When The Conjuring released in 2013 it was a surprise hit earning over 15 times its original budget. Although the film wasn’t immune to the clichés of the genre, director James Wan executed them so effectively that nearly every viewer succumbed to fear.
The success has led to numerous sequels, spin-offs, and spin-off sequels, and soon Wan will be passing the torch to Michael Chaves to lead the mainline series. Before that, Chaves gets a trial run with the tangentially related The Curse of La Llorona, a film that unfortunately feels all too familiar.
Set in the early 1970s, the film follows social worker and single mom Anna (Linda Cardellini) who intervenes after discovering Patricia (Patricia Velásquez), a mother in her caseload, has kept her children locked in a closet for several days. Soon after being placed in foster care the two boys are found dead in a reservoir.
Believing Patricia to be the culprit Anna seeks her out, but soon discovers it is the work of La Llorona, a malevolent spirit who murdered her own children and now seeks to take the lives of others’. Blaming Anna for the loss, Patricia prays to La Llorona to take the social worker’s young son and daughter instead leaving Anna to hunt for a way to break the curse.
La Llorona’s underlying conceit places a considerable amount of weight on the matriarchal role, something the studio undoubtedly understood when they cast such a familiar face for the part, and Cardellini carries this responsibility without issue. She balances a maternal resilience with the utter terror that accompanies this type of situation, and is the biggest factor in creating any engagement with the audience.
Consistently working against said engagement is the lack of freshness in the script and the scares. It’s an effort to get spooked when you can correctly count out the beats before the next appearance of La Llorona who appears quite frequently, and while the design elicits a reaction the first time it dwindles over time. It also suffers from groan-worthy character decisions. This happens frequently enough that by the last third scenes that are designed to draw out tension instead invoke laughter.
This feeling is amplified when viewed with a large crowd which interestingly inspires a positive viewpoint. It’s easy to see why these movies have continued to garner so much attention and money. La Llorona does feel formulaic in the way that a Marvel movie can down to the well timed instances of levity; in this case brought to you by a rather fun performance from Raymond Cruz. Yet, when viewed with a crowd like the one at SXSW the eye rolls are done in unison and the theater can breathe a collective sigh of disbelief at the stupidity of a character decision. There’s something of worth, albeit distant from what made the original films so buzzworthy, in the communal nature of this popcorn horror.
For those who have been fans of the Conjuring universe, including the “bad” entries, thus far seeing this opening weekend could inspire a fun theater experience although largely at the film’s expense. For everyone else, here’s hoping that Chaves learns from The Curse of La Llorona and takes a few more chances next time he steps up to the plate.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
Movie
A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.