Primatologist Davis Okoye (Johnson), a man who keeps people at a distance, shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size. To make matters worse, it’s soon discovered there are other similarly altered animals. As these newly created alpha predators tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend. “Rampage” also stars Oscar nominee Naomie Harris (“Moonlight”), Malin Akerman (TV’s “Billions”), Jake Lacy (TV’s “Girls”), Joe Manganiello (TV’s “True Blood”), and Jeffrey Dean Morgan (TV’s “The Walking Dead”); as well as P.J. Byrne (“The Wolf of Wall Street”), Marley Shelton (“Solace”), Breanne Hill (“San Andreas”), Jack Quaid (“The Hunger Games: Catching Fire”), Matt Gerald (TV’s “Daredevil”), Jason Liles (“Death Note”), Demetrius Grosse (TV’s “The Brave”), Will Yun Lee (TV’s “Hawaii Five-O”). Peyton directs from a screenplay by Ryan Engle and Carlton Cuse & Ryan J. Condal and Adam Sztykiel, story by Ryan Engle, inspired by the Rampage video game. “Rampage” is produced by Beau Flynn, John Rickard, Brad Peyton and Hiram Garcia. It marks the third collaboration between Johnson, Peyton and Flynn, following the blockbuster hit “San Andreas.” Serving as executive producers are Marcus Viscidi, Dwayne Johnson, Dany Garcia, Jeff Fierson, Toby Emmerich, Richard Brener and Michael Disco. The creative team includes director of photography Jaron Presant (2nd unit, “Star Wars: The Last Jedi”); production designer Barry Chusid (“San Andreas”); editors Jim May (“Goosebumps”) and Bob Ducsay; and costume designer Melissa Bruning (“Dawn of the Planet of the Apes”). Music is composed by Andrew Lockington, who created the scores for “San Andreas” and “Journey 2: The Mysterious Island.” The “Rampage” creatures are brought to life by acclaimed VFX supervisor Colin Strause (“San Andreas,” “X-Men: Apocalypse”), with five-time Academy Award-winning visual effects company Weta Digital (“The Lord of the Rings” Trilogy, “Dawn of the Planet of the Apes”). “Rampage” opens in theaters beginning Friday, April 13, 2018. A New Line Cinema presentation, in association with ASAP Entertainment, a Wrigley Pictures / F.P.C. / 7 Bucks Entertainment production, a Brad Peyton Film, “Rampage” will be distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company. This film has been rated PG-13.
Streaming
Salaar: Part 1 – Ceasefire
directed by Prashanth Neel, brings a bold and gritty spectacle to the big screen, marking a triumphant return for Prabhas in an action-heavy role. Known for his high-energy, raw style (seen in KGF), Neel continues his signature approach here, blending intense action scenes with grandiose settings reminiscent of epic sagas like Game of Thrones. The film revolves around Deva (Prabhas), a powerful yet calm figure with a complex past, and his involvement in a politically charged power struggle with Prithviraj Sukumaran’s character Varadha. This layered storyline introduces us to the fictitious city of Khansar, where betrayals and power dynamics keep viewers on edge.
Critics generally appreciate Prabhas’s magnetic performance, noting that he captures the larger-than-life heroism he’s celebrated for since Baahubali. His portrayal, paired with intense fight choreography, keeps the audience engaged, particularly during standout sequences that elevate the film’s dramatic intensity. Prithviraj’s character as Deva’s friend adds an intriguing dynamic, though Shruti Haasan’s role feels underused. While fans of action-packed cinema and Prabhas’s iconic style will enjoy the exhilarating visuals and powerful cinematography, some critics feel the plot loses momentum in the second half, with multiple subplots that dilute its emotional depth. The story is intentionally left open-ended, setting the stage for Salaar: Part 2.
Overall, Salaar is an ambitious action film that will satisfy fans of Prabhas and high-octane spectacles. However, those seeking a tight narrative or deep emotional connections might find it lacking. I’d rate it 3.5 out of 5 stars—a solid experience for action enthusiasts, with room for a more focused storyline in its sequel.
Streaming
Review of Kalki 2898 AD on Netflix
Review of Kalki 2898 AD on Netflix
Rating: (4/5)
Kalki 2898 AD, directed by Nag Ashwin, is a visually ambitious sci-fi film featuring an ensemble of Indian cinema legends, including Prabhas, Amitabh Bachchan, and Deepika Padukone. The film is set in a dystopian future with a storyline that weaves mythology and science fiction, creating a unique cinematic experience for viewers.
The film’s narrative unfolds in a futuristic society where technology and ancient themes intersect. It begins with an immersive setup that introduces us to Prabhas’ character, Bhairava, who grapples with complex moral and existential questions in a world marked by political and ethical turmoil. Although the pacing can feel slow in parts, especially as it establishes the mythological underpinnings, the intensity and scope build significantly as the story progresses.
One of the most captivating aspects is the stunning visual effects. The production team, with a budget reportedly over 400 crore INR, utilized advanced CGI to craft expansive landscapes, dramatic space battles, and futuristic cityscapes that resemble scenes from Hollywood sci-fi giants. The action sequences, particularly those featuring Bachchan, stand out with their thrilling choreography and careful dramatic build-up. These sequences balance between traditional Indian cinema stylings and Hollywood’s polished sci-fi tropes.
While Kalki 2898 AD relies heavily on genre conventions, it manages to bring a fresh twist by blending mythological symbolism with modern sci-fi elements. However, some may find the film’s narrative occasionally predictable, and the focus on visual spectacle occasionally overshadows character development. Yet, the powerhouse performances from the lead cast, particularly Bachchan and Padukone, provide the emotional depth needed to keep audiences engaged.
In summary, Kalki 2898 AD is an impressive venture into the sci-fi genre for Indian cinema, successfully balancing myth with high-tech fantasy. While not without flaws, it’s an enjoyable and bold cinematic experience that’s worth a watch for fans of both Indian mythology and science fiction.
Movie
Gladiator 2 Builds On The Legacy Of Its Predecessor,
Gladiator 2 builds on the legacy of its predecessor, delivering a captivating story that honors the original while forging a compelling new path. The cast shines in their roles, with Paul Mescal delivering a powerhouse performance as Lucius, the now-grown son of Maximus. Mescal captures a blend of vulnerability and strength, embodying a character driven by both honor and revenge. Alongside him, Denzel Washington commands the screen, adding gravitas and depth to a key supporting role
The screenplay is a triumph, keeping the audience engaged at every turn. While the overarching story gives you a sense of where it’s headed, the journey remains unpredictable, and packed with twists. The film balances themes of legacy, vengeance, and redemption, weaving them seamlessly into the narrative.
Action sequences, particularly the gladiatorial combat, are visually pleasing. The fights are brutal and visceral, with just enough gore to feel authentic without veering into excess. Visually, Gladiator 2 is stunning. The production design, cinematography, and score come together to create a visceral and immersive experience.
As a follow-up to a beloved classic, Gladiator 2 meets expectations, proving to be both a thrilling spectacle and a worthy successor. It’s a 9/10—a tale of honor and legacy.