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The Big Bang Theory Doubles UCLA STEM Scholar Support

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After creating the first-ever university scholarship endowment — The Big Bang Theory Scholarship Endowment at UCLA — named after a television series four years ago, The Chuck Lorre Family Foundation (TCLFF) announced today that in honor of the show’s final season, it has doubled down on its support of The Big Bang Theory endowment for undergraduate scholars in the fields of Science, Technology, Engineering and Mathematics (STEM).

Established in 2015, the Endowment initially provided for five annual scholarships, in perpetuity, for students in financial need. It was originally funded via a founding donation by TCLFF combined with gifts from more than 50 individuals associated with the series — including the show’s stars, executive producers, writers and crew — plus partners such as Warner Bros. Television, CBS, ICM Partners, United Talent Agency and more. With renewed donations to celebrate the end of the series, more than 80 individuals have made contributions to date, allowing for The Big Bang Theory scholarship to now fund 10 scholars each year in perpetuity. The Endowment currently supports 35 TBBT scholars and has raised more than $5.5 million for UCLA students in financial need studying in STEM fields.

Dell Technologies, a longtime supporter of advancing science and technology skills, has also made a donation to the undergraduate Endowment and will be gifting the first graduating class of TBBT/UCLA scholars with new Alienware m15 laptops at a special celebration on The Big Bang Theory set with the producers, cast and crew.

Additionally, TCLFF has announced the establishment of The Big Bang Theory Graduate School Fund. This fund will provide four-year scholarships of up to $15,000 per year exclusively for graduating TBBT/UCLA scholars who will be continuing their STEM education in graduate school within the University of California system. TBBT/UCLA graduating scholars who will be pursuing their graduate studies outside of the UC system will be eligible for a one-time grant of $15,000.

The first class of 20 scholars was selected for the 2015–16 academic year, with the endowment initially committed to support an additional five scholars in each future academic year — in perpetuity. With today’s announcement, The Big Bang Theory Scholarship Endowment will now support 10 undergraduate scholars at UCLA in each future academic year — in perpetuity.

Scholarships are awarded based on financial need to low-income students who have earned admission to UCLA based on academic merit but need additional support to bridge the gap between typical levels of financial aid and the cost of attendance. Each year, the students visit the show’s set to be honored by the cast and crew, and the scholars have created an official UCLA on-campus club which provides mentorship and weekly study groups.

Beginning with the 2019–20 academic year, The Big Bang Theory Graduate School Fund will provide up to $15,000 per year for four years of scholarship support exclusively to qualified TBBT/UCLA graduating scholars who are pursuing advanced degrees in STEM fields within the UC system. TBBT/UCLA scholars attending graduate school outside the UC system will be eligible to receive a one-time grant of $15,000.

In addition to its financial contribution to the Endowment, Dell Technologies has gifted each of the inaugural graduating class of Big Bang Theory scholars with Alienware laptops, which have been featured in many TBBT episodes. The new Alienware m15 is the lightest and thinnest 15” gaming laptop ever from Alienware, with powerful performance for both gaming and their future careers. The laptops include eighth generation Intel Core i7 processors, NVIDIA GeForce graphics, AlienFX and the Alienware Command Center software.

This continues Dell Technologies’ long-standing relationship with The Big Bang Theory, as the company has provided computers for use on-screen by the show’s characters throughout the 12 seasons of the hit comedy.

In addition to centering many of its episodes in the worlds of science and technology, The Big Bang Theory enjoys a healthy appreciation and support from the scientific community at large. And the show’s connection to UCLA extends beyond the scholarship fund: Series star Mayim Bialik earned a Ph.D. in neuroscience from UCLA, while professor of physics and astronomy David Saltzberg, Ph.D., serves as the show’s science consultant.

The Big Bang Theory airs Thursdays at 8/7c on CBS and five nights a week in syndication. The acclaimed comedy ranks as the #1 entertainment series on broadcast network television among Adults 18–49 and Total Viewers for the 2018–19 television season to date. It will conclude its 12th season in May 2019 as the longest-running multicamera comedy in television history, with 279 episodes.

At UCLA, more than 50 percent of all undergraduate students receive need-based scholarships, grants or other aid. That includes approximately 35% of undergraduates who receive Pell Grants, federal aid for students from low-income families. More than one-third of UCLA graduates are the first in their family to graduate from a four-year college or university.

In addition to its support for The Big Bang Theory Scholarship Endowment at UCLA, The Chuck Lorre Family Foundation recently created a new public school grant program —The Young Sheldon STEM Initiative — inspired by the hit comedy series Young Sheldon. The program was created to foster excitement for learning in STEM fields, specifically in support of U.S. public schools, teachers and students. The program funds two-year educational grants totaling more than $600,000.00 which are awarded to 19 select elementary, middle and high schools in Southern California, where Young Sheldon is produced, and East Texas, where the show is set.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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