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The Academy Announces 2018 Film Scholars Grant Recipients

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Glenn Frankel and Keri Walsh have been named 2018 Academy Film Scholars by the Academy of Motion Picture Arts and Sciences. Their respective book projects explore the historical context and creative influence of the revolutionary film for its time, Midnight Cowboy, and examine female Method actors and how their feminist contributions earned them a place in the history of film. The Academy’s Educational Grants Committee will award both Frankel and Walsh the scholars’ $25,000 grant awards on the basis of their proposals.

“I am thrilled to support Frankel and Walsh in their research so that they may share their expertise for these timely topics that are not only significant to the film industry, but to society as whole,” said Academy Grants Committee Chair Buffy Shutt. “Their works illuminate the importance of diversity and inclusion in the history of film, something that is essential to remember as we look to further the Academy’s mission. We all look forward to seeing the outcome of their research.”

Frankel’s book will focus on the Oscar-winning best picture, Midnight Cowboy, analyzing how the artists behind the film contributed to this boundary breaking film that signified a shift in representation of sexuality in the 1960’s. As Frankel’s third book researching the implications of cowboy films in American history, it explores not only the historical implications of the film, but also the creative elements that led to its success and a milestone in Hollywood’s acceptance of diverse and controversial subject matters.

Walsh is an Associate Professor in the Department of English at Fordham University. Her project will be among the first scholarly works to explore what is critical and feminist about Method acting in Hollywood films. Primarily focused on Method performances by women from the late 1940s to the early 1960s, she illuminates their neglected and concealed work, and ultimately showcases how it broadened women’s possibilities of acting.

Frankel and Walsh join 14 Academy film scholars who are currently working on projects and 17 other scholars whose works have already been published. Academy film scholars with projects in progress are Dr. Ellen Scott, Dr. Donna Kornhaber, Charles Musser, Emily Thompson, Stuart Liebman, John Belton, Harlow Robinson, Cari Beauchamp, Patrick Keating, Dan Streible, Thomas Schatz, Laurence Kardish, James Tweedie and Ross Melnick.

Established in 1999, the Academy Film Scholars program is designed to support significant new works of film scholarship. The Academy’s cultural and educational wing – the Academy Foundation – annually awards grants to film scholars, cultural organizations and film festivals throughout the U.S. and abroad. Through the Foundation, the Academy also presents a rich assortment of screenings and other public programs each year.

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Review of Kalki 2898 AD on Netflix

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Review of Kalki 2898 AD on Netflix

Rating:  (4/5)

Kalki 2898 AD, directed by Nag Ashwin, is a visually ambitious sci-fi film featuring an ensemble of Indian cinema legends, including Prabhas, Amitabh Bachchan, and Deepika Padukone. The film is set in a dystopian future with a storyline that weaves mythology and science fiction, creating a unique cinematic experience for viewers.

The film’s narrative unfolds in a futuristic society where technology and ancient themes intersect. It begins with an immersive setup that introduces us to Prabhas’ character, Bhairava, who grapples with complex moral and existential questions in a world marked by political and ethical turmoil. Although the pacing can feel slow in parts, especially as it establishes the mythological underpinnings, the intensity and scope build significantly as the story progresses​​​​.

One of the most captivating aspects is the stunning visual effects. The production team, with a budget reportedly over 400 crore INR, utilized advanced CGI to craft expansive landscapes, dramatic space battles, and futuristic cityscapes that resemble scenes from Hollywood sci-fi giants. The action sequences, particularly those featuring Bachchan, stand out with their thrilling choreography and careful dramatic build-up. These sequences balance between traditional Indian cinema stylings and Hollywood’s polished sci-fi tropes​​.

While Kalki 2898 AD relies heavily on genre conventions, it manages to bring a fresh twist by blending mythological symbolism with modern sci-fi elements. However, some may find the film’s narrative occasionally predictable, and the focus on visual spectacle occasionally overshadows character development. Yet, the powerhouse performances from the lead cast, particularly Bachchan and Padukone, provide the emotional depth needed to keep audiences engaged.

In summary, Kalki 2898 AD is an impressive venture into the sci-fi genre for Indian cinema, successfully balancing myth with high-tech fantasy. While not without flaws, it’s an enjoyable and bold cinematic experience that’s worth a watch for fans of both Indian mythology and science fiction.

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Gladiator 2 Builds On The Legacy Of Its Predecessor,

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Gladiator 2 builds on the legacy of its predecessor, delivering a captivating story that honors the original while forging a compelling new path. The cast shines in their roles, with Paul Mescal delivering a powerhouse performance as Lucius, the now-grown son of Maximus. Mescal captures a blend of vulnerability and strength, embodying a character driven by both honor and revenge. Alongside him, Denzel Washington commands the screen, adding gravitas and depth to a key supporting role 

The screenplay is a triumph, keeping the audience engaged at every turn. While the overarching story gives you a sense of where it’s headed, the journey remains unpredictable, and packed with twists. The film balances themes of legacy, vengeance, and redemption, weaving them seamlessly into the narrative.

Action sequences, particularly the gladiatorial combat, are visually pleasing. The fights are brutal and visceral, with just enough gore to feel authentic without veering into excess. Visually, Gladiator 2 is stunning. The production design, cinematography, and score come together to create a visceral and immersive experience.

As a follow-up to a beloved classic, Gladiator 2 meets expectations, proving to be both a thrilling spectacle and a worthy successor. It’s a 9/10—a tale of honor and legacy.

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Wicked Soars As A Dazzling Spectacle

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Jon M. Chu’s Wicked, the long-awaited cinematic adaptation of the Broadway musical, soars as a dazzling spectacle that captivates audiences with its lush visuals, heartfelt performances, and rich storytelling. The film, the first in a two-part series, delves into the origins of Elphaba and Glinda, exploring their unlikely friendship and the events that transform them into the Wicked Witch of the West and Glinda the Good.

Cynthia Erivo (Elphaba) and Ariana Grande (Glinda) lead the cast with exceptional performances. Erivo’s powerful vocals and nuanced portrayal of Elphaba’s internal struggles bring depth to the character. Grande, in her most notable film role to date, is both hilarious and heartfelt as Glinda, perfectly capturing her charm and comedic timing. Supporting performances by Jonathan Bailey (Fiyero), Michelle Yeoh (Madame Morrible), and Jeff Goldblum (the Wizard) add layers to the narrative, enriching the world of Oz with compelling subplots.

Chu, known for his work on Crazy Rich Asians and In the Heights, brings his signature style to Wicked, blending vibrant visuals with emotional resonance. The production design by Nathan Crowley is stunning, vividly rendering Oz with grandeur, from the Emerald City to Shiz University. Paul Tazewell’s costume design is equally striking, updating the Broadway look with cinematic flair. The score, by Stephen Schwartz and John Powell, retains iconic musical numbers like “Defying Gravity” while incorporating new arrangements that heighten their cinematic impact.

Critics have hailed Wicked as one of the best musical-to-film adaptations in decades, rivaling Chicago and Mamma Mia. Chu’s decision to split the adaptation into two parts allows for a deeper exploration of the story, giving audiences time to connect with the characters and their journeys. Fans of the Broadway show will appreciate its faithfulness to the source material, while newcomers will be enchanted by its universal themes of acceptance, ambition, and friendship.

With Wicked, Jon M. Chu has delivered a masterpiece that sets a new standard for musical adaptations. The film is a visual and emotional triumph, showcasing unforgettable performances and a meticulously crafted world. Whether you’re a fan of the original musical or new to the story, Wicked is a must-see cinematic event.

Rating: 3.5/5

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