The Happytime Murders was never going to be a box office smash but it is destined for midnight movie status.
Within days of its release the film was already being panned as one of the worst of the year, something not remotely true. It’s not for everyone but it’s ambitious as hell and one of the weirdest movies to hit mainstream cinema in decades.
The film is directed by Brian Henson, son of famed Muppet creator Jim Henson, so you already know you’re in good hands. In a world where puppets and humans co-exist it is puppets which have been selected for every racist and xenophobic stereotype around. Merely by being different they are treated as second class citizens by everyone from people on the street to the FBI.
The audience gets to see the world though jaded Private Eye Phil Phllips, a disgraced puppet detective in Los Angeles. From the start there are shades of Chinatown and The Long Goodbye but with puppets. Make no mistake though, this isn’t a film afraid to push the limits. Within the five minutes we get to watch puppet porn being made between an octopus and a cow, it’s that kind of movie. But in the hands of Brian Henson, who last directed Muppet Treasure Island, it still has a lot of heart.
The plot really gets rolling when Phil teams up with his former human partner Detective Connie Edwards (Melissa McCarthy) to find out who has been murdering the cast of the 90s sitcom The Happytime Gang, one of which was Phil’s brother. Along the way Henson creates a truly unique world with rules and laws that make sense in a universe where puppets and humans evolved at the same time. It’s weird, it’s outlandish, but it works.
This isn’t the first time audiences have seen puppets go bad, but it is the first time it’s been in a movie so mainstream. Up until now there was just the very obscure Meet the Feebles (done by Lord of the Rings director Peter Jackson) and Greg the Bunny, the short lived but fantastic puppet fantasy show on FOX from the early 2000s. Happytime Murders improves on both but, unlike the Muppets, was never around to win hearts. This one is for adults that just want to have a good, weird time at the movies.
Is Happytime Murders going to win an Oscar? No, though it probably deserves one for special effects. But it is a film well worth seeing in theaters if only for its sheer uniqueness. If you are the type to complain about the lack of originality in Hollywood but don’t see this movie you’re missing out.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.