It’s 1968 in America. Change is blowing in the wind…but seemingly far removed from the unrest in the cities is the small town of Mill Valley where for generations, the shadow of the Bellows family has loomed large.
It is in their mansion on the edge of town that Sarah, a young girl with horrible secrets, turned her tortured life into a series of scary stories, written in a book that has transcended time-stories that have a way of becoming all too real for a group of teenagers who discover Sarah’s terrifying tome.
Scary Stories You Tell In The Dark
It needs to be said that this was an amazingly accurate portrayal of the stories themselves! Everything from the storylines, to the makeup, to the actual overall cinematography and betrayal of the story was on point!
The first story involving a scarecrow had a wonderfully creepy overtone, but did not take the usual opportunities for jump scares, something which ends up being refreshing after having them in movies for so long. It had a well-thought-out story that actually had you caring about the different characters in the film even to the point where you were yelling at the movie screen for them to make better choices!
The characters each had their own levels in this film as well as their own depths. I found myself caring for each character differently. Some you’re angry towards while others you were feeling sorrow and pity. no matter what was happening in the story though you always felt something for these people which I believe is something that is sorely lacking in most modern films, horror or otherwise.
Which new story came a unique challenge for the main characters involved, each one having to face a new story that was firstly written for them in blood as was told in the very beginning of the film now of course you have to have the catalyst to set everything off so there is the main character who has to open the book set the whole thing going and even though you’re upset with her it’s still is not enough to distract from the story. Speaking of that let’s jump into that element of it.
The story starts out with four friends going to explore the resident townships haunted house. It is said that a child that lives in the house died there but there was a secret to be found, a book. now, within the book, there was supposed to be a number of very scary stories the danger comes in when it’s revealed that the spirit will write new stories if she has been awakened.
Of course, as I mentioned, she does get awaken by the young lady portrayed by Zoe Colletti. of course, all hell breaks loose in the town as the stories began to unfold about her and her friends each one facing a certain level of demise. The makeup of course was absolutely astounding but so was the lighting the directing and just about every element of this film! I highly recommended to all who enjoy a little spookiness in their life!
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.
‘Mufasa: The Lion King’ Will Leave You Breathless
Is ‘Kraven the Hunter’ a Total Letdown?
A Brief Review and History of A Year Without a Santa Claus
Review: Pushpa: The Rise (2021)
KGF: Chapter 2
Kyle Gallner May I?
A Review of Krampus: A Horror Fan’s Ultimate Christmas Treat
SDAFF 2024 presents ‘Dead Talents Society’: I hate this world!
Review of Black and White Spoon on Netflix
Y2K: Get up and Break Stuff!
Comic-Con 2024: Arthur C Clarke’s Venus Prime TV series
Comic-Con 2024: Max Collins’s TRUE NOIR
Comic-Con 2024: Will Wight’s Cradle
Interview With Heroes & Villains Creative Director Doug Johnson
Thatsmye Interviews: Les Weiler on Henchin’: the Series
