It has been said that every generation gets the vampires they deserve. Do you want Ingrid Pitt in a Hammer film, Tom Cruise in a velvet cape, or Robert Pattison in high school? For Denise, it’s the latter.
Episode 6 of season 3 takes us to the titular “Vampire Creek,” a teen soap with fangs that both Denise and Evie are binging. In it, vampire Zack (special guest Christopher Mintz-Plasse) plays a romantic bloodsucker pining for his love. Stan interrupts their viewing party, only to himself be interrupted by the delivery of a package for Denise. She’s won a slashfic contest, and her prize-winning story title as well the ensuing explanation of slashfic to Evie are highlights of the episode. Her trophy is a large antique mirror, Nothing suspicious there.
From here, the episode picks up speed as the cursed mirror transports Denise into the world of Vampire Creek, where Zack wants her to choose immortality as a vampire by his side. She asks for a trial period and agrees to attend Vampire Junior Prom with Zack. Stan, Evie, and Kevin follow her into the mirror, and we’re treated to vampire versions our heroes. We also get a real gem of a vomit/hangover scene as Vampire Evie gets drunk on blood punch at Vampire Junior Prom.
I’m just going to try and type Vampire Junior Prom as often as I can, because the entire idea of it is funny to me. Watching drunk Vampire Evie mock the other undead (“Bart? Your name sounds like Fart”) was priceless, but even better was Zack in his attempts to navigate the wilds of Denise’s heart. She’s clearly weirder than he banked on, and it’s great seeing her from an outsider’s perspective.
The interplay between the main cast was quick, and the jokes went to the back corners of the scenes, quite literally – the “I’m Homeless – Change My Mind” sign a character holds in the background of a transition scene cracked me up. The episode is full of little gags. I especially loved Vampire Evie’s jealousy toward Denise in the mirror world, as Zack courts Denise.
While I’m not a Twilight fan, I did appreciate the sparkling deaths of the vamps this episode.
Generally, I’m most excited to see “season arc” episodes, and am glad to see us further the Haurus, Duquette, or Eccles plotlines each week. These standalone episodes, however, take great advantage of the show’s “magic-evil” framework to drop straight into absurdly fun stories. Vampire Creek is a perfect example, using the Stan Against Evil set up to deliver a great riff on vampires and teen drama all at once. Somebody better tell Fart!
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.