Ever since Arnold Schwarzenegger and Apollo Creed first battled the ultimate in alien hunters in a jungle,audiences have enamored with the deadlocked death machine know only as The Predator. SPOILERS AHEAD!
It was bigger, faster and strapped with better weapons than we could ever imagine. The odds always seemed impossible when trying to defeat or simply survive these killers from outer space. Makes you wonder if a military “Space Force” was around could we have stopped them from coming back ever again. Sadly, we didn’t have one then and since we’ve played host to their intergalactic shenanigans a few times.
They’ve stolen human prey to take back to their planet, fought other aliens with us caught in the middle and even involved Danny Glover when we all know he’s gotten to old for this, um…stuff. Now it seems that The Predator race is back to hunt one of it’s own on our turf. A Predator Edward Snowden, if you will.
The cast is comprised of a variety of talent that are there for a plethora of reasons and they are effectively used in those roles throughout the movie. The lead character of Quinn McKenna is a military sniper that has seen a bit too much and is locked away with other “crazy” or PTSD stricken soldiers.
Thomas Jane plays a vet with tourettes, a man who deflects his pain with comedy (Keegan-Micheal Key of Key and Peele fame), there’s also Alfie Allen taking a break from his role in Game of Thrones to kill some aliens. Olivia Munn rounds out the motley crew as a scientist that has always wanted to study an alien. Sterling K. Brown is Traeger the shady government agent that is hunting down the group of vets and the Predators that are loose on earth. He’s doing his very best to not be his character from This is Us, but he does a good job of being smarmy.
As an action film it’s not bad. In fact, I quite enjoyed my self while I watched this movie. Where the movie lost me was during the extremely eye rolling revelation of why the big Hunter Predator wanted to go after Quinn Mckenna’s young son. I won’t spoil anything but when I told my little brother who’s on the spectrum he sighed, heavily. I felt like maybe this inclusion in the script was patronizing to those who are touched by autism or care for those who are autistic. As an action movie I had a rather good time with this film but, disliked the groan inducing inclusion of autism as a plot ploy.
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.