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RETRO REVIEW HALLOWEEN EDITION: ROBOT MONSTER

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The Wizard of Oz is one of the best and all-time classic movies. It had great visuals, memorable characters, decent special effects for the time period and a timeless story that transcends time and will still be told generations from now. It also gave us, in a way, the first memorable twist ending that has been parodied and quoted. In some eyes, it’s one of the best films of all time.

Why mention Wizard of Oz? Well, I thought I would mention a good movie before I delve into the unpleasant and difficult movie to view without any kind of riffing of Robot Monster. This movie was a cheesy B-movie drive in film made in the fifties that tried making a monster sci-fi movie that talked about alien invasion and the possibility of human extinction. With so much going against this movie, is this film enjoyable at all? Well, that’s tough to tell. When MST3K uses the movie in their show, that usually says that your movie is so bad that you have to riff it just to get through it all. However, I viewed it without the riffing and just sat through the entire movie on one sitting. So, we’ll review this film and discuss the story, the characters and the special effects. Let’s sit back and make sure we are immunized as we review Robot Monster.

The main story of this movie is a little convoluted. We meet Johnny, an adventurous young boy, who is playing in the field acting like an alien or astronaut walking the planes of an unknown planet. He comes across some archaeologists and Johnny loves science. His mother comes by and collects him to continue their picnic. Johnny falls asleep and now our “wizard of oz” story begins. SPOILERS: The whole movie is basically a dream and it doesn’t even have to be. So, during this dream sequence, Johnny made the archaeologists part of his family with his oldest sister being married to the younger one and the older one being the father. They seem to be the last of the human species because alien invaders called Ro-Man have wiped everyone out. The last humans aren’t wiped out because the father developed a serum that makes them immune to the Ro-Man’s death beams. That’s basically the plot of the movie. It’s Ro-Man trying to find the last of the humans and the humans and the humans trying to either reason with the Ro-Man or trying to find a way to destroy him. It’s a simple story that really doesn’t have much going on. It’s like watching some people play chess and there hasn’t even been a check once throughout the match. It is a tough watch because the dialogue is silly and they throw in random scenes with a marriage scene, off-screen love making, and a lot of walking scenes through a quarry.

The characters are so stock and uninteresting that it was really hard to be invested in anything they say or do to move the story forward. The Ro-Man, has a bad ADR voice and looks ridiculous. I know this is a B-movie drive in film but, come on. You have a guy in a gorilla suit and a space helmet covering their face on their head and that’s your master alien race. What kind of lazy design were they thinking? I know some designs from the 50s were cheesy and silly but this one makes no sense and it’s just laughable the whole time. But, the rest of the characters are just boring and plain. Johnny is annoying and brings only brings horrible Opie level annoyances. The Father figure talks science babel that doesn’t really explain how he developed his serum and whatnot. The sister and her husband are the pretty people that have the chemistry and the naivety of youth and love, which ultimately gets them killed by the Ro-Man. The mother is background fodder and I forget she’s even there half the time. If the characters were maybe more interesting, the movie could maybe have some kind of charm and even maybe have some kind of cult reaction to it.

The special effects are minimum. They use a bubble machine when we are in the lair of the Ro-Man I guess showing science stuff. There’s a video mirror that is used for communication, which is probably something out of a Buck Rodgers comic. The rest of the effects involve alternating color changes when it comes with the death rays. For a movie that is supposed to have robots and monsters, its a very dialogue heavy movie with very little action.

Overall, this movie is tough to watch. You need people or some MST3K riffing in order to make this movie watchable. I had to pause a couple of times just because it was boring. I was hoping there might be some hidden gem or cult status to this. There was none. At the end of the movie, Johnny wakes up and is reunited with his family as the archaeologists make sure he goes home safely. I don’t understand why they needed to do a Wizard of Oz premise but it just doesn’t work. You could have just opened with the movie with just the Ro-Man having conquering the Earth and have some survivors trying to continue to live and maybe figure out how to escape the clutches of the Ro-Man. Either or, the movie lacks so much of everything needed to make the movie enjoyable and watchable. I would not recommend this movie to anyone unless you want to do a good riffing (if you do, be prepared to do it constantly).

 

This movie is available on Amazon Prime.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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Review: Pushpa: The Rise (2021)

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Director: Sukumar

Cast: Allu Arjun, Rashmika Mandanna, Fahadh Faasil

Genre: Action, Drama

Rating: 4.5/5

Pushpa: The Rise is a raw, adrenaline-fueled ride that showcases the underbelly of the red sandalwood smuggling trade in Andhra Pradesh. Directed by Sukumar, this movie brilliantly blends high-octane action with emotionally driven storytelling, making it a must-watch for fans of Telugu cinema and action dramas.

The narrative follows Pushpa Raj (Allu Arjun), a laborer in the red sandalwood trade, as he climbs the ranks to become a powerful figure. Born into poverty and scorned for his illegitimacy, Pushpa’s journey is marked by grit, ambition, and a fierce sense of self-respect. The film deftly balances the action-packed rise of Pushpa with moments of vulnerability, particularly in his tumultuous romance with Srivalli (Rashmika Mandanna).

The antagonist, Bhanwar Singh Shekhawat (Fahadh Faasil), is introduced towards the film’s end, setting the stage for a gripping sequel. The climactic confrontation between Pushpa and Shekhawat is a masterclass in tension-building, leaving viewers eagerly awaiting Pushpa: The Rule.

Allu Arjun: This is Allu Arjun’s film through and through. His transformation into Pushpa is a revelation, from his rugged look to his unapologetic demeanor. His mannerisms, including the now-iconic shoulder rub and dialogue delivery, make Pushpa an unforgettable character.

Rashmika Mandanna: While her role as Srivalli adds emotional depth to the story, it feels slightly underutilized. However, her chemistry with Allu Arjun is undeniable.

Fahadh Faasil: Despite limited screen time, Fahadh delivers a chilling performance as the cold and calculating Shekhawat. His presence promises an explosive conflict in the sequel.

Sukumar’s direction is stellar, balancing mass appeal with nuanced storytelling. The screenplay maintains a brisk pace, seamlessly weaving action sequences with character development. The film’s raw and grounded tone is a departure from the glossy feel of many mainstream Telugu films, adding authenticity to the story.

Mirosław Kuba Brożek’s cinematography is stunning, capturing the lush forests of Andhra Pradesh and the gritty world of the red sandalwood trade.

Devi Sri Prasad’s music is another highlight. Tracks like “Srivalli” and “Oo Antava” became cultural phenomena, while the background score enhanced the film’s intensity.

Action Sequences: The action choreography is visceral and hard-hitting, perfectly complementing the film’s tone.

The film explores themes of ambition, class struggle, and self-respect. Pushpa’s refusal to bow down to societal norms resonates deeply, making him a relatable anti-hero. The story also critiques the systemic exploitation of laborers, adding a layer of social commentary.

Pushpa: The Rise is an exemplary action-drama that redefines the Telugu film industry’s global appeal. With a magnetic performance by Allu Arjun, stellar direction by Sukumar, and unforgettable music, it stands out as one of the best films of 2021. While it occasionally falters with some underdeveloped subplots, the overall experience is nothing short of spectacular.

4.5/5 Pushpa: The Rise is a cinematic feast that deserves its cult status. Whether you’re a fan of Telugu action films or a newcomer, this film is a must-watch. Its cliffhanger ending ensures that Pushpa: The Rule will be even bigger and better.

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