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“Once Upon a Time…in Hollywood” is as Good as it Gets

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Quentin Tarantino’s ninth film, Once Upon a Time … in Hollywood is a polarizing statement about the state of film, and an ode to what was.

It will be hard to review this film without a large amount of inflated superlatives, because to be frank, it’s just that good. With that said, here goes my best attempt:

The film kicks off in Hollywood Hills in February 1969, the city’s Golden Age. We are quickly introduced to Rick Dalton a fading TV star played by Leonardo DiCaprio and his stunt double Cliff Booth played by Brad Pitt. Rick is working on multiple cameos on other roles and constantly questioning his stardom, while Cliff is his loyal friend who he pays to drive him around. Cliff is an easy going and humble guy who contrasts the egotistical and high strung TV star Rick Dalton.

While we focus on the clusterf**k that is Rick’s career as he comes to grip with himself and his has-been role as his on-screen persona Jake Cahill, a western bounty hunter, we are also introduced to his neighbor Roman Polanski and more so his wife Sharon Tate played by Margot Robbie.

This is where the lines of reality and fiction begin to blur, as you should know those names and characters are rooted in the true drama of that time.

Roman Polanski is off in Europe and Sharon Tate is just soaking up the good life with a career about to take off and her closest friends staying in the house with her. And as we get a look at the comings and goings of the falling and rising stars that are Rick and Sharon neither one ever interacting we are also introduced to Manson’s hippy cult girls who were peppered all across Hollywood at the time.

As Cliff is enticed by an especially free-spirited hippy girl known as Pussycat, he involves himself involuntarily in the maniacal happenings of their group.

These three plots all intertwine into a surefire masterpiece.

Tarantino truly encapsulated something great in this film. From the bold statements about how things used to be to the long list of all-star actors, Kurt Russell, Al Pacino, Dakota Fanning just to name a few, this film has it all.

Tarantino took the era by the hair, forced it to look in the mirror while tripping balls and left us all wondering what if?

In an industry filled with superheroes and rom-coms, we needed this film.

 

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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