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Retro Review: The Wraith

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Hey everyone, do you like cars? (I guess so) Do you like revenge? (It’s best served cold?) Do you like the cheesy over the top villains in traditional 1980s movies? (heck yeah) Well, my friends, do I have a treat for you (do you really?).

On Netflix, while browsing, I came across the movie, The Wraith staring Charlie Sheen. I have never heard of this film but it seemed as though it has all the elements of some cheese and some action that has since become synonymous with action exploitation movies from the 1980s. It has all the tropes that would make for some good riffing and some interesting premises. Does the movie have any appeal for the modern day audience who are looking to chill? Or is it a time capsule that shows outdated premises and tropes that should best be left back in the 1980s or at least leave just for The Expendables. We’ll be analyzing the plot, the action sequences and if the Netflix viewers would enjoy this movie. Lets rev those engines and prepare for the big explosions as we delve into the movie, The Wraith.

The plot of this movie is one-part Knight Rider, and one part The Crow (which wasn’t even created yet) mixed together in a 1980’s movie. The movie is about a man who comes back from the dead to avenge his murder by killing those who were responsible in a drag race using this really awesome sick car that is jet black and just pure 1980’s futuristic design. The first scene we meet the villain of the movie, Packard, and his gang of street thugs who use drag racing as a means to steal peoples cars. He has the 1980s villain name with its pretentiousness, he doesn’t show remorse for any of his actions, and he has his gang of flunkies who do everything he says because they’re afraid of him. Packard, congratulations, you pass the 1980s villain tropes. You are everything this movie needs in a villain with zero likability. You are there to just make the hero look like a saint. Awesome. Packard controls the life of his girl Keri (she doesn’t want to be his girl) and he is always talking about his love for her and if he cannot have her, no one will.

Well, Charlie Sheen enters the picture as the new guy in town and he turns the gangs life upside down with Charlie “stealing” Keri from Packard and him wanting to hunt and kill Sheen. The pacing of the movie has a steady beat of the drum, with the expositions of different characters, flashback scenes, montages and the ultimate racing action sequences. Everything in the movie has a steady pace without anything seeming too sudden or anything coming really out of left field. It all has a steady build up to the final scene, which sadly for me, doesn’t live up to the build up. Without spoiling anything in the movie, Packard and the masked driver have been playing their game of chess and when its Packard’s turn, it kind of feels flat. I am hoping for this big showdown, two alpha males flexing their guns and having something special, but, it was every other action scene without it being the final boss. It is a letdown in terms of the hero facing the villain and it sadly doesn’t work.

The action sequences are okay for a low-budget action movie. The drag racing scenes are actually pretty awesome. They’re not overly done with ridiculous stunts (Fast and the Furious franchises) and it shows that this is probably what real drag racing would feature in a real life situation. No one is going to do crazy tricks on a road when you need to focus on driving straight and avoid the twists and turns of the Arizona peaks and cliffs. The explosions are also nice as well. When cars collide with each other or fall off a cliff, the explosions work because it wasn’t done with computers but rather exploding real cars. Those kind of realistic stunts and explosions are missed in today’s cinema because everything nowadays uses CGI and don’t want to create a safe working set with real explosives.

The question now is whether this movie would work for the Netflix audience in the modern time? That’s a tough question to ask. I think it would do well with audiences if they do enjoy 1980s action tropes and the traditional villains with no redeeming factor in their characters. The movie on the whole is relatively harmless as a whole. No one will get offended by it, and it doesn’t deal with any harshness in society or have any kind of political statements. It has some fun, some action, realistic explosions and a really awesome soundtrack of some great hair metal bands. The movie is good for a nice movie marathon of action movies or the low budget kind, and it has enough fun to not be bored by and not enough silliness to riff it the whole time. It has a little bit of everything for the action movie fan.

 

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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Review: Pushpa: The Rise (2021)

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Director: Sukumar

Cast: Allu Arjun, Rashmika Mandanna, Fahadh Faasil

Genre: Action, Drama

Rating: 4.5/5

Pushpa: The Rise is a raw, adrenaline-fueled ride that showcases the underbelly of the red sandalwood smuggling trade in Andhra Pradesh. Directed by Sukumar, this movie brilliantly blends high-octane action with emotionally driven storytelling, making it a must-watch for fans of Telugu cinema and action dramas.

The narrative follows Pushpa Raj (Allu Arjun), a laborer in the red sandalwood trade, as he climbs the ranks to become a powerful figure. Born into poverty and scorned for his illegitimacy, Pushpa’s journey is marked by grit, ambition, and a fierce sense of self-respect. The film deftly balances the action-packed rise of Pushpa with moments of vulnerability, particularly in his tumultuous romance with Srivalli (Rashmika Mandanna).

The antagonist, Bhanwar Singh Shekhawat (Fahadh Faasil), is introduced towards the film’s end, setting the stage for a gripping sequel. The climactic confrontation between Pushpa and Shekhawat is a masterclass in tension-building, leaving viewers eagerly awaiting Pushpa: The Rule.

Allu Arjun: This is Allu Arjun’s film through and through. His transformation into Pushpa is a revelation, from his rugged look to his unapologetic demeanor. His mannerisms, including the now-iconic shoulder rub and dialogue delivery, make Pushpa an unforgettable character.

Rashmika Mandanna: While her role as Srivalli adds emotional depth to the story, it feels slightly underutilized. However, her chemistry with Allu Arjun is undeniable.

Fahadh Faasil: Despite limited screen time, Fahadh delivers a chilling performance as the cold and calculating Shekhawat. His presence promises an explosive conflict in the sequel.

Sukumar’s direction is stellar, balancing mass appeal with nuanced storytelling. The screenplay maintains a brisk pace, seamlessly weaving action sequences with character development. The film’s raw and grounded tone is a departure from the glossy feel of many mainstream Telugu films, adding authenticity to the story.

Mirosław Kuba Brożek’s cinematography is stunning, capturing the lush forests of Andhra Pradesh and the gritty world of the red sandalwood trade.

Devi Sri Prasad’s music is another highlight. Tracks like “Srivalli” and “Oo Antava” became cultural phenomena, while the background score enhanced the film’s intensity.

Action Sequences: The action choreography is visceral and hard-hitting, perfectly complementing the film’s tone.

The film explores themes of ambition, class struggle, and self-respect. Pushpa’s refusal to bow down to societal norms resonates deeply, making him a relatable anti-hero. The story also critiques the systemic exploitation of laborers, adding a layer of social commentary.

Pushpa: The Rise is an exemplary action-drama that redefines the Telugu film industry’s global appeal. With a magnetic performance by Allu Arjun, stellar direction by Sukumar, and unforgettable music, it stands out as one of the best films of 2021. While it occasionally falters with some underdeveloped subplots, the overall experience is nothing short of spectacular.

4.5/5 Pushpa: The Rise is a cinematic feast that deserves its cult status. Whether you’re a fan of Telugu action films or a newcomer, this film is a must-watch. Its cliffhanger ending ensures that Pushpa: The Rule will be even bigger and better.

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