Mick Ignis is a prolific character actor who you may have seen in the popular Harry Potter short “Serverus Snape in the Marauders”. His latest works include several demons on the hit IFC show “Stan Against Evil”.
I had a chance to catch up with him to talk about his latest movie project that will air on the SyFy channel October 14th 9pm/8 CT called “The Sandman” .
AQ: Hey Mick! thanks for talking with us. Tell us about your upcoming project “The Sandman”? What is it about?
MI: “The Sandman” follows a young girl named Madison (Shae Smolik) who has a powerful and uncontrollable ability to manifest a murderous, supernatural guardian whenever she feels fear. After being taken in by her aunt Claire (Haylie Duff), Madison becomes the target of an agency, lead by a shady character called Valentine (Tobin Bell), looking to use The Sandman for their own gain. It’s a terrifying introduction to this new horror monster that I can’t wait to unleash on audiences.
AQ: How did you get involved in this project?
MI: I was recommended to the film’s writer/director Peter Sullivan by my good friends George Troester and Cig Neutron, who’s studio TroTron FX, handled the creature effects for “The Sandman“. I met with Peter at his office to discuss the role and we immediately had a blast talking about the script and all the terrifying directions we could take the character in. Peter is clearly a huge fan of the genre and managed to create a character that resonates the energy of past horror icons while bringing something completely new and horrific to the table. I was already excited about the project when I first read the script, but that excitement continued to grow after every shot we got in the can. As horror nerds, this was a dream film for us all.
AQ: Did you have any creative input into the final look of your character?
MI: The creatures look was all the work of the talented FX team who designed him. Creature concept artist Adam Milicevic did some amazing designs of “The Sandman” and the suit really came together with the sculpt and finishing texture that truly gave the appearance of a being made from dark sand. The added visual effects that complete the characters transformations will be the icing on the cake.
I noticed that it was executive produced by Stan Lee. Did you ever get to meet him on set?
I have not yet had the pleasure of meeting Stan, but I hope to soon! I’ve been a HUGE Marvel fan since I was a comic book devouring child, so I just about lost my mind after finding out that Stan signed on as Executive Producer of the film. It’s beyond an honor to share a project with someone who’s work has had such a profound effect on my life.
AQ: What was the casting process like for this movie?
MI: This being such a small community, so many of the roles that come my way are by referral. Which I’m grateful for, as I (like many actors) HATE auditioning. I had worked with George on several projects before this and have been good friends with him and Cig for years, so we already had a strong working relationship. For creature roles like this, having a strong team around the character is essential. I’m playing The Sandman, but it’s the entire fx team that truly brings him to life. It’s a very collaborative effort.
AQ: What was the makeup process like when suiting up for your scenes?
MI: This project was MUCH easier on me than others I’ve been on. The suit and mask were custom sculpted to my body cast, so I have an excellent range of movement with it. It takes two people about 20 minutes to get me in the suit and pop on the mask. Significantly less than the hours spent gluing me in to prosthetics!
AQ: Tell me a little more about your acting background. Where did you get your start? Did you always want to be an actor?
MI: I feel like, while I didn’t have the confidence to be an actor until my early 20s, I was always finding some way in which to tell stories. I started in entertainment as a stop-motion animator on shows like “Robot Chicken” and “Moral Orel“, where my focus was on studying movement and transferring that over to the puppets I was pushing around. That itself is a sort of acting performance. While I loved animation, it didn’t feel like THE thing I was meant to be doing with my life, so I took what I loved most about the animation process and furthered it by going to school for acting and makeup artistry. Playing monsters wasn’t my initial pursuit but, with my physicality and connection to the makeup fx world, it was an inevitable path and I love the diverse range of characters I’ve been able to portray.
AQ: How did the practical fx make up come into play with your acting career? Was there some intensive training involved?
MI: The first person to really start throwing me under prosthetics was my fx teacher Rob Burman and I took to it quickly. From there, I worked at a studio called Amalgamated Dynamics, where veteran fx artist Alec Gillis cast me in projects like “The Evil Within” and “Harbinger Down”. This being such a small industry, word traveled fast between FX studios and film producers and I’ve been steadily building up my rogues gallery ever since. There wasn’t any specific training for this, just experience and learning more and more from each role.
AQ: You came from a theater background. Do you think you would go back to it?
MI: I absolutely would! I love performing on stage. It’s a completely different feeling from doing something for film and the immediate audience response is intoxicating. It’s a bit of a time commitment but, if the right role opportunity came along, I would definitely jump back in to doing a theater production.
AQ: Which do you prefer TV /movies or the stage?
MI: In a perfect world, I’d be performing on stage whenever I’m not shooting on film. Being an actor for movies and television will always be my dream and number one priority, but live performance is something I’ll always be passionate about. I get a bit of that feeling from dressing up and performing at conventions, but nothing beats a well-oiled stage production.
AQ: One of the big things we know you from is “Severus Snape and the Marauders”. Rumor has it that it’s developing a possible sequel. What can you tell us about that?
MI: The rumors are true! As “Severus Snape and The Marauders” closes in at 3 million views, the entire cast has decided to reunite to keep the story going with “The Great Wizarding War”. This will be a new medium for me, as we’ll be telling this ambitious magical war story as a 12-part radio play series. I’ve read the first few episodes and, if you thought the stakes and intensity was high in the film, just wait to hear what’ll be unleashed in this tale set in one of the wizarding worlds most dangerous times. I’m very excited to jump back in to playing Snape and take his story down this spiral. We’ll be announcing more details about the project soon!
AQ: We also have seen you as that awesome goat demon in “Stan Against Evil”! What was it like working on that show!
MI: “Stan Against Evil” is one of the greatest joys in my career and I’m beyond grateful to series creator Dana Gould for bringing me on. I’ve now portrayed 4 different demons plaguing Willard’s Mill, which has given me a lot to play with. The entire cast is an absolute joy to work with and the show is only getting better as the blend of horror, comedy, and heart finds its perfect balance. It’s great to work on a show that has so much love and respect for monster characters. Rather than just being a “be scary from Point A to Point B” sort of production, the creatures really drive the story forward and give me something good to dig in to. And getting to fight John McGinley each summer doesn’t suck!
AQ: We’ve seen you in many forms. You are a great chameleon. We can never tell what you will show up in next. What’s your favorite character you have portrayed so far?
MI: It is SO hard to pick one character that I’ve enjoyed the most. Every one of them has been a different game. For Stan, the Baphomet is definitely close to my heart after seeing his scowling face around LA on bus stop posters and billboards (at the moment I’m wearing him as a lapel pin!). There’s a character I play in the season 2 finale that had such a fun, sinister personality to play with (and possibly one of my favorite kills in my career), so she’s definitely up there in my faves. Tomorrow night I’ll be seeing The Sandman for the first time and that’s going to be a majorly impactful experience, as it’s the first film I’ve been featured in to this extent. I don’t know…I’m terrible at picking favorites. I don’t really have favorites!
AQ: During the San Diego Comic Con you showed up in a wild WAHLUIGI cosplay. Do you always go dressed up to cons and what are some of your greatest costumes?
MI: Waluigi was something my buddy Cig and I have been talking about doing for YEARS! I saw a previous Wario makeup he did on himself and was immediately like, “dude, PLEASE do that again and turn me in to Waluigi so we can cause some chaos at Comic Con!”. He and Rannie Rodil did an amazing job putting the character together. Nintendo really loved it and it got a great viral response. This was my fourth year of doing these crazy, massive cosplay projects. In the past I’ve been Apocalypse, Thanos, The Vulture…now I’m looking for ways to raise the bar higher for next year! They’re a unique sort of “live theater” opportunity and I have a great time spending the day interacting with convention guests in character.
AQ: Do you have any advice for new actors wanting to do what you do?
MI: I’m all about character study. Get to know your characters as best you can. Learn what makes them tick, what their backstory is, why they do what they do. And remember to enjoy yourself. Be kind and supportive to those you work with. This is a hard and often times painful industry to navigate (I’m definitely still learning) so, if you’re not having fun doing what you love on set, what’s the point?!
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TV
Did JD from Scrubs Have a Dark Past?
TW: Discussions of child abuse and neglect.
The sitcom Scrubs ran from 2001- 2010 delighting viewers with the escapades of daydreaming Dr ‘JD’ Dorian and his friends. Unlike most TV sitcoms Scrubs perfectly balanced the comedic and the tragic. Being set in a teaching hospital with most of the main cast being doctors; there was plenty of fodder for some truly heart-wrenching storylines.
Like with most sitcoms, if you look under the jolly veneer (and have too much time on your hands) a much darker story emerges. In Scrubs, I would argue, this may be the past of its titular protagonist JD (played by Zach Braff). Some fans (ok, me) speculate that not only did JD have a less than ideal childhood but an abusive one.
Hints of this could be interpretated throughout the series:-
1. Attachment to Dr Cox
One of the most popular aspects of the series is the oddly touching relationship between mentor and mentee: Dr Cox (John C McGinley) and JD. It’s perfectly normal to admire and want to emulate an older colleague. But JD’s admiration of Dr Cox always seemed to go a step further. JD looked to the older doc as not only a mentor but a father figure.
JD explicitly states this throughout the series. Most notably in the finale; when during his much sought after hug JD claims Dr Cox smells “like a father figure”. This is odd as Dr Cox is only about 13 years JD’s senior. We know JD’s biological father (played by the late John Ritter) was pretty much absent during JD’s childhood. Is this yearning for a parental figure a way to fix JD’s damaged childhood?
As loathe as I am to criticise a fan favourite but Dr Cox openly mocks and belittles JD, almost never referring to his protégé by name. Instead by a vast archive of disparaging nicknames. The show does establish that there is love and respect om both sides, from Dr Cox deep down (deep, deep down). But why does JD not only put up with as well as seek out this treatment? Very masochistic. Or, has JD been subconsciously taught that taunts and aggression equate to love?
2. Feels Affinity with Dr Cox and Elliot
The show establishes early on that Dr Cox had an abusive homelife as a child. He openly reminisces about his parents being violent alcoholics. Is this the real reason that JD clamours for Dr Cox’s attention? Does JD see Dr Cox as an inspiration of someone who came from a similar background to his and became a well-respected doctor and family man?
Is the same true of JD’s on/off girlfriend, future wife and fellow doctor; Elliot? The show establishes that Elliot’s parents are mentally, emotionally, and financially abusive. Are JD and Elliot drawn to one another (partly) because they are both traumatised by their past? Even when it is proven time and time again that they are not suited.
3. Hostile Relationship with Older Brother
JD’s older brother Dan (Tom Cavanagh) appears several times in the show. Despite regularly visiting his kid brother, JD makes clear that these visits are not welcomed. JD’s ire is uncharacteristic as he’s shown as an ardent people pleaser throughout the show. Yes, Dan did bully JD throughout their childhood, though it’s unclear whether this was normal sibling rivalry or more.
In Series 3 Episode 5 ‘My Brother, Where Art Thou?’ JD attempts to cut off contact with Dan claiming that Dan never looked out for him. Even as children of divorce why is JD so upset his brother didn’t protect or “come through” for him? In the same scene JD comments about how their mother “married anyone that rang the doorbell”. Reading into this (hey, it’s what we’re here for) did Dan not protect JD from these multiple husbands?
4. Audience Never Actually See JD’s Mother
To me this is the most obvious that something is suspicious about the Dorian matriarch. Despite seeing every other cast members mother (except Dr Cox but its implied that his parents are dead) we never see JD’s. He, at the very least, seems to have a good relationship with his mother. Mostly speaks highly of her and she calls often. It doesn’t follow the trope many sitcoms use; having a character the audience never physically sees being used for comedic effect.
We hear JD’s mum (Barbara) speak in a flashback (Series 3 Episode 21 ‘My Self-Examination’). While Barbara was tucking young JD into bed she was saying some quite toxic things to her child, like how no women will ever be good enough for him. It is clear this scene is supposed to be somewhat creepy as Barbara is stroking the child’s face in an inappropriate manner. Adult JD even refers to his mum as “sexy” in the same episode. Very Freudian but in the light of everything else we are discussing: very disturbing!
5. JD’s Mother Drank
Linked to number 4 JD admits in Series 8 Episode 2 ‘My Last Words’ JD admits his mum “drank a lot”. Does this statement answer some questions about JD’s odd childhood?
6. JD is a People Pleaser
As we have already mentioned JD is a pathological people pleaser (what’s that like?). As a doctor he goes above and beyond for his patients. He does everything from finding patients estranged family members (Series 4 Episode 11 ‘My Unicorn’) to shaving his head in solidarity with a chemo patient (Series 5 Episode 15 ‘My Extra Mile’). Of course this is all very commendable but JD particularly enjoys the gratitude. Why does he need this validation? Is this a coping mechanism from a turbulent background who had to go above and beyond to get the love that should have been unconditional?
7. Extremely Tactile
Another of JD’s character traits is he extremely tactile. This is of course played up for comedy with his ‘sneak hugs’ (Series 6 Episode 13 ‘My Scrubs’) delivered to the stand-offish Dr Cox or the fact he has his friends on a ‘hugging schedule’ (Series 5 Episode 8 ‘My Big Bird’). Is this someone trying to seek the love and affection he never received in childhood? Or reassure himself that the people he loves won’t disappear?
8. Self-Sabotaging
A common reaction to childhood trauma is self-sabotaging behaviour. In his romantic relationships JD has this in spades. Throughout the run of the show JD has more romantic partners than the rest of cast put together. It is acknowledged that JD goes from relationship to relationship with alarming speed and breaks them off for shallow reasons. Again, he may be trying to seek the love and security he never had in childhood.
JD’s damaged psyche is put on full display when after spending the majority of the series chasing Elliot she finally leaves her loving boyfriend for him. JD immediately decides he doesn’t want her anymore to many fans outrage (Series 3 Episode 20 ‘My Fault’).
9. No Therapy
As well as never actually seeing his mother, we never see JD engaged in any kind of therapy. All of the other characters attend various types of therapy throughout the series. JD does not, despite arguably needing it the most. Is JD perhaps too scared of what therapy might uncover or not want to deal with his trauma head on?
10. Overactive Imagination
During Scrubs entire run (except the final series thou shalt not be named) hinges on JD’s overactive imagination. His outlandish fantasies make for excellent comedy and unique sequiturs to break up the storylines. But what if this was yet another coping mechanism for the hapless leading man?
Children from challenging background often disappear into elaborate fantasy worlds in order to escape their surroundings. Is this a habit JD could never quite kick? It would explain why he doesn’t seem to have a lot of control of his daydreaming despite being an adult. It is a comfort and a way to deal with the difficult stuff life throws at him.
If any or all of these speculations are true Scrubs goes from being a mere half-hour sitcom to a story of one man’s triumph over his dark past. Despite his flaws and failings JD has still made something of himself and is surrounded by his chosen family; all of whom love him for who he is. This is extremely inspiring.
Movie
‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
Movie
Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.