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Ryan Gosling’s Directorial Debut, “Lost River,” Comes to Theaters and Digital April 10, 2015

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Warner Bros. Pictures today announced that Ryan Gosling’s directorial debut film, “Lost River,” will open April 10 for a theatrical run in New York and Los Angeles and will also be available same day via national digital release in the U.S. This news comes the same day as the announcement of the film’s North American premiere being part of the SXSW Film Festival, running March 13 – 21 in Austin Texas. The announcement was made today by Sue Kroll, President of Worldwide Marketing and International Distribution, and Dan Fellman, President, Domestic Distribution, Warner Bros. Pictures.

“I am excited that ‘Lost River’ is being released by Warner Bros. and having its North American premiere at SXSW”

“Ryan is one of the most exciting actors of his generation and ‘Lost River’ reveals that he is also one of its most promising young directors,” said Kroll. “His debut film is a singular vision of stranded people finding connection in a broken world. We believe in this film and in Ryan as a director, and are delighted to be working with him in this new role. This is a great opportunity to give audiences the chance to discover this compelling, original work for themselves.”

Added Fellman, “By capitalizing on the growing variety of film release opportunities, we can better target the right audience and give ‘Lost River’ a bigger and more focused voice than it would have if we put it exclusively in theaters. We are excited to see the result.”

“I am excited that ‘Lost River’ is being released by Warner Bros. and having its North American premiere at SXSW,” said Gosling. ”It’s a small specialty film, so for me, this day-and-date theatrical and digital release plan provides the best of both worlds. It allows those who are interested in seeing my film in a theatre to do so without excluding the majority of people who don’t have access to a specialty cinema. VOD is giving a new life to independent cinema and I’m very excited to have the opportunity to showcase the wonderful work of my cast and crew on such a broad platform.”

The film, from Sierra Affinity, Phantasma Films and Bold Films, stars Christina Hendricks (TV’s “Mad Men”), Saoirse Ronan (“The Grand Budapest Hotel”), Iain De Caestecker (TV’s “Agents of S.H.I.E.L.D.”), Matt Smith (TV’s “Doctor Who”), Reda Kateb (“Zero Dark Thirty”), Barbara Steele (TV’s “Dark Shadows”), with Eva Mendes (“The Place Beyond the Pines”), and Ben Mendelsohn (“The Dark Knight Rises”). In addition to directing the film, Gosling also wrote the screenplay. The producers are Marc Platt (“Into the Woods”), Gosling, Adam Siegel (“Drive”), Michael Litvak (“Nightcrawler”) and David Lancaster (“Nightcrawler”). Gary Michael Walters and Jeffrey Stott served as executive producers. Johnny Jewel (“Drive”) composed the film’s music.

“Lost River” is a dark fairy tale about love, family and the fight for survival in the face of danger. In the virtually abandoned city of Lost River, Billy (Christina Hendricks), a single mother of two, is led into a macabre underworld in her quest to save her childhood home and hold her family together. Her teenage son Bones (Iain De Caestecker) discovers a mystery about the origins of Lost River that triggers his curiosity and sets into motion an unexpected journey that will test his limits and the limits of those he loves.

“Lost River” composer Johnny Jewel will be releasing the Original Motion Picture Soundtrack on his record label, Italians Do It Better, on March 30, ahead of the film’s theatrical release on April 10. The soundtrack features original score by Jewel, vocal performances from “Lost River” stars Saoirse Ronan and Ben Mendelsohn, as well as songs written for the film by Jewel’s groups Chromatics, Glass Candy, and Desire. The soundtrack will be released on CD and digitally as well as a collectible double record pressed on purple vinyl. “Lost River” reunites the collaborative efforts of writer-director Ryan Gosling and critically acclaimed musician Johnny Jewel, who first worked together on the soundtrack success of ”Drive.”

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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