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Netflix presents ‘La Casa de Papel’ (Money Heist): Join the Resistance!

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Led by a mysterious figure known only as the Professor, a group of 8 people with city names for aliases, take on the heist of a lifetime from inside the Royal Mint of Spain!

Movie Moxie absolutely adores shows like these – an incredibly clever central figure with a grudging axe to grind, who convinces a group of followers to enact a daring plan that would normally get laughed at for plausibility, something to stick it to The Man and win a victory (and a f*ck-ton of money) for the common people! A 5-part story told in three sectional seasons, the show features time-jumps, flashbacks, hidden character motives, an “unreliable narrator”, spans the entire gamut of human emotions and motivations, and will have you cheering for freedom by the end!

Known for their distinctive red jumpsuits and Salvador Dali masks, not to mention the rather large and real guns they’re packing, the robbers storm the Royal Mint of Spain and take hostages, but that’s the barest hint of a beginning, and only skates over the start of the Professor’s genius plan to smuggle out upwards of €900 million out under the very noses of the cops, the Spanish Central Nacional de Inteligencia or CNI (their equivalent of the FBI or similar intelligence agencies), and the common people who’ve come out to root for them!

We begin not with the Professor, but the unreliable narrator, the enticing and bugsh*t-crazy Tokyo, also rarely known as Silene Oliviera (Ursula Corbero). Recruited early as one of the very first of the Professor’s crew and particularly beloved by him, Tokyo acts unofficially as the heart of the group, quick to find words of comfort and violent encouragement when the sh*t hits the fan, she never shies away from cheerful destruction to bring her point across. Tokyo loves just as fiercely as she fights, and it’s actually her reluctance to suffer to be tamed in a life of domesticity that leads to a daring if necessary rescue plan that opens Season 2, Part 3 of Money Heist!

Nairobi, also occasionally known as Agata Jimenez (Alba Flores), is an expert of counterfeiting and forgery, personally overseeing the money printing and gold smelting, always loudly encouraging and determined to move things along at a breakneck pace. She acts as the hands of the gang, forever gesturing, pointing out, circling back together when it all seems to be falling apart.

Berlin, the older and terminally-ill brother of the Professor, is a former jewel thief with a past full of betrayal, and not always from Berlin himself. Rarely called Andres de Fonollosa (Pedro Alonso), Berlin is the mouthpiece of the gang, a smooth-talking, elegantly bisexual man who loves to steal the finer things in life, he is never without a quip just sharp enough with truth to hurt, even a little.

Denver (Jaime Lorente) is the guts of the gang, passionate and roiling and reluctant, young and hot-headed and prone to geyser-like outbursts of emotion, he wears his heart like armor and is perpetually ready to f*ck some sh*t up. Denver is almost always the would-be trigger man, the over-eager grunt tossed to the front lines, never in charge but never afraid to lead the charge, Denver has guts for days and can always be counted on to lift the rest of the gang when things are falling apart! It should also be noted that it’s because of Denvers various passions that we get a new member of the gang somewhere along the way, the more than mildly crazy Monica Gaztambide (Esther Acebo), who adopts the most appropriate gang moniker ever – Stockholm!

Moscow (Paco Tous), father to Denver and a former miner turned criminal with the rest of our gang, serves as the blood of our combined gang-body, a connection that flows below the surface between everyone, a calming influence that is no slouch in the brains department either.

Then there’s Rio, known eventually by the cops as Anibal Cortes (Miguel Herran), hacker and lover of Tokyo, the perpetual baby of the gang, always in need of saving. Rio is the thyroid gland of the entire gang, the entirely necessary computer hacker that’s generally ignored until desperately needed, or until it begins acting strangely, both of which happens to and not because-of Cortes.

Helsinki (Darko Peric) and his cousin Oslo (Roberto Garcia Ruiz) are of course the meat and muscle of the operation, both veteran Serbian soldiers always ready to utterly destroy the opposition with their intimidating sizes, explosives, and appetite for destruction!

We’ve saved the absolute best for last, because really, the Professor (Alvaro Morte) as the brains of the operation is like sex on toast for a sapiophile like Moxie! Hardly cutting any kind of striking figure, the Professor looks exactly as his moniker sounds – glasses, shirt-sleeves, adorably ruffled puppy-dog hair, skewed tie, harried, lovable expression. And yet somehow, the Prof is the whole of the entire heist, or series of heists, the soul of the group who drives with his passion and determination and ultimately, love, of not only years-long vengeance in the making, but the people he chose to surround himself with for this caper, who became family in the crucible of this trial. Stuck together in some Spanish villa in the countryside for months on end, planning and working and training together under the Professor’s calm, assured guidance, the gang unites under their patriarch and sets out to enact the most daring heist in history!

Plenty of bumbling cops, corrupt CNI officials, and other would-be credit-takers coalesce to try and get our robbers out of the Royal Mint by means fair or foul, but the most important of them is Inspector Raquel Murillo (Itziar Ituno), placed in charge of the original Mint heist. By Part 3, there is no more Raquel, she is now Lisbon and gleefully sporting a crimson jumpsuit and a Dali mask with the rest of them!

The love and care shown in each and every episode to the lost, the forgotten, the marginalized and the repressed – most especially in the LGBTQIA+ community – is truly impressive, and comes across in a beautifully haunting way. For a show fraught with the spectrum of human emotions, a daring plan pulled off by some incredibly zany characters, and the determination to seize justice with your own two hands, Money Heist is an incredible adventure worth repeated viewings!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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