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The 13th ‘Doctor Who’: Don’t Diss The Sonic!

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Don’t look now everyone, it’s our favorite break-all-kinds-of-taboos BBC show Doctor Who, back to shock and amaze and, once again, shatter all kinds of preconceived barriers about what our beloved Sci-Fi show should be!

Filling perhaps the biggest shoes in what could conceivably be called the longest-running sci-fi show in modern history is the 13th Doctor, and this final taboo to break is perhaps the hardest, the gender line. We’ve known him by many names and faces over the years, in black and white and funny clothing, with quips and quirks and qualms and such losses, he’s our madman with a box, and it has always been a male character.

Selected for the role of the incarnation of the 13th Doctor is Jodie Whittaker, mostly known for her role on the BBC show Broadchurch, Whittaker has gamely embraced the role, despite rather vocal backlash from all sorts of Whovians, as DW fans as often known. Lady fans are already speculating on the role model possibilities for Lady Doc, whereas older Whovians are often heard lamenting the choice as a cave-in to fan pressure and an exaggerated move of Politically Correct-ism, especially in these politically troubled times. Have some pity on Whittaker, Whovian fandom at large, there are like multiple galaxy-sized expectations she has to live up to.

We know that 13 will have a whole new set of companions after the departure of both Nardole and Bill coinciding with Peter Capaldi’s departure as the previous Doctor, they are Graham (Bradley Walsh), Ryan (Tosin Cole), and Yasmin (Mandip Gill). The controversial and sometimes brilliant show writer and executive producer Steven Moffat left the series in 2017, with Chris Chibnail and some others taking his place.

So what do we know about the new Lady Doc? Her initial outfit, which I’m wagering they change at some point as most modern Doctors do, is cutesy and old-fashioned with colorful culottes and a lilac coat, and piercings too. Pay close attention to how her outfits will subtly change, Whovians, it has never been a better time to tell an amazing subplot inside a persons clothing, than right now!

We know her first words with this face, from the Christmas Doctor Who episode ‘Twice Upon a Time’, are “Oh, brilliant!” and that’s such an adorably BBC thing to say. We don’t know what manner of sonic screwdriver Lady Doc will have, or that she will even have one at all, too many people are claiming the screwdriver is too phallic and the brand new woman Doctor should have something feminine; whatever. We also know that our new Doctor will have a very different TARDIS, given the premiere photos of Lady Doc’s outfit and the much darker TARDIS in the background.

Everything else is open to speculation, but one last thing we know for almost-certain is that the premiere of the brand new season of Doctor Who with the first Lady Doctor ever, should begin October 2018!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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