Just as he and his daughter (whom he brought on a bonding visit to the White House) were on a tour of the building, terrorists take over and hold the visitors and the President of the United States hostage. Now it is up to Cale to save the President, save his daughter and save the U.S.A. from the dastardly fiends. Weak story aside, the performance from Foxx as Presdient Sawyer seemed to be rested somewhere between an amalgamation of Barack Obama and Martin Luther King Jr. I just don’t like it. John Cale, is a ho-hum John McClane clone (right down to the white t-shirt he sports most of the movie). I kept waiting for him to say, “Yippie kay yay motherf****r” at one point or another. The other performances were nothing to rave about.
The jokes were there, but none hit the mark like they needed to. I found myself chuckling a little, but I can’t say I remember any specific jokes off the top of my head. The action was O.K. but there has been so much better executed stuff. Overall, White House Down was a downer. I give it 2.5 out of 5.

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Hanuman – A Visual Spectacle and a Mythological Triumph

Indian cinema has long been known for its ability to weave myth, culture, and grandeur into powerful storytelling. The latest addition to this tradition, Hanuman, directed by Prasanth Varma, is an ambitious retelling of one of India’s most beloved mythological characters. A cinematic marvel, Hanuman is a bold attempt to blend ancient epic with modern storytelling techniques, creating an experience that resonates with audiences of all ages.
At its core, Hanuman reimagines the tale of Lord Hanuman, the divine devotee of Lord Rama, known for his strength, loyalty, and courage. The movie isn’t just a retelling of traditional episodes from the Ramayana; it infuses these timeless stories with fresh perspectives, exploring themes of duty, faith, and the triumph of good over evil. While the script takes creative liberties, it stays rooted in the cultural and spiritual essence of Hanuman, making it both an engaging narrative and a respectful homage.
One of the standout features of Hanuman is its visual grandeur. The VFX team has outdone themselves, creating breathtaking battle sequences, celestial landscapes, and larger-than-life depictions of Hanuman’s legendary feats. The use of cutting-edge technology elevates the storytelling, offering audiences a visual feast that rivals global fantasy epics. The cinematography, led by seasoned artist Dasaradhi Sivendra, captures the mythological tone beautifully, blending vibrant palettes with the dark hues of conflict and sacrifice.
Teja Sajja, in the titular role, delivers a performance that is both commanding and heartfelt. His portrayal of Hanuman captures the character’s divine strength and endearing humility, making him an ideal hero. Supporting performances by Amritha Aiyer, Varalaxmi Sarathkumar, and Vinay Rai add depth to the narrative, bringing a spectrum of emotions to the screen.
Director Prasanth Varma deserves applause for his vision and execution. Tackling a subject as revered as Hanuman could have easily resulted in a cautious or overindulgent approach. Instead, Varma strikes a balance, creating a story that is both reverent and relatable. The screenplay moves at a brisk pace, though some moments, particularly the expository sequences, could have benefited from tighter editing.
The film’s music, composed by Gowrahari, Anudeep Dev, and Krishna Saurabh, is an emotional anchor, blending traditional Indian sounds with a modern orchestral touch. The background score heightens the drama and spirituality, particularly during pivotal moments like the crossing of the ocean and the climactic battle sequences.
Hanuman is a cinematic achievement that successfully reimagines a beloved figure for modern audiences. While it occasionally stumbles in pacing and exposition, these are minor flaws in an otherwise spectacular production. For fans of mythology, fantasy, and visually stunning cinema, Hanuman is a must-watch. It is a testament to Indian cinema’s ability to merge tradition and innovation, reminding us why stories of gods and heroes continue to inspire across generations.
Rating: 4.5/5
This film not only celebrates the timeless tale of Hanuman but also sets a new benchmark for mythological storytelling in Indian cinema.
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Indian movie review at adipush

Genre: Action, Adventure, Drama
Duration: 179 minutes
Director: Om Raut
Writer: Om Raut
Stars: Prabhas, Saif Ali Khan, Kriti Sanon, Sunny Singh
Rating: ★★☆☆☆ (2/5)
Netflix’s Adipurush aims to reimagine the Indian epic Ramayana in a modern cinematic style, delivering a tale of righteousness, devotion, and the eternal conflict between good and evil. Helmed by Om Raut, the film follows Raghava (Prabhas) as he embarks on a journey to rescue his wife Janaki (Kriti Sanon) from the clutches of the demon king Lankesh (Saif Ali Khan). With a narrative that spans vast landscapes and incorporates mythological grandeur, the film had immense potential but falters in its execution.
While the premise remains faithful to its legendary source, the execution feels lackluster. The screenplay struggles to balance a modern audience’s expectations with the gravitas of its traditional essence. The dialogues, often stilted, fail to evoke the emotional depth and poetic resonance required for a story of such magnitude.
Prabhas, portraying Raghava, delivers a restrained performance that lacks the heroic intensity one expects from the character. Kriti Sanon as Janaki does her best with limited material, bringing grace to her role, while Saif Ali Khan’s over-the-top portrayal of Lankesh is polarizing, leaning more into theatricality than menace. The supporting cast, including Sunny Singh, adds little to elevate the film.
One of the film’s most significant drawbacks is its visual effects. Despite the high budget, the CGI appears subpar, often detracting from the immersive experience. The underwhelming special effects undermine key battle sequences and fantastical elements, which should have been highlights of the film.
On the brighter side, the musical score by Ajay-Atul manages to shine, offering moments of grandeur and emotional heft. The film’s costume design and some set pieces are visually appealing, hinting at what could have been with more polished execution.
Adipurush is a well-intentioned attempt to bring the epic Ramayana to life for a global audience, but it stumbles in critical areas, including visual effects, pacing, and character depth. While it offers a few moments of spectacle and an engaging musical score, the overall experience feels hollow and unworthy of its mythological roots. Fans of the epic may find some moments of nostalgia, but casual viewers are likely to be left disappointed.
Adipurush is a missed opportunity to create a definitive modern retelling of an Indian classic.
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Businessman (2012) – Movie Review

Genre: Action, Crime, Thriller
Runtime: 2h 11m
Director: Puri Jagannadh
Writer: Puri Jagannadh
Main Cast: Mahesh Babu, Kajal Aggarwal, Prakash Raj, Nassar, Sayaji Shinde
Studio: R. R. Movie Makers
Where to Watch: Available on streaming platforms like Amazon Prime Video and YouTube (check availability in your region).
“Businessman” is a high-voltage action thriller starring Mahesh Babu in one of his most charismatic roles. Directed by Puri Jagannadh, the film follows Surya (Mahesh Babu), an ambitious and ruthless man who arrives in Mumbai with a dream of ruling the underworld. With his sharp mind and fearless attitude, he rises to power, challenging both the law and the mafia.
Mahesh Babu delivers a power-packed performance, exuding style, confidence, and intensity in every scene. His dialogues, especially the iconic “Pokka Business,” became instant fan favorites. Kajal Aggarwal plays a conventional love interest but adds charm to the narrative. Prakash Raj is impressive as the antagonist, adding depth to the conflict.
Puri Jagannadh’s screenplay is fast-paced, filled with gripping dialogues and intense confrontations. The film’s action sequences and Thaman’s electrifying background score elevate the cinematic experience. While the plot follows familiar gangster tropes, the film’s execution, Mahesh Babu’s screen presence, and the powerful dialogues keep it engaging.
Final Score: 8.5/10
A stylish and entertaining action film with a magnetic Mahesh Babu, “Businessman” is a must-watch for fans of crime thrillers and mass entertainers.