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Movie Review: White House Down

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Release Date: November 5, 2013
MPAA Rating: PG-13
Runtime: 137 min
Director: Roland Emmerich
Studio: Columbia Pictures
Genre: Action, Thriller
Stars: Channing Tatum, Jamie Foxx, Maggie Gyllenhaal, Jason Clarke, Richard Jenkins, James Woods

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It’s that time of the year to parade out the new line of “summer movies”. That means lots of big names, big budgets, and even bigger and/or more bountiful explosions in our cinema fare. There have already been a few acclaimed hits thrown at moviegoers and now White House Down hopes to enter that pantheon of box office champions. The movie has all the right ingredients of a “by the numbers” summer flick. There are the big names (Channing Tatum and Jamie Foxx) and a big budget ($150 million reportedly). Also included are copious amounts of explosions strewn throughout the 2 hours of footage. So why does this movie seem doomed to wallow in summer movie purgatory?

That may lie in the fact that this movie has nothing new to offer. There was a little movie called Olympus Has Fallen a few months back, that was done better. Sure, the tone was more serious than this movie, but the too similar scenarios give White House Down a “been there seen that” type of feel to it. The “Van Damme” era plot premise also doesn’t do wonders for the film. The synopsis is that John Cale is turned down for his dream job as a Secret Service agent. Just as he and his daughter (whom he brought on a bonding visit to the White House) were on a tour of the building, terrorists take over and hold the visitors and the President of the United States hostage. Now it is up to Cale to save the President, save his daughter and save the U.S.A. from the dastardly fiends. Weak story aside, the performance from Foxx as Presdient Sawyer seemed to be rested somewhere between an amalgamation of Barack Obama and Martin Luther King Jr. I just don’t like it. John Cale, is a ho-hum John McClane clone (right down to the white t-shirt he sports most of the movie). I kept waiting for him to say, “Yippie kay yay motherf****r” at one point or another. The other performances were nothing to rave about.

The jokes were there, but none hit the mark like they needed to. I found myself chuckling a little, but I can’t say I remember any specific jokes off the top of my head. The action was O.K. but there has been so much better executed stuff. Overall, White House Down was a downer. I give it 2.5 out of 5.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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