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SDCC Special Edition 2021 – Sunday

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So it’s the final day of a San Diego Comic-Con that most people honestly didn’t think was going to happen, much less be, arguably, a huge success. The chill in the November air still hasn’t gone away, which is a welcome respite for those still determinedly attending the Con in full cosplay. Normally Sunday at Comic-Con is both Kids Day and unofficially as Star Wars Day, the Exhibit Hall has a bunch of rush-out sales so the vendors don’t have to pay to lug their unsold stuff home, and though there are still panels put on on Sunday, a more nonchalant feeling pervades the general con-going attendees. Yes we’re all sad another Comic-Con has to end, but hasn’t it been great?

Panels were still being put on on Sunday of course, including a touching commemorative tribute to Mythbuster Grant Imahara, the art of Star Wars villain costuming put on by the 501st Legion, a look at the long history and the future of the Teenage Mutant Ninja Turtle franchise including teasers for new movies coming, a talk from the production and costume designers of big horror and sci-fi franchises like American Horror Story and the upcoming Station Eleven, and of course yet more panels on all the cosplay, props, and budgeting.

There were some, but considerably fewer children and younglings than one would normally see at SDCC, both likely due to it being Thanksgiving weekend still, and it’s also entirely possible that some kiddie-winkies hadn’t been able to receive their vaccination yet. Somehow, with the help of incredibly patient volunteers, staff, and security, Comic-Con Special Edition 2021 not only managed to wrangle a whole horde of geeks and nerds into providing proof of vaccinations and wearing a mask for a three-day weekend but managed it more or less cheerfully and safely too. I didn’t hear a single complaint from any con-goer, whether they be regular attendee, exhibitor, professional or press, staff or security, not a single person complained, refused to wear a red vax wristband or a mask, or staged a scene in protest. We came together, we worked together like good people should, cooperating so that we all might receive a sorely-needed socialization shot in the arm, and yes I did say it that way on purpose.

That almost hysterical need to not let it end, that exhausted-but-replete feeling that normally accompanies the last day of Comic-con is almost non-existent. Surrounded by the smiles of young fans who’ve attended Comic-con for the first time ever simply because it was smaller and the tickets more easily available for Special Edition, attended by their gamely-keeping-up older mentor geeks who also grin and reminisce that Special Edition is more intimate, like what they remember Comic-con of their own youths to be (oh me too), we remembered what it was like to be together with ones’ People, ones’ Tribe of geeks and nerds and fanatics!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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