By: Jordan Brandes
Stan Against Evil made its premiere last Wednesday night to a sold out show at the Hollywood Forever Cemetery. The fan event was presented by Cinespia and IFC and brought together fans eager for their first glimpse at the world of a small town overrun by vengeful witches and demons.
The show, created by Simpsons writer Dana Gould, is the perfect balance of humor and horror. It’s most direct influences are American Werewolf in London and Evil Dead though as the series progresses it is clear that it will dig deep into the pot of cult horror and show the audience some truly unique monsters.
But a monster show can be hard to sell without a good cast behind it and the cast nails the tone of the show perfectly. Gould brought together actors which could float between the two genres seamlessly. John C. McGinley shines as former sheriff Stanley Miller, an old-fashioned man with conservative values whose world gets shaken after his wife dies. Unbeknownst to him she was actually keeping him safe at night by killing the demons that haunt the town hunting the local law enforcement.
As the only sheriff to survive his term in office Stan finds himself reluctantly helping the new sheriff in town Evie Barrett (Janet Varney), a big city cop adjusting to her new life in a small town. Varney and McGinley have amazing chemistry as polar opposites forced to work together in the most unlikely of situations.
Each episode runs a half-hour long so the pacing is snappy and quick. You can really see Gould’s cartoon roots show in the structure of some of the jokes and when he decides to cut to commercial breaks. Some of the secondary characters seem to be written almost cartoonish as well, and that’s not at all a bad thing. Stanley’s daughter Denise (Deborah Baker Jr.) is such a strange character that she is completely fascinating to watch whenever she is on screen. She’s somehow both wildly eccentric and completely conservative. Almost every line she says is funny but exactly what you would expect someone who has grown up in a really small town all their lives to say.
The plot straddles a fine line between horror and comedy but does it extremely well. In any other hands that mixture may not have worked but between the acting chops of the cast and Gould’s knack for comic timing Stan Against Evil is ready made to be a cult classic.
Stan Against Evil premieres Nov.2 on IFC.
Follow them on Facebook or on Twitter @StanAgainstEvil
Check out our interviews with the cast from the premiere!
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The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
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Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.