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The Conjuring 2

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Release date:June 10, 2016

Studio:New Line Cinema (Warner Bros.)

Director:James Wan

MPAA Rating:R (for terror and horror violence)

Screenwriters:Chad Hayes, Carey Hayes, David Leslie Johnson, James Wan

Starring:Vera Farmiga, Patrick Wilson, Frances O’Connor, Madison Wolfe, Lauren Esposito, Patrick McAuley, Benjamin Haigh, Maria Doyle Kennedy, Simon Delaney, Franka Potente, Simon McBurney

Genre:Thriller, Horror

[divider]”The Conjuring 2″: Where do I start? Well, I have to admit that I had higher hopes for this one. Don’t get me wrong, this is a very fun movie chock full of good jump scares and beasties, but it definitely not as scary as the first one.

This film had a number of good specters and they all have ample time on the screen to terrorize everyone, my favorite being “The crooked man”. What a GREAT presentation!

The effects are kinda the star of this film, however, as the production team seemed to rely heavily on computer graphics and lighting effects to enhance the environment of fear.

There are some beautiful transitions from the real to the spirit realm and the actors do a rather good job of displaying their fear, panic, and confusion (especially Vera Farmiga, Francis O’Conner, Madison Wolfe and Benjamin Haigh). Now this subject of fear brings up an interesting aspect. There were at least 2 kinds of fear exhibited here. You have the expected fear that would come from this nightmarish situation, but the production brought over the parental fear/protective nature that comes out when one’s children are threatened. This was a nice carry over from the first film.

The film has a wonderful setup for the story and some great practical effects, and the way they did the lighting was impressive. The shadowy realm they brought forth had nods to Silent Hill and film of that ilk.

The only real problem with this film was that it just didn’t have the “Dread Factor” that the first one had. I found myself laughing far more than being creeped out. And on that subject this film seemed to interject several humorous moments, perhaps in an attempt to “ease the mood”. The thing with that, however, is that you lose, like I mentioned earlier, The “Dread Factor”.

Now I am sure that there are a number of people who are going to see this film and get very freaked out, especially when it comes to the nun that we all have seen the previews. She, the nun, is a very effective Catalyst for the story, driving it along like a runaway train, but a runaway train in a dream sequence, coming at you in slow motion while your feet are stuck in the earth that has come up around them.

I would say that this film is worth a watch, but definitely don’t go in expecting the same level of fear as the first one. Some Die Hard fans of this genre may not enjoy it as much, but take a newbie and watch them shriek!

 

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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