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SDCC At Home 2021: Voiceover Superstars

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One of the more fun and insightful panels of this weekend’s Comic-Con at home was “Voiceover Superstars in Animation and Live-Action”. Moderated by actor and comedian Stephen Kramer Glickman, the panel featured some of the most iconic voices to ever grace the screen. Margaret Kerry (Disney’s “Peter Pan”), E.G. Daily (“Rugrats”), Jack Plotnick (“Drawn Together”), Jessica DiCicco (“The Loud House”), and Eric Bauza (“Space Jam: A New Legacy”) were all welcomed to the stage to share stories of their own experiences in the booth and what being a performer means to them.

First up was the legendary Margaret Kerry. Kerry’s career has spanned over 80 years, from starring as a child performer on “The Little Rascals” to starring in the popular 50s animated series, “Clutch Cargo”. However, she is probably best known for serving as the model for Tinker Bell in the Disney animated classic, “Peter Pan”. Though Tinker Bell does not speak in the movie, Kerry’s performance was filmed as a model for the animators to use for reference. She remembered getting to interact with a giant keyhole and pair of scissors. In addition to this, she provided the voice for one of the mermaids in the film.

E.G. Daily, voice of such iconic characters as Tommy in “Rugrats” and Buttercup in “The Powerpuff Girls” shared that she once nearly passed up an audition because she was having the carpet replaced in her apartment. “My agent kept at me and I ended up booking it; and that was for Tommy Pickles.” She also shared an ironic, but humorous story in which she went into labor while recording Rugrats.

Jack Plotnick, best known for voicing Xandir P. Whifflebottom on Comedy Central’s hit adult-animated series, “Drawn Together”, shared that he was just as much of fan of the show as he was a performer. He explained that this was actually his first job in voiceover, having previously performed in live-action films and series such as “Girls Will Be Girls”, “Ellen”, and “Buffy the Vampire Slayer”. He explained that this later led to a voiceover job for the 2009 film “Aliens in the Attic”, although his performance was not used for the final film.

Jessica DiCicco shared her experiences working on the hit Cartoon Network show “Adventure Time” as well as the hit Nickelodeon series “The Loud House”. She explained that she watched “Adventure Time” before she was cast and was able to use that to help fuel her audition. For “Loud House”, DiCicco explained she had originally recorded a “Loud House” short for Nickelodeon many years ago that had eventually been picked up to series. She also expressed her excitement at the upcoming Netflix film as well as the live-action film currently in production.

Last, but certainly not least, was the great Eric Bauza. Bauza, a long-time voice actor and animator can be heard in last week’s #1 movie at the box office, “Space Jam: A New Legacy”. For that film Bauza provides the voices for classic Looney Tunes characters Daffy Duck, Porky Pig, Marvin the Martian, Elmer Fudd, and Foghorn Leghorn. Bauza also lends his voice to the character of Bugs Bunny for the HBO Max Original Series, “Looney Tunes Cartoons”. Bauza explained it was initially nerve-wracking to take on such massive legacy characters, but rationalized that Mel Blanc will always be the original and that that version will always exist. There have also been several other actors to perform the characters throughout the years and each one brought something different to it. He saw this as his chance to make it his own and bring something new.

All in all, the panel offered no news for upcoming projects but was still a fun and insightful look into the world of voiceover.

 

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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