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Nicholas Cage Signs On To Bonkers New Film “Color Out Of Space”

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SpectreVision, the boutique genre division of Company X, and ACE Pictures announced today that principal photography will begin next month on COLOR OUT OF SPACE. Starring Nicolas Cage, the film will be directed by Richard Stanley — his first feature in over 20 years.

Based on the novella by H.P. Lovecraft, COLOR OUT OF SPACE will reunite Cage with SpectreVision, the company behind the critically acclaimed and commercially successful 2018 film MANDY. The film will also star Joely Richardson (Nip/Tuck, RED SPARROW), Tommy Chong (UP IN SMOKE), Elliot Knight (DC’s Titans), Julian Hilliard (The Haunting of Hill House) and Q’Orianka Kilcher (The Alienist, DORA THE EXPLORER).

COLOR OUT OF SPACE will be produced by SpectreVision’s Daniel Noah, Josh C. Waller, Lisa Whalen and Elijah Wood.  Timur Bekbosunov, Johnny Chang, Emma Lee and Peter Wong will executive produce for ACE Pictures. Stacy Jorgensen will executive produce for SpectreVision.

South African filmmaker Richard Stanley started career with back-to-back cult classics, HARDWARE and DUST DEVIL, before being released from the notoriously controversial 1996 production of THE ISLAND OF DR. MOREAU with Marlon Brando and Val Kilmer, an event chronicled in the 2014 documentary LOST SOUL: THE DOOMED JOURNEY OF RICHARD STANLEY’S ISLAND OF DR. MOREAU.  In the years since, Stanley has become a major cult figure whose return to feature filmmaking has been anticipated by legions of fans.

In the 60 years since his passing, H.P. Lovecraft has come to be widely acknowledged as one of the most influential voices in American literature, and his work has spawned a multi-million-dollar industry with a truly global fan base.  His influence and cult standing have inspired ranks in the horror echelon from Stephen King, Guillermo Del Toro, John Carpenter, Ridley Scott, J.J. Abrams, Sam Raimi, Stuart Gordon and many others.

COLOR OUT OF SPACE is a story of cosmic terror about The Gardners, a family who moves to a remote farmstead in rural New England to escape the hustle of the 21st century.  They are busy adapting to their new life when a meteorite crashes into their front yard. The mysterious aerolite seems to melt into the earth, infecting both the land and the properties of space-time with a strange, otherworldly color.  To their horror, the Gardner family discover that this alien force is gradually mutating every life form that it touches…including them.

SpectreVision partner Daniel Noah commented “Lovecraft is the dark father of modern horror, and we have been searching for an adaptation that captures the true scope of his cosmic dread for years. Richard Stanley – a wizard in his own right – will at long last bring Lovecraft’s humbling power to the screen unfiltered.”

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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