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The Contractor Finally Puts Chris Pine Front and Center

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IN THEATERS, ON DIGITAL AND ON DEMAND: April 1, 2022

DIRECTOR: Tarik Saleh

WRITER: J.P. Davis

CAST: Chris Pine, Ben Foster, Gillian Jacobs, Eddie Marsan, JD Pardo, Florian Munteanu and Kiefer Sutherland

RUN TIME: 103 minutes

RATING: R for violence and language

GENRE: Action, Thriller

DISTRIBUTOR: Paramount Pictures

The Contractor, a fascinating new film out this week, is a slow burn of a movie that finally puts the spotlight on Chris Pine. Pine, at least point best known as Kelvin-universe Captain Kirk in the new Star Trek movies, is easily one of the most underutilized actors of our time and in little gems like this movie he’s finally allowed to show it.

Now granted The Contractor will never be up for an Oscar, though it certainly has elements that deserve it, Pine manages to give his character far more depth and life than it would have in another person’s hands.

The film revolves around James Harper (Pine) who has been involuntarily discharged from the U.S. Special Forces. Broke and unable to provide for his family he reaches out to an old friend (Ben Foster) and finds himself on assignment overseas as a mercenary for Rusty (Kiefer Sutherland).

What should have been a routine job in Berlin goes South and Harper finds himself without a team unsure who to trust. It has all the essential elements of The Bourne Identity with a few new twists and turns.

Pine plays Harper as aging and fragile. He is human at his core and by no means a super action hero. Honestly, that’s the best part of the film and it’s a shame there wasn’t more of it. It’s fun to see Pine thinking on his feet trying his best to simply survive and get home even though he’s told again and again that that’s impossible now.

Though the film starts out quite slow, Pine comes out of his shell when he’s on-screen with Foster. That’s not really a surprise considering this is the third film they’ve acted in together. That bond is already in place and it doesn’t take a lot to bring out the chemistry between them. Less so with Sutherland which is a bit of a surprise. Still, Pine makes the film what it is and worth watching.

The Contractor puts Pine through the wringer and it’s a better film because of it. Pine is willing to put himself on the line to give the film more realism and it shows. Let’s hope this isn’t the last time Pine is given the spotlight, we need more of him in Hollywood.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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