New Line Cinema’s widely acclaimed horror thriller “IT” smashed the record books with stunning opening weekend numbers on both the domestic and international fronts, it was announced today by Sue Kroll, President Worldwide Marketing and Distribution, Warner Bros. Pictures. Based on Stephen King’s beloved perennial bestseller, the film took in an estimated $189.4 million worldwide.
Domestically, “IT” scared up an astounding $123.1 million, crushing multiple records in its first weekend, starting with $13.5 million Thursday night previews, which made history as the highest horror preview; the largest R-rated preview; and the top September preview ever. Through the weekend, the milestones continued to mount, just a few of which include: the top horror film opening ever; biggest September opening for a film of any genre; and highest non-holiday weekend release for an R-rated film. On its own, “IT” surpassed the all-time industry record gross for a post-Labor Day weekend. In addition, “IT” now stands as New Line Cinema’s highest opening ever, and moviegoers looking for the biggest scares gave IMAX® their #1 opening weekend in September. The records had begun falling even before release, as “IT” became the top horror pre-seller ever and Fandango’s top September pre-seller ever for any genre.
Internationally, “IT” also saw huge releases in 46 markets, topping the box office in virtually all of them. Taking in an extraordinary $66.3 million, “IT” had the largest opening ever for a horror film. Among the other benchmarks are: the highest opening weekend for a horror film and top September debut ever in Russia and Australia; the biggest horror film debut in Brazil, Holland and Poland; and Warner Bros. Pictures’ largest opening for 2017 in 19 markets, including Russia, Australia, Spain, Poland, Norway, Belgium, Finland, Denmark and Chile. Anticipation is high in major markets yet to open, including Sweden, Mexico, France, Argentina, Germany and Italy.
In making the announcement, Kroll stated, “Anticipation for ‘IT’ has been at a fever pitch since the record-breaking debut of its teaser trailer, and the film has exceeded all expectations. ‘IT’ is not only a tremendously successful entry in New Line’s expanding horror-verse, but its appeal transcends the genre. Everyone involved, including director Andy Muschietti, his cast, and the producers, did a remarkable job bringing Stephen King’s cherished masterpiece to the big screen. I want to congratulate them, as well as all of our colleagues at New Line, on this fantastic start. I also want to recognize the inspired marketing campaign, spearheaded by Blair Rich, and our worldwide distribution efforts, led by Jeff Goldstein, Veronika Kwan Vandenberg and Tom Molter, and all their teams. We look forward to strong reviews and word-of-mouth carrying the film well into the fall/holiday season.”
“IT” tells the story of seven young outcasts growing up in the township of Derry, Maine, who call themselves the Losers’ Club. Each of them has been ostracized for one reason or another; each has a target on their back from the local pack of bullies…and all have seen their inner fears come to life in the form of an ancient shapeshifting predator they can only call It. For as long as their town has existed, Derry has been the entity’s hunting ground, emerging from the sewers every 27 years to feed on the terrors of its chosen prey: Derry’s children. Banding together over one horrifying and exhilarating summer, the Losers form a close bond to help them overcome their own fears and stop a killing cycle that began on a rainy day, with a small boy chasing a paper boat as it swept down a storm drain…and into the hands of Pennywise the Clown.
Directed by Andy Muschietti (“Mama”), “IT” is based on the Stephen King novel of the same name, which has been terrifying readers for decades. First published in 1986, IT became an instant classic. It continues to be counted among the best and most influential works of the undisputed literary master of horror, inspiring numerous film and television projects in the years that have followed.
The film stars Bill Skarsgård (“Allegiant,” TV’s “Hemlock Grove”) as the story’s central villain, Pennywise. An ensemble of young actors also star in the film, including Jaeden Lieberher (“Midnight Special”), Jeremy Ray Taylor (“Alvin and the Chipmunks: The Road Chip”), Sophia Lillis (“37”), Finn Wolfhard (TV’s “Stranger Things”), Wyatt Oleff (“Guardians of the Galaxy”), Chosen Jacobs (upcoming “Cops and Robbers”), Jack Dylan Grazer (“Tales of Halloween”), Nicholas Hamilton (“Captain Fantastic”) and Jackson Robert Scott, making his film debut.
Muschietti directed “IT” from a screenplay by Chase Palmer & Cary Fukunaga and Gary Dauberman, based on the novel by King. Roy Lee, Dan Lin, Seth Grahame-Smith, David Katzenberg and Barbara Muschietti produced the film, with Dave Neustadter, Walter Hamada, Richard Brener, Toby Emmerich, Marty P. Ewing, Doug Davison, Jon Silk and Niija Kuykendall serving as executive producers.
The behind-the-scenes creative team included director of photography Chung-Hoon Chung (“Me and Earl and the Dying Girl,” “Oldboy”), production designer Claude Paré (“Rise of the Planet of the Apes”), editor Jason Ballantine (“Mad Max: Fury Road”), and costume designer Janie Bryant (TV’s “Mad Men”). The music was composed by Benjamin Wallfisch (“Annabelle: Creation”).
New Line Cinema presents a Vertigo Entertainment/Lin Pictures/Katzsmith Production, “IT.” The film is being distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
“IT” has been rated R for violence/horror, bloody images, and for language.
Netflix’s Black and White Spoon is a Korean culinary competition series that seamlessly blends artistry, culture, and high-stakes drama into an unforgettable viewing experience. From its sleek production values to its deeply emotional storytelling, this show offers more than just tantalizing dishes—it serves a heartfelt exploration of culinary passion and perseverance.
The series pits contestants against each other in a dual-themed format where they must create dishes inspired by opposing concepts—light versus dark, sweet versus savory, or tradition versus innovation. This premise challenges the chefs’ creativity while providing viewers with visually stunning plates and fascinating backstories about Korean cuisine and its global influences.
The judges are a mix of culinary experts, celebrity chefs, and cultural critics, each bringing a unique perspective. Their feedback is sharp, insightful, and, at times, surprisingly emotional, further heightening the tension.
What sets Black and White Spoon apart is its emphasis on storytelling through food. Each episode dives deep into Korean culinary heritage, intertwining it with personal anecdotes from the contestants. Dishes are not merely judged on technical precision but also on the emotional resonance they evoke. For instance, a simple kimchi stew becomes a tribute to family ties, while a modern take on bibimbap showcases the fusion of tradition and innovation.
The cinematography deserves special mention. Every shot of sizzling grills, delicately plated meals, and reactions from the judges feels like an art piece. The pacing, however, can sometimes feel uneven. While the personal stories add emotional weight, they occasionally overshadow the cooking itself, leaving food enthusiasts craving more behind-the-scenes action in the kitchen.
Black and White Spoon is an inspiring and visually rich series that celebrates the art of cooking and the complexities of Korean cuisine. Its emotional depth and cultural insight make it a standout in the crowded genre of food competition shows, though slightly better pacing could elevate it further.
This is a must-watch for foodies, fans of Korean culture, and anyone who loves the blend of artistry and competition in culinary storytelling.
Final Rating: ★★★★☆ (4.5/5)
Thanksgiving may not have the sheer volume of movies as Christmas, but it’s no less special when it comes to heartwarming, funny, and even chaotic films that capture the holiday spirit. Here’s a ranked list of the top Thanksgiving movies you should add to your holiday viewing tradition.
Planes, Trains and Automobiles (1987)
Why Watch: The definitive Thanksgiving movie, John Hughes’ comedy about an unlikely duo (Steve Martin and John Candy) trying to make it home for Thanksgiving is equal parts hilarious and heartwarming.
Rating: ⭐⭐⭐⭐⭐⭐⭐⭐⭐⭐ (10/10)
A Charlie Brown Thanksgiving (1973)
Why Watch: This animated classic reminds us of the simple joys of friendship and togetherness, all with Snoopy’s iconic charm. Perfect for family viewing.
Rating: ⭐⭐⭐⭐⭐⭐⭐⭐⭐ (9/10)
The Blind Side (2009)
Why Watch: A feel-good drama about family, generosity, and second chances, this Sandra Bullock-led film captures the spirit of Thanksgiving through its heartwarming true story.
Rating: ⭐⭐⭐⭐⭐⭐⭐⭐ (8/10)
Pieces of April (2003)
Why Watch: A raw and quirky indie film starring Katie Holmes as a black sheep daughter trying to host Thanksgiving for her estranged family. It’s funny, awkward, and touching in equal measure.
Rating: ⭐⭐⭐⭐⭐⭐⭐⭐ (8/10)
Home for the Holidays (1995)
Why Watch: Directed by Jodie Foster, this chaotic comedy-drama starring Holly Hunter captures the ups and downs of a family Thanksgiving in all its messy glory.
Rating: ⭐⭐⭐⭐⭐⭐⭐ (7/10)
Addams Family Values (1993)
Why Watch: The hilarious Thanksgiving play sequence alone earns this gothic comedy a spot on the list. The Addams family’s twisted charm is perfect for holiday laughs.
Rating: ⭐⭐⭐⭐⭐⭐⭐ (7/10)
Dutch (1991)
Why Watch: This underrated road-trip comedy follows Ed O’Neill as a man escorting his girlfriend’s bratty son home for Thanksgiving, delivering laughs and heartfelt moments.
Rating: ⭐⭐⭐⭐⭐⭐ (6/10)
Miracle on 34th Street (1947)
Why Watch: Though more closely associated with Christmas, this classic opens during the Macy’s Thanksgiving Day Parade and celebrates holiday magic and kindness.
Rating: ⭐⭐⭐⭐⭐⭐ (6/10)
Scent of a Woman (1992)
Why Watch: Al Pacino’s Oscar-winning performance anchors this drama about loyalty and redemption, set against a backdrop of Thanksgiving break.
Rating: ⭐⭐⭐⭐⭐ (5/10)
Tower Heist (2011)
- Why Watch: A lighthearted heist comedy featuring Eddie Murphy and Ben Stiller, set during the Thanksgiving season. It’s not deep, but it’s a fun, entertaining watch.
- Rating: ⭐⭐⭐⭐⭐ (5/10)
Honorable Mentions
The Ice Storm (1997): A dark Thanksgiving drama for those who prefer serious fare.
Hannah and Her Sisters (1986): Thanksgiving frames this Woody Allen classic about family dynamics.
With this lineup, you’ll have plenty of options to keep your Thanksgiving movie marathon as memorable as the feast itself!
directed by Prashanth Neel, brings a bold and gritty spectacle to the big screen, marking a triumphant return for Prabhas in an action-heavy role. Known for his high-energy, raw style (seen in KGF), Neel continues his signature approach here, blending intense action scenes with grandiose settings reminiscent of epic sagas like Game of Thrones. The film revolves around Deva (Prabhas), a powerful yet calm figure with a complex past, and his involvement in a politically charged power struggle with Prithviraj Sukumaran’s character Varadha. This layered storyline introduces us to the fictitious city of Khansar, where betrayals and power dynamics keep viewers on edge.
Critics generally appreciate Prabhas’s magnetic performance, noting that he captures the larger-than-life heroism he’s celebrated for since Baahubali. His portrayal, paired with intense fight choreography, keeps the audience engaged, particularly during standout sequences that elevate the film’s dramatic intensity. Prithviraj’s character as Deva’s friend adds an intriguing dynamic, though Shruti Haasan’s role feels underused. While fans of action-packed cinema and Prabhas’s iconic style will enjoy the exhilarating visuals and powerful cinematography, some critics feel the plot loses momentum in the second half, with multiple subplots that dilute its emotional depth. The story is intentionally left open-ended, setting the stage for Salaar: Part 2.
Overall, Salaar is an ambitious action film that will satisfy fans of Prabhas and high-octane spectacles. However, those seeking a tight narrative or deep emotional connections might find it lacking. I’d rate it 3.5 out of 5 stars—a solid experience for action enthusiasts, with room for a more focused storyline in its sequel.
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