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‘The Innocents’: She stole my skin!

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What you have to remember, what the show keeps trying to remind you with oh so fraught Capulet and Montague over there, is that these two kids thought they were running away together before all this nonsense began. That doomed teenage romance is determinedly the heart of the show, despite all the extra odd shit going on around them.

So June MacDaniel (Sorcha Groundsell) is on a very short leash from her gruff father John (Sam Hazeldine). He escorts her to school, controls her phone, and oh by the way, is moving June and her brother Ryan (Arthur Hughes) to the middle of nowhere, someplace called Fair Isle.

Today is the last day and in theory they’re all going, but it also happens to be a very big day for June, a very special and potentially very bad day for her, because she’s now wearing someone else’s face and ohmygod body and trying to convince her beloved boyfriend Harry (Percelle Ascot) its still her. Those mirrors are a eye-opener, and its painful to watch him beg her from the other side of the glass. But this is really for-reals, and Harry promised he would always protect her no matter what, so the chosen two cling to each-other and desperately wonder what to do next.

Meanwhile, somewhere in Norway at a place called Sanctum, there is some definite strange doings happening. The good doctor, Halvorson (Guy Pearce), does these awful experiments on these women, all of whom seem to be here more or less voluntarily. So they keep insisting. The eldest, Runa (Ingunn Beate Oyun), always teeters on the edge of sanity, exploding in Norwegian only to be chastised for it and desperate for the good doctors love; June’s mother, Elena (Laura Birn), also here of her own free will but a mere ghost of herself, pale and stuttering and sad, always untouched; and the newcomer, Sigrid or Siggy (Lise Risom Olsen) as she prefers, tending the garden and blissfully committing to her lessons while dreaming, someday, of leaving Sanctum forever. The good doctor wants June to come to Sanctum very much, for her mothers sake of course he insists a bit too strongly, so much he’s actually willing to come get her himself, once she’s finally located.

Our lovers have met a myriad of underworld characters along the way, but Kam in particular is the one that sticks with everyone the most. And why not? Oh, Kam (Abigail Hardingham) hates what she is, the good doctor calls it a shifter, same as June and her mother. Kam’s mom happened to be a shifter too, once upon a time. Harry’s mom Christine (Nadine Marshall) of course happens to be a cop, and everyone from June’s dad and brother, to extraneous cops and all sorts of weird videos, have been involved in the hunt for June at this point.

In the end Juliet, or rather June, makes a decision that sets in motion a whole bunch of bad things, that eventually lead to potentially good things or at least new beginnings. But we all know, with rebirth usually comes a good deal of preceding destruction.

There is of course the possibility of a season two, but I’d debate that by then, June and Romeo, or rather poor Harry, will be quite a bit more experienced and far less innocent.

Catch the oddest Netflix show to come out since ‘The OA’, and compare the interesting similarities to ‘The Innocents’, on Netflix now!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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