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Netflix presents ‘Sisyphus: The Myth’: Save the girl, or save the world!

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Genius engineer and co-founder of the Quantum and Time company, Han Tae-sul, becomes embroiled in a secret world of time travel conspiracies after a mysterious woman saves him from an assassin!

So Han Tae-Sul (Cho Seung-woo), master engineer and inventor, is a bit of a jackass at the beginning of the show – rude and short with everyone less smart than him, which is pretty much everyone, slovenly and perpetually late, suffering from the loss of his admittedly strange older brother Han Tae-san (Heo Joon-seok) who died some while ago. Or did he? Because Tae-sul would absolutely swear that he saw his older brothers body go flying across the cockpit when he was using his enigmatic brains to save the sabotaged plane he was flying in from crashing. And that’s hardly the end to the strange occurrences that begin plaguing Han Tae-sul!

Kang Seo-hae (Park Shin-hye) is a survivor, a warrior, sent back from the future with a sacred mission to save Han Tae-sul no matter the cost, sure, but she’s also a girl from a nuke-filled future where Korea, at least, is empty and echoing and reclaimed by mother nature. She wanders the ruins of a beloved amusement park, dutifully adhering to hKang Dong-ki (Kim Jong-tae), her father’s, survivalist rules, collecting cute pink plushies to hang from her backpack; she paints the futuristic gun she defends herself with in shades of pink; she clutches an ancient (what else?!) pink journal as a lifeline to help in her critical mission of saving Tae-sul. And all that pink has a tendency to make Seo-hae a target for the militant survivalist groups of nuked-Korea’s bleak future, unless she and her father can make it to the Uploader, the machine of the future that inevitably sends people back to the past, trying to stop this terrible future from occurring. Which, as any lover of sci-fi films can tell you, is a horrible, paradoxical idea.

And then there’s the Control Bureau and its manipulative boss Mr. Hwang (Choi Jung-woo), who sends new recruit Jung Hyun-gi (Go Yoon) to assassinate Tae-sul; the Asia Mart tech crew who are by turns both friend and foe, led by Mr. Park (Sung Dong-il), and finally the psychotic shadow behind the whole end-of-the-world-but-also-Han-Tae-Sul plot, Seo Won-Ju, codenamed Sigma (Kim Byeong-cheol). All of them are personally, selfishly interested in the Uploader Han Tae-Sul built, or will build, or built but he can’t remember yet, whatever, screw you! This is why time travel gives us nosebleeds!

Kim Byeong-cheol, who plays the antagonist Sigma, also starred as the villain in another recent-ish South Korean smash hit, ‘Goblin’ or ‘Guardian: The Great and Lonely God’, and there is a very similar vibe to his character in ‘Sisyphus’. Greater detail about the glee for being bad Byeong-cheol tosses into every villain he plays would be nice, but that would be total spoilers for a epic time-travel sci-fi show like ‘Sisyphus’. Give it a watch, only on Netflix, try to count the time loops, and remember to choose: save the girl or save the world!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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