Release date:June 24, 2016
Studio:Sony Pictures
Director:Jaume Collet-Serra
MPAA Rating:PG-13 (for bloody images, intense sequences of peril, and brief strong language)
Screenwriter:Anthony Jaswinski
Starring:Blake Lively, Oscar Jaenada, Sedona Legge
Genre:Thriller
[divider]This it’s an interesting story nonetheless. There are some very typical plot twists in addition to some pretty good jump scares (for the uninitiated)
The story starts are warmly with Nancy (played by Blake Lively) going to the beach and that her mother visited some twenty years ago. She is skimming through pictures on her phone, which you see on screen in almost a “pop-up” format. The person she is reading list speaks very little English, but does manage to remind her that there is a beautiful world to see, outside of her phone, a trend I’m seeing more and more of and one that I endorse (Ok, enough of the soapbox).
Once they arrive the scenery is absolutely gorgeous, breathtaking, in fact. There is so much beauty within such a short period of time that it’s almost hard to take it in and yet one’s eyes are, indeed, treated to an amazing blues, greens, sand colors, different textures of the rocks as well as a pristine view beneath the gentle rolling of the ocean.
When they arrive at the destination, it is almost as if the curtains of the theater have been pulled back so as to introduce us to ingenue of the production…the cove. Such a gorgeous display of nature it was quite staggering to look at.
Karen arrives on the beach alone, her friend having bailed out on her due to a case of “Irish fever”, and we see early on that she’s very prepared and organized individual, having packed a first aid kit and other necessities.
There are numerous, gorgeous, establishing shots of her surfing in something in this amazingly clear water. This is to establish why this movie is called “The Shallows”, for just barely under the waves deadly coral and rocks away to shred the first one who might show disrespect. The underwater camera work for these shots is flawless! No well the camera work was amazing, I thought that the sounds of the ocean in these early shots was off. They sounded more like gurgling coagulation then the crisp sounds of the ocean. I’m not sure if they were trying to make us feel as though we were under water with the Surfers or what, but it, for me, was definitely a distraction more than an enhancement, thankfully, later on, this is taken care of.
Now to the action; After a full day of Surfing her two new friends start to head in. While she is out there, there is a rather sudden dissipation of the surf, which was so plentiful earlier. It just stops. Weird!
It is in this place of “Solace” that she sees something on the immediate horizon, a small humpback whale that is out of men killed or just died. The weird thing here is that neither of the two other Surfers noticed this even though they were out there longer and farther out than she was. So, for some reason, she makes her way out to the decimated Beast and notices both of smell and rather good-sized bite taken out of it. Shortly after this is when we are introduced to our “main villain”.
This is where things get a little weird for me. The Beast seems to take an immediate interest in her, despite there being a full whale carcass just a few feet away from it.
The shark continues to behave uncharacteristically throughout the movie. It stalks her, pursuing her as if it had a personal Vendetta against her, even to the point of killing others around her like some psychotic boyfriend.
Karen’s only salvation, at this point, is a small piece of rock which has appeared due to the low tide and in getting there and she is attacked again, this time by piece of fire Coral which cuts and burns her pretty severely. When she message to the Rock, which is barely above the water, she’s able to tend to her wounds, and a rather clever and believable fashion. This is where becomes a waiting game. She has to figure out what to do to get yourself to safety.
There are several more close encounters with a shark and she figured out a couple more things to help her survive and eventually is able to swim to a buoy. This is where it gets strange again, she has to swim through a large, tightly packed, school of jellyfish, which appear out of nowhere. This is one of many plot holes that just don’t make sense. What are the jellyfish suddenly appear from? How is it that you can swim through dozens of jellyfish and not die?
Indian there’s an epic battle with a shark and, of course, in typical Hollywood fashion…well you know how that works out.
I will say that Blake does carry this film very effectively with equal parts of fear, pain, heroism, strength, and survival skills. I thought you did a wonderful job! The main problem I had with this film, however, is that they seem to want to capture the terror of Jaws but there’s no impetus for the sharp pursuing her in such a personal way.

Movie
Upcoming NTR Junior projects

Nandamuri Taraka Rama Rao Jr., affectionately known as Jr NTR, has consistently enthralled audiences with his dynamic performances and versatile acting prowess. Following the successful release of “Devara: Part 1” on September 27, 2024, fans are eagerly anticipating his forthcoming projects. Here’s an overview of what’s next for this action superstar.

1. Devara: Part 2
After the resounding success of “Devara: Part 1,” which grossed over ₹466 crore globally, the sequel is highly anticipated. Director Koratala Siva has hinted that “Devara: Part 2” will be even more intense, stating that if Part 1 showcased 10% of Jr NTR’s capabilities, Part 2 will unveil the remaining 90%. Filming is slated to commence in the first half of 2026, with a targeted release by the end of that year.

2. War 2
Expanding his horizons, Jr NTR is set to make his Hindi film debut with “War 2,” directed by Ayan Mukerji. This sequel to the 2019 blockbuster “War” will see him sharing screen space with Hrithik Roshan and Kiara Advani. The film is part of the YRF Spy Universe and is scheduled for release on August 14, 2025, coinciding with the Indian Independence Day weekend.

3. NTR 31 (Tentative Title: Dragon)
In collaboration with acclaimed director Prashanth Neel, Jr NTR will star in a period drama tentatively titled “Dragon.” The film is set to delve into themes of immigration and is expected to be one of the most expensive projects for both the actor and the director. The movie is slated for a grand release on January 9, 2026.

Why Jr NTR is the Action Hero Everyone Wants to See
Jr NTR’s appeal as an action hero stems from his ability to seamlessly blend intense physicality with deep emotional resonance. His performances are characterized by a compelling screen presence, dynamic energy, and a remarkable ability to connect with audiences across diverse roles. This unique combination of skills has solidified his status as a leading figure in Indian cinema, making him the action hero everyone wants to see.
With a lineup of diverse and high-profile projects, Jr NTR continues to push cinematic boundaries and captivate audiences worldwide. His dedication to his craft and ability to reinvent himself with each role ensure that fans have much to look forward to in the coming years.
Movie
“Death of a Unicorn: A24’s Twisted Fairytale You Won’t Forget”

Headed to a wilderness retreat of a wealthy pharmaceutical CEO to hopefully land a lucrative job, widower Elliot and his reluctant daughter Ridley manage to have a car accident with a heretofore-thought creature out of legend, and hijinks ensue!
Oh this is an absolute gem of a movie y’all, brought to you by the genius minds of film production company A24, a delightful blend of horror and campy, almost idiotic, comedy. Make sure your seatbelt is buckled and let’s dive into this!
So Ridley (Jenna Ortega) is you typical teenager, angsty and missing her passed-on mother, full of acne troubles and secretly vaping while her dad Elliot (Paul Rudd) ignores her for much more than appearance purposes, while he schmoozes his way into the good graces of the family they’re going to stay with. Elliot ignores everything but his continued greed, for both money and continuous stability for him and Ridley, really, he swears, so when the misty mountains cause their electronics to go haywire and Elliot’s busy with that crisis, he doesn’t notice until it’s too late and BAM. You’ve hit an actual unicorn with your car.
Like most girls, Ridley can’t help but be fascinated by the poor mythical horse-like creature, and of course she reaches out to grasp the glowing horn, filling her head full of magic and her eyes full of stars and the cosmos, while Elliot has a much more, let’s say visceral, reaction. But rather than calling, I dunno, some sort of wildlife preserve or the cops or even considering burying the unfortunate horned horse, no, the baby is loaded like a downed stag into the back of Elliott’s car and they hurry on to the CEO’s wilderness retreat.
It makes sense that the changes to Ridley’s appearance are the first thing that allows O’Dell (Richard E. Grant) and his greedy, grasping family to understand that the body of the unicorn has healing properties. Wife Belinda (Tea Leoni) is your typical utterly vapid socialite who helps the poor downtrodden of whatever’s currently popular third world country, not for the do-gooder part of it, but for the optics. And their son Shepard (Will Poulter) is a walking poster boy for the arrogant frat boy type who could never settle on just one thing to be or do, and so he tries them all – archery, photography, mixology, music and various forms of pharmaceuticals, all while sporting these terrible fashion choices in shorts and rambling proudly about his nonexistent accomplishments. Griff (Anthony Carrigan) is the family butler and general verbal punching bag, and let us not forget the unfortunate pair of doctoral research scientists who get called in to examine the unicorn, Dr. Song (Steve Park) and Dr. Bhatia (Sunita Mani).
So we have a family of covetous types who all want to divy the unicorn up and sell its various parts for as much wealth and power as they can get, plus the pair of scientists who are flabbergasted to find themselves dissecting an actual unicorn that, hey, guess what, isn’t actually dead for really-real yet. Elliott’s trying to procure his and Ridley’s slice of the action, though honestly, his lawyerly powers of persuasion seem to be rather lacking in this regard, while Ridley is off doing some actual research on medieval unicorns and what the ancient legends in tapestries had to say about them. You know how the modern genie, with his Arabian lamp and his three wishes with their horrifically ironic consequences, actually stems from the ancient legend of that old monster, the creature born from fire that wants nothing more than to destroy all human life on Earth, the Djinn? Our modern legends and beliefs about unicorns is kinda like that.
So everyone, even our scientists with their experiments and O’Dell supposedly being an experienced animal hunter, seems to have forgotten that a horse is a mammal and therefore, has parents. And while everyone is concerning themselves with what to use the babies’ various parts for, only Ridley seems to have realized, that the babies’ sire and dam are coming for it!
We all know horses are smart, and that humans and horses can form an almost mythical bond, but when a stallion or even a dam’s ire is raised, they can attack and defend just as well as any rampaging beast, and do present a very real and dire threat. And these particular horses, with their shaggy midnight-black coats and hooves the size of monster-truck hubcaps, their fangs and absolute righteous rage at their baby being stolen, not to mention both mom and dad’s inherently magical nature, and those utterly badass war-unicorn horns, are here to wreak utter destruction and death upon the humans that would dare to eat, drink and snort, their baby!
Full of utterly ridiculous fun with human greed and the scarcely-remembered wonder of those magical creatures you heard about as a child, cheer along with the Jurassic Park-like screech of our rampaging parents to save their baby, in Death of a Unicorn, in theaters now!