“Stan Against Evil” is coming back this fall. I got the chance to return to Willard’s Mill early and watch the first 4 episodes of Season 3 and let me tell you, the show comes out swinging! For those of you who don’t remember the finale of season 2, Stan and Evie have been left with the door between the land of the living and the land of the dead being ripped open for all sorts of havoc to run amok. Season 3 picks up immediately where we left off and right when you think we have a new status quo with an end of the world setting, the show takes a hard-left turn into a story with smaller but more personal stakes. This makes sense since SAE has shown in its previous season that not only is it is not afraid to zig when you are expecting it to zag but that the show is at its best when keeping the focus on the relationship between the lovably crotchety Stan and the level headed and constantly flustered Evie.
For any fans that were expecting a shift in tone or a major shakeup of the storytelling structure, that is not quite the case here. There is a long running plot including a new villain that further complicates things and the building of a rift between Stan and Evie that builds off of last season. But, like last season, this is manly kept to the background while the dynamic duo deal with new threats in the foreground in a more episodic nature. This is where “Stan Against Evil” lives and in hindsight makes it the obvious choice for how to continue the show. This may disappoint some who were looking for a bit more permanent change of course but trust me when I tell you that the dividends this yields in the following episodes pay off and then some. Keeping to the familiar structure allows SAE to maintain the tone and pacing that worked so well in season 2 while getting even more ambitious with the jokes and references. For real guys, this season feels like someone let Dana Gould’s imagination off of the leash and it is running rampant on some glorious, insane, pull out all the stops rampage. I feel like a green lantern ring is going to show up at some point because this show has lost any fear it may have once had of being too weird and the show is all the funnier for it. The episode featuring David Koechner as a moth monster in particular is an amazing Kaiju send up and rises to the level of “Curse of the Werepony” in regard to my personal favorite episodes. I was dying with laughter during the “final battle” sequence of the episode and I think it will easily be a fan favorite of the series.
New villain “Horus” adds some suspense and mystery of his intent towards our dynamic duo
With what I have seen, this season is well on it’s way to being the best season this show has produced. “Stan Against Evil” still has the goods so load up on your “Stump” beer and make sure you mark your calendars for the Halloween Premiere!
Until next time Stan Fans,
May the Owls Abide!
Stan Against Evil Airs October 31st on @IFC Wednesday at 10pm.
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Indian cinema has long been known for its ability to weave myth, culture, and grandeur into powerful storytelling. The latest addition to this tradition, Hanuman, directed by Prasanth Varma, is an ambitious retelling of one of India’s most beloved mythological characters. A cinematic marvel, Hanuman is a bold attempt to blend ancient epic with modern storytelling techniques, creating an experience that resonates with audiences of all ages.
At its core, Hanuman reimagines the tale of Lord Hanuman, the divine devotee of Lord Rama, known for his strength, loyalty, and courage. The movie isn’t just a retelling of traditional episodes from the Ramayana; it infuses these timeless stories with fresh perspectives, exploring themes of duty, faith, and the triumph of good over evil. While the script takes creative liberties, it stays rooted in the cultural and spiritual essence of Hanuman, making it both an engaging narrative and a respectful homage.
One of the standout features of Hanuman is its visual grandeur. The VFX team has outdone themselves, creating breathtaking battle sequences, celestial landscapes, and larger-than-life depictions of Hanuman’s legendary feats. The use of cutting-edge technology elevates the storytelling, offering audiences a visual feast that rivals global fantasy epics. The cinematography, led by seasoned artist Dasaradhi Sivendra, captures the mythological tone beautifully, blending vibrant palettes with the dark hues of conflict and sacrifice.
Teja Sajja, in the titular role, delivers a performance that is both commanding and heartfelt. His portrayal of Hanuman captures the character’s divine strength and endearing humility, making him an ideal hero. Supporting performances by Amritha Aiyer, Varalaxmi Sarathkumar, and Vinay Rai add depth to the narrative, bringing a spectrum of emotions to the screen.
Director Prasanth Varma deserves applause for his vision and execution. Tackling a subject as revered as Hanuman could have easily resulted in a cautious or overindulgent approach. Instead, Varma strikes a balance, creating a story that is both reverent and relatable. The screenplay moves at a brisk pace, though some moments, particularly the expository sequences, could have benefited from tighter editing.
The film’s music, composed by Gowrahari, Anudeep Dev, and Krishna Saurabh, is an emotional anchor, blending traditional Indian sounds with a modern orchestral touch. The background score heightens the drama and spirituality, particularly during pivotal moments like the crossing of the ocean and the climactic battle sequences.
Hanuman is a cinematic achievement that successfully reimagines a beloved figure for modern audiences. While it occasionally stumbles in pacing and exposition, these are minor flaws in an otherwise spectacular production. For fans of mythology, fantasy, and visually stunning cinema, Hanuman is a must-watch. It is a testament to Indian cinema’s ability to merge tradition and innovation, reminding us why stories of gods and heroes continue to inspire across generations.
Rating: 4.5/5
This film not only celebrates the timeless tale of Hanuman but also sets a new benchmark for mythological storytelling in Indian cinema.
Genre: Action, Adventure, Drama
Duration: 179 minutes
Director: Om Raut
Writer: Om Raut
Stars: Prabhas, Saif Ali Khan, Kriti Sanon, Sunny Singh
Rating: ★★☆☆☆ (2/5)
Netflix’s Adipurush aims to reimagine the Indian epic Ramayana in a modern cinematic style, delivering a tale of righteousness, devotion, and the eternal conflict between good and evil. Helmed by Om Raut, the film follows Raghava (Prabhas) as he embarks on a journey to rescue his wife Janaki (Kriti Sanon) from the clutches of the demon king Lankesh (Saif Ali Khan). With a narrative that spans vast landscapes and incorporates mythological grandeur, the film had immense potential but falters in its execution.
While the premise remains faithful to its legendary source, the execution feels lackluster. The screenplay struggles to balance a modern audience’s expectations with the gravitas of its traditional essence. The dialogues, often stilted, fail to evoke the emotional depth and poetic resonance required for a story of such magnitude.
Prabhas, portraying Raghava, delivers a restrained performance that lacks the heroic intensity one expects from the character. Kriti Sanon as Janaki does her best with limited material, bringing grace to her role, while Saif Ali Khan’s over-the-top portrayal of Lankesh is polarizing, leaning more into theatricality than menace. The supporting cast, including Sunny Singh, adds little to elevate the film.
One of the film’s most significant drawbacks is its visual effects. Despite the high budget, the CGI appears subpar, often detracting from the immersive experience. The underwhelming special effects undermine key battle sequences and fantastical elements, which should have been highlights of the film.
On the brighter side, the musical score by Ajay-Atul manages to shine, offering moments of grandeur and emotional heft. The film’s costume design and some set pieces are visually appealing, hinting at what could have been with more polished execution.
Adipurush is a well-intentioned attempt to bring the epic Ramayana to life for a global audience, but it stumbles in critical areas, including visual effects, pacing, and character depth. While it offers a few moments of spectacle and an engaging musical score, the overall experience feels hollow and unworthy of its mythological roots. Fans of the epic may find some moments of nostalgia, but casual viewers are likely to be left disappointed.
Adipurush is a missed opportunity to create a definitive modern retelling of an Indian classic.
Genre: Action, Crime, Thriller
Runtime: 2h 11m
Director: Puri Jagannadh
Writer: Puri Jagannadh
Main Cast: Mahesh Babu, Kajal Aggarwal, Prakash Raj, Nassar, Sayaji Shinde
Studio: R. R. Movie Makers
Where to Watch: Available on streaming platforms like Amazon Prime Video and YouTube (check availability in your region).
“Businessman” is a high-voltage action thriller starring Mahesh Babu in one of his most charismatic roles. Directed by Puri Jagannadh, the film follows Surya (Mahesh Babu), an ambitious and ruthless man who arrives in Mumbai with a dream of ruling the underworld. With his sharp mind and fearless attitude, he rises to power, challenging both the law and the mafia.
Mahesh Babu delivers a power-packed performance, exuding style, confidence, and intensity in every scene. His dialogues, especially the iconic “Pokka Business,” became instant fan favorites. Kajal Aggarwal plays a conventional love interest but adds charm to the narrative. Prakash Raj is impressive as the antagonist, adding depth to the conflict.
Puri Jagannadh’s screenplay is fast-paced, filled with gripping dialogues and intense confrontations. The film’s action sequences and Thaman’s electrifying background score elevate the cinematic experience. While the plot follows familiar gangster tropes, the film’s execution, Mahesh Babu’s screen presence, and the powerful dialogues keep it engaging.
Final Score: 8.5/10
A stylish and entertaining action film with a magnetic Mahesh Babu, “Businessman” is a must-watch for fans of crime thrillers and mass entertainers.
