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The Cultural Importance of Marvel’s Black Panther

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My preparation for the release of Black Panther, really the preparation of all of my close friends and family, likely many of yours as well, has less to do with anticipation of what we will see on screen, and nearly everything to do with the very real fact that the film exists.

This preparation in what to wear, who to go with, how many times to see the film, who to commiserate with on social media…all stem from the very important space occupied by a film about a fictional African king and hero, from a fictional African nation, in a fictional grand comic book universe.

Black Panther, above all else, represents an opportunity for a community to experience itself as being fully realized in public. On screen. A self-contained world where the ruler, the hero, the loves, the society, the ways…all look and believe and know like they do. It is rather unique, and thus exciting, to know that Black men, women and children, will be the focus of the tale. Not sidekicks, or adjuncts. Central. Fully meaningful. Opportunities such as these are few for Black people. Anywhere in the diaspora.

Black Panther is important for the meditative space it will provide. There will be a time where many will lapse into feelings of self-love. Feelings that aren’t typically promoted in media. As a Black person, you are allowed to see all of the most flawed versions of your family, but rarely can you see a broad version of your best.

This film, once you begin to peel at its layers, is pressing Afrofuturism. A vision of a future that has a Black face, body and mind, that is felt and known in all three dimensions of much of Black life. The Dora Milaje are nurturers, warriors, partners and friends. That is precisely how much of the Black community experiences our mothers, sisters, lovers and neighbors. It houses a young man learning his way in the world, fighting outside influence…these are all stories out of the journal of Black life, anywhere. Made real. With an adventure as a backdrop.

The importance of Black Panther, its excitement, its allure, is in its most critical meaning. That it can be shared with our neighbors of all backgrounds, but it is ultimately about us. Not just one of us, being a superpowered hero somewhere in Africa, but one of us. A person. Black, and strong. Supported. Experiencing all that every other human person can.

And do understand, that is an important distinction, as our lives are often portrayed in marginalized and limited ways. While an Marvel entity, the social experience around the movement toward this film’s release feels like it is a community property. It is ours.

There will be those who will suggest, from their view, that it is simply a film. They would be having only part of the conversation. There is a history and a psychology to consider. Rarely are there opportunities for the overall Black community to see itself represented fully, unashamedly, in full view of our nation family. This will be a real live party. Two hours worth of enjoying our skin, where we typically have to survive being in it.

This film is a powerful tool as a seed. Seeing the enthusiasm, the wide eyed joy, that many are experiencing as it draws near, suggests that there will be more opportunities on grand stages for art with central Black characters and stories. Like this one, they can be told and crafted by Black creators and crafts people. It represents a simple chance to suggest to the necessary powers and thinkers that our community can be painted across all media with as wide a storytelling arc as possible. On screen, on page, wherever we are, we can be represented in all human pursuits.

Some of my neighbors in other communities will be uncomfortable with this level of celebration and pageantry. They will look to pick the film apart critically. They will opine that all of this noise for a film that won’t change anything “in the grand scheme” is unwarranted. I would respond that none of those concerns is a relevant one. Not in this moment. What matters most now is what is coming. A film about us, that we have made for us, that all of them, all of you, get to share with us. Because, do know that we have made it ours. It is a community feast, and all are invited. It is best to leave any misgivings at home.

The world outside of Wakanda will be in the backdrop, just as we all know that we will return to real life in over two hours after the film starts. Just as we know that all of the racial and supremacist, and oppressive ills of the world will be waiting, so will T’Challa and his people be ready for them. It is not so much fiction, as it is considered a music video for the kind of efforts Black people feel we must often make to face the world each day.

And there is where the connection is. The central human one. Where comics, and heroes represent a projection of us. An idealized version of us. In those pages, and on those screens are moments to escape our doubt and fear, to see someone we attach ourselves to, face the issues and falter, as we do, and name those fears, and strike at them, with it all on the line. For the human psyche, that is a kind of therapy. We all, all of us, everywhere, want for that to be us.

But in this moment, just here, with Black Panther, this is for us. It is the time for a Black man who is now king, and Black women who are powerful, and Black children to have a land of their own to name, to know that this will be us on screen. And that has so much hopeful and personal meaning. A soil we are not often allowed to plant our beliefs in. Here, we can escape to it.

And you all get to venture off with us. You are most welcome. Wipe your feet before entering and having a seat. Appreciate what you are seeing. Let us go.

Written by: Napoleon Wells

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Salaar: Part 1 – Ceasefire

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directed by Prashanth Neel, brings a bold and gritty spectacle to the big screen, marking a triumphant return for Prabhas in an action-heavy role. Known for his high-energy, raw style (seen in KGF), Neel continues his signature approach here, blending intense action scenes with grandiose settings reminiscent of epic sagas like Game of Thrones. The film revolves around Deva (Prabhas), a powerful yet calm figure with a complex past, and his involvement in a politically charged power struggle with Prithviraj Sukumaran’s character Varadha. This layered storyline introduces us to the fictitious city of Khansar, where betrayals and power dynamics keep viewers on edge​​​​.

Critics generally appreciate Prabhas’s magnetic performance, noting that he captures the larger-than-life heroism he’s celebrated for since Baahubali. His portrayal, paired with intense fight choreography, keeps the audience engaged, particularly during standout sequences that elevate the film’s dramatic intensity. Prithviraj’s character as Deva’s friend adds an intriguing dynamic, though Shruti Haasan’s role feels underused. While fans of action-packed cinema and Prabhas’s iconic style will enjoy the exhilarating visuals and powerful cinematography, some critics feel the plot loses momentum in the second half, with multiple subplots that dilute its emotional depth. The story is intentionally left open-ended, setting the stage for Salaar: Part 2​​​​.

Overall, Salaar is an ambitious action film that will satisfy fans of Prabhas and high-octane spectacles. However, those seeking a tight narrative or deep emotional connections might find it lacking. I’d rate it 3.5 out of 5 stars—a solid experience for action enthusiasts, with room for a more focused storyline in its sequel.

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Review of Kalki 2898 AD on Netflix

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Review of Kalki 2898 AD on Netflix

Rating:  (4/5)

Kalki 2898 AD, directed by Nag Ashwin, is a visually ambitious sci-fi film featuring an ensemble of Indian cinema legends, including Prabhas, Amitabh Bachchan, and Deepika Padukone. The film is set in a dystopian future with a storyline that weaves mythology and science fiction, creating a unique cinematic experience for viewers.

The film’s narrative unfolds in a futuristic society where technology and ancient themes intersect. It begins with an immersive setup that introduces us to Prabhas’ character, Bhairava, who grapples with complex moral and existential questions in a world marked by political and ethical turmoil. Although the pacing can feel slow in parts, especially as it establishes the mythological underpinnings, the intensity and scope build significantly as the story progresses​​​​.

One of the most captivating aspects is the stunning visual effects. The production team, with a budget reportedly over 400 crore INR, utilized advanced CGI to craft expansive landscapes, dramatic space battles, and futuristic cityscapes that resemble scenes from Hollywood sci-fi giants. The action sequences, particularly those featuring Bachchan, stand out with their thrilling choreography and careful dramatic build-up. These sequences balance between traditional Indian cinema stylings and Hollywood’s polished sci-fi tropes​​.

While Kalki 2898 AD relies heavily on genre conventions, it manages to bring a fresh twist by blending mythological symbolism with modern sci-fi elements. However, some may find the film’s narrative occasionally predictable, and the focus on visual spectacle occasionally overshadows character development. Yet, the powerhouse performances from the lead cast, particularly Bachchan and Padukone, provide the emotional depth needed to keep audiences engaged.

In summary, Kalki 2898 AD is an impressive venture into the sci-fi genre for Indian cinema, successfully balancing myth with high-tech fantasy. While not without flaws, it’s an enjoyable and bold cinematic experience that’s worth a watch for fans of both Indian mythology and science fiction.

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Gladiator 2 Builds On The Legacy Of Its Predecessor,

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Gladiator 2 builds on the legacy of its predecessor, delivering a captivating story that honors the original while forging a compelling new path. The cast shines in their roles, with Paul Mescal delivering a powerhouse performance as Lucius, the now-grown son of Maximus. Mescal captures a blend of vulnerability and strength, embodying a character driven by both honor and revenge. Alongside him, Denzel Washington commands the screen, adding gravitas and depth to a key supporting role 

The screenplay is a triumph, keeping the audience engaged at every turn. While the overarching story gives you a sense of where it’s headed, the journey remains unpredictable, and packed with twists. The film balances themes of legacy, vengeance, and redemption, weaving them seamlessly into the narrative.

Action sequences, particularly the gladiatorial combat, are visually pleasing. The fights are brutal and visceral, with just enough gore to feel authentic without veering into excess. Visually, Gladiator 2 is stunning. The production design, cinematography, and score come together to create a visceral and immersive experience.

As a follow-up to a beloved classic, Gladiator 2 meets expectations, proving to be both a thrilling spectacle and a worthy successor. It’s a 9/10—a tale of honor and legacy.

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