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Plus One Tries to Break the Rom-Com Mold

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Plus One has a concept that would easily play out in any of the dozens of romantic comedies of the early 2000s. Two 20-somethings find themselves in the heat of wedding season as all of their friends are getting married and they remain single.

(L-R) Jack Quaid as Ben and Maya Erskine as Alice in the romantic comedy “PLUS ONE,” an RLJE Films release. Photo courtesy of RLJE Films.

Rather than bear through it alone they make a deal to double down on weddings but go together so they don’t get stuck at the singles table.

Instead of formatting this as a polished rom-com the director instead chose to tackle it as an indie starring mostly unknowns and shot in such a raw way that it almost feels like we’re just voyeurs for most of the movie.

Of course, it helps that our two main characters Alice (Maya Erskine) and Ben (Jack Quaid) have insane chemistry together. Watching them talk the audience fully believes that they’ve been friends for years and it feels totally natural. As the movie hops from wedding to wedding they evolve as characters too. A movie with such a basic premise shouldn’t work as well as it does but it works perfectly.

The breakout star of the movie has to be Maya Erskine. Quaid, if anything, plays the straight man to her wild child. Erskine has been in the indie scene for a while but never really had the chance to shine as a star. She was great in Amazon’s Betas but was sidelined in an already short series. With Plus One she’s given the space to let loose and steals the show.

(L-R) Jack Quaid as Ben and Maya Erskine as Alice in the romantic comedy “PLUS ONE,” an RLJE Films release. Photo courtesy of RLJE Films.

The one complaint I have is the one complaint I have about most modern romantic comedies. It falls into the trope that both of the main characters are wildly successful people usually living in California or New York. In one early scene, while Ben struggles with his father’s new marriage and the troubles of being single, he is out on a golf course with his father. It’s a little thing but makes it harder to sympathize with the character when they are living comfortably even in the midst of the rest of the plot.

That complaint isn’t limited to just this movie

(L-R) Maya Erskine as Alice and Jack Quaid as Ben in the romantic comedy “PLUS ONE,” an RLJE Films release. Photo courtesy of RLJE Films.

but applies to most modern romantic comedies.  The sense of luxury removes any sense of realism the movie worked hard to achieve. If the goal to be real then let the characters struggle like regular people, not idealized characters.

That being said, Plus One is well worth the watch if only for the chemistry between Erskine and Quaid. Erskine is a force of nature and hopefully, this film brings her the attention she deserves.

Plus One is streaming now on Amazon Prime.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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