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‘Stan Against Evil’ S3, Ep 3 & 4: Want Some Shame Fudge? David Koechner Has Plenty!

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Ep 3 ‘Larva of my Life’: You say you want a larval-ution! Every town has a Lenny, or someone very like him, who has to dress up in a funny costume and rant at the passerby for their passivity, and Willard’s Mill is no different.

David Koechner, Janet Varney – Episode 303, Larva

Leonard Wallinski (Eddie Pepitone) was the main guy to call for birthday parties, according to Leon as he and Evie investigate the disturbance, until one little girl’s Princess obsession ruined the whole gig. Well, whatever, the erotic bakery is known as ‘Caligula’s Fist’ home of the excellent sticky buns, is now gone and replaced with Tucker Fong’s Curiosity Pagoda, so let’s go check it out!

Evie’s daughter must be as odd as she is since Evie wants to get a statue of a bug on a toadstool for her kids birthday, but the Gremlins-knockoff proprietor of the shop insists it’s for the angry man, you know, Stan. Then, of course, Evie’s ex Kenny has to show up, to tell Evie he can’t take their daughter for her birthday, and inevitably get himself involved in the latest Willard’s Mill shenanigans too!

Barbara Ann Duffy, Vera Duffy, John C. McGinley – Episode 303, Larva

I swear Stan will drink with anyone, even the freeloading ex of Evie. But Kenny is now undergoing some serious changes after a round of gift-giving if you can call it that, and wants to include Evie in his new larval-ution!

Meanwhile, Denise went to the square, where a miniature of Willard’s Mill township has been built, to jam weirdly with her friends. A model of the town, the perfect size for a fight between a giant moth-man and an angry man in a gorilla costume, you say? That’s perfect! Everyone needs a super-soaker full of Ipecac.

David Koechner- Episode 303, Larva

Ep 4 ‘The Demon Who Came in From the Heat’: Diarrhea of the mouth, constipation of the brain!

Well, they say people who like those awful roadside attractions like ‘Hank Hurley’s Hamster Yurt’ deserve what’s coming to them anyway, so those poor youngsters out looking for adventure must’ve been jerkwads to get taken out by the Collector of Souls.

After Denise’s little brush with again attempting to feed the sewer pigeons, Stan needs a plumber. And while the plumber showed up suspiciously fast and has never read about C.H.U.D.s, despite being a demon sent to kill Stan, Bill (Scott Adsit) seems to be a halfway decent fellow. At least the kind of guy Stan can drink awhile with, and hey, wasn’t there something about Stan doing a beer with damn near anyone awhile back? Weird.

Elsewhere, Denise and Kevin are off to canoodle, she actually uses that word wow, together in a parked car, when they discover the two dead bodies from the beginning of the episode. And since Stan and Evie are busy with Bill the demon trying to research a particular spell, nothing would do but to call in Deputy Leon to investigate the dead pair.

John C. McGinley, Janet Varney, Scott Adsit – Episode 304, The

So, thanks to Stan’s impatience and perhaps a little loneliness, Denise and Kevin have been conscripted and its time to do a demonic ritual in a graveyard full of Constable Eccles’ victims, to try and reverse the passage between the lands of the living and the dead. Which, once you say it out loud and all, doesn’t seem like a terrific idea. Between Bill the demons betrayal and the Collector of Souls showing up, there’s never a dull moment in Willard’s Mill!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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