Overview: Four pre-teens from very different backgrounds are stranded at the adventurous summer camp, Rim of the World when something catastrophic happens onboard the International Space Station. It’s Independence Day meets The Goonies in this thrilling teen action adventure. Its up to them to save the world from an alien invasion, if they can learn to work together, one crazy mishap at a time!
Cons: This movie is rated TV-14 but it is NOT appropriate for young viewers. There are A LOT of sexual references, jokes and dialogue. I am not a prude by any stretch of the imagination but when a 13 year old boy acts out “motor boating” a grown woman and talks about how much “ass he gets” or has a conversation about a woman’s “box”… I have to speak on it.
There are some graphic scenes involving aliens killing people and eating them, which is fine for (older) teens/adults but maybe not so much for younger children.
Pros: This movie is clever and funny. I laughed hard at quite a few scenes and was shocked by the brutality of others. The music (Bear McCreary) was hip and current, sometimes adventurous and when called for, tense and foreboding.
Jack Gore is a rising star, playing Alex, the traumatized, painfully shy nerd who’s mom makes him go to camp. He’s extremely intelligent but sheltered so he needs to make friends that will bring him out of his self -imposed isolation. Gore does a stellar job in bringing Alex to life and making the character believable.
Miya Cech plays ZhenZhen and she crushes this part. She’s funny and strong, mysterious and smarter than the average bear. She is the bad ass glue that holds these pre-teen boys together. She shows a lot of promise as an actress; I hope to see her in more films.
Benjamin Flores Jr. is Dariush, the rich, entitled, snobby kid who starts things off as a complete ass and a bully.
His only saving grace is at the end when he has his “come to Jesus” moment. Flores Jr. pulls this off flawlessly and despite the fact that I wanted to turn him over my knee, he is going to be an actor of Smith/Rock/Tucker caliber if he continues performing with such amazing skill. Alessio Scalzotto plays Gabriel, the stranger that the kids meet in the woods. He has a checkered past and a strong sense of right and wrong. He is the conscience of the group and the protector of Alex, whom Dariush seems compelled to bully and torment.
McG does a wonderful job directing these kids, who did an amazing job bringing these characters to life, and putting together some fantastic action sequences (not realistic but really fun) that makes the plot of the movie more enjoyable. It also has some heartwarming scenes when each teen reveals their origin story and is accepted by the group despite their flaws. These kids are broken but find a family in each other as the world falls apart around them.
Conclusion: This movie was really good. The aliens were scary and vicious, the kids all gave great performances, the story line was cheesy but interesting and there were some laughs to break up the drama. I will say that for anyone younger than 15 (and that’s pushing it) the sexual content is too much, the brutality and sound effects might cause some nightmares and the fact that these kids are just running around while all of the adults are dying is a more than a little far fetched but hey, The Goonies did it… right? I highly recommend this to anyone who wants 99 minutes of action and fun with no thought required.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.