Connect with us

‘Parallel World Pharmacy’: Trust me, I’m a pharmacist!

Published

on

Reviewed by Alicia Glass

 Based on a light novel of the same name from Liz Takayama, another in a long line of isekai or alternate-world anime, Parallel World Pharmacy tells the story of a pharmacist reincarnated in a world akin to 17th century France, with magic!

So Kanji Yukitani is a gifted pharmacist in the real world, obsessed with helping as many people as he can with medicine after his beloved sister died from a tumor he couldn’t treat. Inevitably, Kanji literally works himself to death, and reawakens to the life of the youngest son of the noble de Medicis family, who serve the royal family as doctors.

Pharma de Medici, as he is now known, is shocked to discover this new world uses actual magic known as Divine Arts to help practice their medicine. A large faith is centered around the Panactheos, the Gods who rule the Divine Arts, policed by the Holy Diocese and considered by the nobility to be their rightful due, and therefore only nobility and royalty have access to general healthcare, much less specialized treatments. Common folk have the option of joining the Saint Fleuve Guild, and hosting their own pharmacy somewhere in the city under the Guild umbrella, but that is the only way to consider doing such a thing. Until now.

It turns out, the real Pharma de Medicis was struck by lightning before Kanji’s soul was popped into his body, so much of his oddities after awakening were excused. But the light-up tattoos gracing his shoulders, a sure sign of the Panactheos’ favor and potential heresy at the same freaking time, scream otherwise. Pharma finds he now possesses the Divine Eye, a magic that allows him to correctly diagnose the ailment of a given patient, and he’s gifted with an overabundance of the other elements of magic, including the heretofore believed extinct None, which just keeps drawing further attention to him! Especially when his esteemed father Archduke Bruno de Medicis brings Pharma with him to go diagnose and treat the ailing Empress!

Diseases that are rife in 17th century France – tuberculosis, known here as the White Death, influenza, chicken pox, mercury poisoning, and everyone’s favorite, the Black Plague – are rearing their ugly heads to be mowed down by the Divinely inspired Pharma, and his zeal for the revolutionary thought that medicine is for all people regardless of station in life is making him enemies left and right, but also reformed allies too. One can’t argue with an official Royal charter from the Empress herself, not after Pharma, and not his official Royal Doctor father, cured her of the White Death.

And what does Pharma want to do with that Royal charter? He wants to open a pharmacy, where medicine is available to every last person, common or noble or Divine alike. And because Pharma has still managed to retain a modern-day sense of humor, or at least irony, the new pharmacy will be called Parallel World Pharmacy.

Surrounded by a host of allies – father Bruno de Medicis, still open-minded enough to embrace the changes in his son, especially when they produce clear medical results; tutor Eleonore, called Elle, initially terrified of the new Pharma, is now his strongest proponent and second-in-command when they attempt to stave off a Black Plague pandemic; house-maid and strong friend to Pharma, Charlotte, who of course is hired as an errand-girl to the Pharmacy; Chloe de Chatillion and her league of Noble ladies no longer being poisoned by mercury in their makeup, who open satellite makeup stores from the Pharmacy itself; reformed Diocese Inquisitors who now voluntarily serve as Pharma’s Holy Guard; even the Empress Elisabeth, very much alive after taking Pharma’s treatment against the White Death – Pharma does his best to give medicine to all, despite being hampered by his hosts age and physical stature, with an open mind and heart, as any real physician should.

Similar to the beloved past-future anime Dr. Stone and the isekai series Ascendance of a Bookworm, Parallel World Pharmacy is full of love and medicine, and can be enjoyed on Crunchyroll now!

Continue Reading

Movie

‘Mufasa: The Lion King’ Will Leave You Breathless

Published

on

“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

Continue Reading

Movie

Is ‘Kraven the Hunter’ a Total Letdown?

Published

on

“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

Continue Reading

Movie

A Brief Review and History of A Year Without a Santa Claus

Published

on

A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

Continue Reading

Trending

Copyright © 2012 - 2024 That's My Entertainment