All Hallow’s Eve is in our midst and that can only mean the return of IFC’s cult-hit horror comedy, Stan Against Evil!
Created by Dana Gould, the series stars John C. McGinley, Janet Varney, Nate Mooney, and Deborah Baker Jr. This season boasts an impressive roster of guest stars including Scott Adsit as an apathetic demon-plumber named Bill, Maria Bamford as the stern, uptight Nurse Pickles and Christopher Mintz-Plasse as Zach, a character in a popular vampire show who has a special connection with Denise. Comedian David Koechner also returns this season as Kenny, Sheriff Evie’s self-absorbed ex-husband.
The third season begins right where the second left off, with Stan (John C. McGinley) still stuck in an inter-dimensional time loop with the dark sorcerer Gerard Duquette (Emmett Hunter) who may have more stake in the game than we realize. Sheriff Evie Barrett (Janet Varney) has been incarcerated in a mental institution after trying to explain the last season’s events to the authorities, and all seems to be going to hell for our heroes as the dark secrets of Willard’s Mill continue to unfold.
It goes without saying that this season of “Stan” is the best yet. It’s riddled with several winks and nods to many horror-themed TV shows and films. In the second episode, Stan and the gang are visited by two paranormal investigators who bear a strong resemblance to Scully and Mulder of The X-Files. In another episode, a killer puppet ala Child’s Play descends upon Willard’s Mill. Fans of the classic Toho monster movies are in for a treat as well, as a nod to a certain giant killer moth makes an appearance.
For as many terrifying moments this season boasts, there are equally just as many funny ones. Most of the hilarity generating from Deborah Baker Jr. as Stan’s daughter, Denise, and Nate Mooney as Deputy Leon Drinkwater. Christopher Mintz-Plasse is also quite good, displaying some of his previous vampire-themed skills in a nod to the 2011 remake of Fright Night.
The show’s leads, John C. McGinley and Janet Varney have terrific chemistry as always, with the character of Stan being put to the ultimate test when he is tasked with killing Constable Eccles to end the curse on Willard’s Mill. Filled with loads of laughs, a pinch of drama, and enough perfectly cheesy practical effects to satisfy the most die-hard horror fans, this third season of Stan Against Evil is not to be missed!
“Stan Against Evil” premieres October 31st at 10 PM on IFC.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.