Rugal
Police officer Kang Ki-beom lost his eyes and his wife and was set up for the whole thing after he put all his efforts into taking down the large criminal organization Argos. Now recruited to the super-secret NIS special task force known as “Rugal”, where the members are given biotechnology implants to replace their missing body parts and thus gain the equivalent of superpowers, Kang Ki-beom, and his teammates set out to really take down Argos, and bring his wife’s killers to justice!
The show is full of kick-ass fight scenes, fun Robocop-like scenes courtesy of Kang’s bionic eyes and his co-worker’s replacement parts, and all the Korean cop drama you can shake your kim-chi at!
https://www.youtube.com/watch?v=DZtgPv3LjrI
Mystic Pop-Up Bar
Mobile outdoor tent pop-up bars known as pojangmacha are a staple in Korea, but this one is special! Run by sharp-tempered proprietress Weol-ju and her stoic partner Chief Gwi, Mystic Pop-up Bar actually solves their client’s issues through a supernatural method of dream incubation. Both Weol-ju and Chief Gwi are spirits sent back to the Living Realm as a punishment; Weol-ju has to settle the grudges of 100,000 souls to be forgiven for her crimes in a past life and Chief Gwi has sworn to help her.
Han Kang-bae is a kind young man who was cursed since he was little with the ability to make anyone pour out their innermost truths to him through physical contact. And when Weol-ju meets hapless Han Kang-bae, it’s a match made in the supernatural realm, and ripe for all kinds of nefarious shenanigans!
Full of heart and snark and the continual reminder that people really need to just talk to each other instead of keeping it all in, Mystic Pop-up Bar boasts shades of the beloved Japanese anime Xxxholic and is a great supernatural jaunt for a Korean drama.
https://www.youtube.com/watch?v=m0RfpPHksRA
100 Days My Prince
The first of a few saeguk (Korean historical drama) entries, this one begins with an unusual premise – a prince suffering amnesia who finds love amongst the common people.
So Lee Yul is the crown prince, whether he likes it or not, after a successful coup completely rearranges the power and King of the Court. From a devastated boy who loses his beloved mother at a tender age too, he grows into a bitter and cold young man who seems to delight in pegging-down everyone around him. Resentful and angry, during a drought plaguing the kingdom and everyone else plaguing him about consummating his marriage to the crown princess, Lee Yul commands for all unmarried people under a certain age to wed.
And then en route to the rain ritual, a botched assassination attempt sends the crown prince with a head wound amongst the common folk, to be taken care of by Hong-shim, her adoptive father, and a cadre of other very-common peasant friends. Facing arrest if she doesn’t obey the new law, Hong-shim ends up marrying the newly-arrived and rechristened amnesiac Won-deuk, and hilarity ensues!
https://www.youtube.com/watch?v=_LxsJGR7DgU
Rookie Historian Goo Hae-ryung
A fictional story of one of the first four female historians of the Korean Joseon period to ever be involved in compiling the Veritable Records of the dynasty.
Goo Hae-ryung is plucky and smart, but also young and undeniably female, which of course means everyone thinks she’s destined for an arranged marriage with a stranger, a passel of children, and likely young death from overwork. Instead, Goo Hae-ryung takes her destiny in her own hands and determinedly joins the testing for female historians, passing the challenge and joining a highly exclusive formerly mens-only club of historians that compile the Veritable Records for future generations.
As she struggles to work on the same level as the men, Hae-ryung meets the throwaway prince Yi Rim, himself an frustrated and overlooked soul who loves to write romance novels, of all things, and that earns him arrogant sniffs from his peers too.
Workplace romance shenanigans ensue, the constant struggle for the stability of the Joseon dynasty leads to life-threatening political entanglements, and through all this, Rookie Historian Goo Hae-ryung is there to fearlessly endure and record it for the precious historical records.
https://www.youtube.com/watch?v=GqaGhUJ9Vgs
My Country The New Age
Another saeguk entry, this one focuses more on military battles and aristocratic political mongering, though there is a small, sweet romance laced throughout the bloody business; a pretty pair of pink shoes abandoned on the battlefield as Korea fights its blood-soaked way from the Goryeo dynasty to the new Joseon dynasty.
A pair of friends begin the story by taking the state military exam together – Seo-hwi is a blacksmith and the disgraced son of a man wrongly executed for embezzlement, while Seon-ho is technically an aristocrat but still looked down upon as his mother was a concubine. Seon-ho commits an unforgivable act of betrayal against Seo-hwi at the exam, setting off a downward spiral that pits the two brothers at odds with each other, set against the backdrop of epic dynastic changes as one era ends and a new one attempts to rise from the ashes.
Lavish with well-made fight scenes and the kind of drama and tragedy that Korean shows are famous for, My Country The New Age is a tear-jerker of the finest quality.
https://www.youtube.com/watch?v=khANmq-3Too
Bonus entry – Kingdom
Yet another saeguk entry, Kingdom is of course set in the Korean Joseon period and is full of your standard political and social strife, but with one significant addition – zombies!
Three years after the fictional Unpo Wetland Battle, where 500 Korean soldiers and the governor-turned-general defeated an invading Japanese army of 30,000 using some terrible secret methods, Kingdom skillfully weaves a horrific storyline of the unquiet dead through an already-epic tale of dynastic betrayal and manipulation. Featuring a starring role from Bae Doona (Sense8, The Host, Cloud Atlas) as the physician’s assistant turned war medic Seo-bi, Kingdom boasts two whole seasons available on Netflix now!
https://www.youtube.com/watch?v=4l-yByZpaaM
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.
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