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THE CW ORDERS NEW SEASONS OF “AMERICA’S NEXT TOP MODEL,” “PENN & TELLER: FOOL US” AND “MASTERS OF ILLUSION” FOR 2015

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The CW has ordered new seasons of AMERICA’S NEXT TOP MODEL, PENN & TELLER: FOOL US and MASTERS OF ILLUSION to air during 2015. Each series will roll out throughout the year with specific premiere dates to be announced at a later time.

After acquiring the original British series from DCD Rights to air this past summer, The CW has ordered 13 brand new one-hour episodes of PENN & TELLER: FOOL US, which will go back into production next year. As in the previous series, PENN & TELLER: FOOL US is a one-hour competition series celebrating magic and featuring the legendary duo Penn & Teller. On each episode of PENN & TELLER: FOOL US, aspiring magicians are invited to perform their best trick to try and fool the world-famous team of Penn & Teller. Anyone who succeeds wins the right to perform with Penn & Teller in their celebrated show at the Rio Hotel & Casino in Las Vegas. The live studio audience and the TV audience watch along with Penn & Teller as they try to figure out the secrets. Penn & Teller see the trick only once, and have to immediately try to work it out. The live studio audience knows there are no camera tricks, secret edits or helpful camera cuts. This is all real magic. PENN & TELLER: FOOL US is created and produced by 117 PRODUCTIONS and September Films (part of DCD Media) for ITV, with executive producers Peter Adam Golden and Andrew Golder.

Hosted by actor Dean Cain (“Lois & Clark: The New Adventures of Superman”), these 13 all new half-hour episodes of MASTERS OF ILLUSION feature great escapes, fascinating sleight-of-hand, and large scale illusions, all in front of a studio audience. The series features amazing magic performed by cutting-edge illusionists and escape artists, and performers in each episode display skills ranging from perplexing interactive mind magic to hilarious comedy routines. Live audience members and viewers at home will be baffled by the astounding skills of these modern illusionists. MASTERS OF ILLUSION is from Associated Television International with executive producers David McKenzie (“The 38th Annual Daytime Emmy Awards,” “Marie”), Al Schwartz (“The 38th Annual Daytime Emmy Awards,” “The Golden Globe Awards” 2013 & 2014, “The Gulf is Back”), Gay Blackstone (“The World Magic Awards” 2007-2009) and David Martin (“Marie”), along with co-executive producers Justin Pierce (“The Rocky Saga: Going the Distance”) and Jim Romanovich (“Inside Story: Ferris Bueller’s Day Off”).

The CW has also ordered the 22nd cycle of AMERICA’S NEXT TOP MODEL, which will again feature men and women contestants vying for the TOP MODEL title. Dates for the start of production and premiere will be announced at a later date.

AMERICA’S NEXT TOP MODEL is produced by 10 by 10 Entertainment in association with The Tyra Banks Company. The executive producers are Ken Mok (“Making the Band”), Tyra Banks and Laura Fuest Silva. The series was created by Tyra Banks and developed by Mok and Kenya Barris. Tyra Banks also hosts the series, which recently completed airing its 20th cycle in the United States. Currently, “America’s Next Top Model” is under license in over 100 markets around the world and has 20 international versions in production. “America’s Next Top Model” and the “America’s Next Top Model” format are licensed internationally by CBS Studios International.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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