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‘Stan Against Evil’ Season 3 Premiere: Don’t crap an apple!

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So, it’s a good thing there was an official Stan Against Evil recap of the bullet points of the previous seasons, and we can just dive right into this, shovels up!

Episode 1: Hell is What You Make It

It’s the Next Day in good ole Willard’s Mill for Stan (John C. McGinley) and Evie (Janet Varney) on their way to work at the Sheriffs station, except it totally isn’t. The station is a wreck, the newspapers report the worlds’ literally gone to hell, and oh yeah, the cabin they used is gone too. This means they both have to go looking for some people to shake answers out of.

Killing a demon is supposed to be old hat for Evie at this point, except it turns out that she actually killed her buddy Stan instead, and it landed her in a mental hospital, being briskly interrogated by Dr. Edmonds (T.C. Carson).

Elsewhere in the morgue, Stan is getting rudely awakened and given some good lessons in karma and hell-gates by Gerard Duqette himself, culminating in the epic screw-off line of advice to Stan: “Good can’t defeat evil, not by itself. You gotta find a bigger evil, and let a little in.”

Here in Willard’s Mill especially, things are hardly ever what they appear to be, and none know it more so than Stan and Evie. And even though they may have solved the mystery of the opening episode of Season 3 of Stan Against Evil, it’s clear Duqette’s influence is going to be felt throughout the season!

Ep 2 The Hex Files

It appears as though it’s possible that the supernatural community of Willard’s Mill have issues with the man-made construct that is daylight savings time, but that appears to also have been the only thing that saved Judy from being murdered just like the rest of the Black Hat Society.

This new mystery heralds the arrival of the rather familiar-looking Agents Fleming and Nesbit, who claim to be of the New Hampshire Department of Paranormal Phenomenon or NHSBPP, though officially no-one’s ever heard of them. Agent Nesbit (Valerie Tosi) with her autumn orange hair is rather desperate to stick to the science of investigation, even here in the determinedly un-scientific air of Willards Mill, while Agent Fleming (Chris Dougherty) fully believes in all of it, and keeps dropping unsubtle hints about things like crop squares and government-made sasquatches.

Poor Judy, despite surviving the initial burning of the Black Hat Society, seems to have gotten it into her head that summoning a demon called Haurus and sending him after her enemies would be a good idea. So after carving her butter into a chicken, because witches do that apparently, Judy sets her sights on taking out the baddies in Willards Mill by summoning a worse villain to do worse-er things to them!

As with the previous episode, appearances are quite deceiving around here, and the varying degrees of villainy are very definitely in the eye of the beholder. It doesn’t look as though the newly-formed Judy is going anywhere, which means hey, Stan may have another supernatural ally to call upon when Duqette rears his ugly head!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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