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NETFLIX AND JUDD APATOW TEAM UP TO BRING THE WORLD PEE-WEE HERMAN’S NEXT BIG ADVENTURE

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Netflix, the world’s leading Internet TV network, will premiere exclusively in all of its territories the new feature film, Pee-wee’s Big Holiday, starring Paul Reubens as the beloved fun-loving hero of TV, stage and film, Pee-wee Herman.

Judd Apatow (Anchorman, Bridesmaids) and Reubens, who worked together to bring the project to fruition, will produce the film. Reubens and Paul Rust (Comedy Bang! Bang!, Arrested Development) wrote the film. John Lee (Broad City, Inside Amy Schumer) makes his feature film directorial debut with production beginning in early 2015.

In Pee-wee’s Big Holiday, a fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first-ever holiday in this epic story of friendship and destiny.

“We didn’t hesitate for a moment knowing that Pee-wee’s Big Holiday was such a passion project for Paul and Judd and we are delighted by the opportunity to introduce such a beloved character to a new generation,” said Netflix Chief Content Officer Ted Sarandos. “We are thrilled to bring our viewers around the world the wonder of Pee-wee Herman.”

“As a fan of Pee-wee Herman since he first appeared on The Dating Game, I am thrilled to have the opportunity to work with the brilliant Paul Reubens on this film. It is a dream come true,” said Judd Apatow.

“Judd and I dreamt up this movie four years ago. The world was much different back then— Netflix was waiting by the mailbox for red envelopes to arrive. I’ve changed all that. The future is here. Get used to it. Bowtie is the new black,” said Pee-wee Herman.

For more information, please read Pee-wee Herman’s log (that’s blog without the “b”) at: http://peewee.com.

Paul Reubens created the iconic character, Pee-wee Herman, while a member of the famed Los Angeles improv group The Groundlings. The Pee-wee Herman Show premiered at The Groundlings Theatre on February 7, 1981 at midnight. It quickly moved to The Roxy on Sunset Strip where it ran for an unprecedented five months. The HBO broadcast of the show introduced Pee-wee to a national audience. Pee-wee Herman was brought to the big screen in the hit 1985 comedy Pee-wee’s Big Adventure, which Paul Reubens co-wrote and marked Tim Burton’s directorial debut. Reubens went on to create, co-write and co-direct Pee-wee’s Playhouse on CBS where the series earned 22 Emmy® Awards during its five year run. Reubens has been nominated for 14 Emmy® Awards, winning twice. In January of 2010, Reubens starred in, produced and co-wrote The Pee-wee Herman Show which completed a critically acclaimed four week run at LA Live’s Club Nokia in Los Angeles. With the incredible success in Los Angeles, Reubens brought The Pee-wee Herman Show to Broadway which opened November 11, 2010 to rave reviews with The New York Times calling the show, “Yummier than chocolate;” New York saying, “Welcome Back, Pee-wee! You were sorely missed;” and the New York Post saying, “the audience screams for joy!” Three decades after his first HBO special, Reubens returned to the network with an exclusive version of the hit Broadway show.

Reubens has starred in a number of diverse film and TV roles, including 30 Rock, Pushing Daisies, Reno 911, Everybody Loves Raymond and Murphy Brown which earned him an Emmy® nomination. His film credits include Mystery Men, Buffy the Vampire Slayer, Blow, David O. Russell’s dark comedy, Nailed, and Todd Solondz’s Life During Wartime. In the world of animation, Reubens has lent his voice to many projects including The Nightmare Before Christmas, Star Wars Rebels, Robot Chicken, Family Guy and Smurfs. He is currently developing a variety show for television and appears in a recurring role on NBC’s hit drama The Blacklist.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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