Trina Robbins, who famously became the first woman to draw the Wonder Woman character more than 30 years ago, and whose work in underground and mainstream comics goes back to the 1960s, was today named the second honoree in the Wizard World Hall of Legends, a new initiative to celebrate the artists, writers and insiders who have built the industry and those continue the traditions. Robbins will receive the award at a ceremony at Wizard World Comic Con Sacramento on Friday, June 16 at the Sacramento Convention Center.
In 1970, Robbins produced the very first all-woman comic book, “It Ain’t me, Babe.” In 1972 she was one of the founding mothers of “Wimmin’s Comix,” the longest-lasting women’s anthology comic book. (1972 – 1992)
In the mid-1980s, tired of hearing publishers and editors say that girls don’t read comics and that women had never drawn comics, she co-wrote (with Catherine Yronwode) “Women and the Comics,” the first of what would become a series of histories of women cartoonists. She has been responsible for rediscovering previously forgotten early women cartoonists like Nell Brinkley, Tarpe Mills, Barbara Hall, and Lily Renee.
Robbins was the very first female artist to draw Wonder Woman for DC Comics in 1986, and revisited Wonder Woman in 1996 with Colleen Doran in “The Once and Future Story” in 1998.
“I’m very pleased to be recognized by Wizard World and accept this in honor of the many women who continue to make their marks in comics,” said Robbins. “I’m looking forward to meeting the many talented creators in Sacramento next week.”
“Trina has paved a path and elevated all women in the comics industry for decades; from her early work in the underground space, to being the first female artist to draw Wonder Woman, to her continued efforts to highlight the work of female creators, she has spent her entire career in the comics industry as a true trailblazer,” said John D. Maatta, Wizard World President and CEO. “Her work as a creator and pioneer in the comics world makes her an ideal selection to the Wizard World Hall of Legends.
Robbins joins Rob Liefeld, creator of the popular Cable, Deadpool, X-Force and Youngblood franchises, who was presented the inaugural award on June 2 in Philadelphia.
The Wizard World Hall of Legends initiative, which will honor one or more figures from the comics world at each convention, is one in a series of enhancements that Wizard World is making in the comics area. Artist Alley in Sacramento features a standout lineup of creators, including Paolo Rivera (“Daredevil,” “The Valiant”), Steve Leialoha (“Spider-Woman,” “Coyote,” “Howard the Duck”), Jeremy Clark (“Escape From Monster Island,” “Grimm Fairy Tales Genesis: Heroes Reborn”), Phil Ortiz (“The Simpsons,” “Muppet Babies”), Tom Cook (“The Smurfs,” “He-Man”), Daniel Parsons (“Star Wars,” “Game of Thrones” Blu-Ray set), Genese Davis (Holder’s Dominion), and many more.
Comics creators at Wizard World Comic Cons are engaging with fans more than ever. The Creative Stage, active throughout every show, provides attendees additional opportunities to interact with artists and writers, with demonstrations, interactive Q&As, informative discussions, art raffles and auctions, learn-to-draw instruction and more.
Wizard World Comic Con events bring together thousands of fans of all ages to celebrate the best in pop culture: movies, television, gaming, live entertainment, comics, sci-fi, graphic novels, toys, original art, collectibles, contests and more. The eighth event scheduled on the 2017 Wizard World calendar, Sacramento show hours are Friday, June 16, 4-9 p.m.; Saturday, June 17, 10 a.m.-7 p.m.; Sunday, June 18, 10 a.m.-4 p.m. Kids 10 and under are admitted free with paid adult.
Wizard World Comic Con Sacramento is also the place for cosplay, with fans young and old showing off their best costumes throughout the event. Fans dressed as every imaginable character – and some never before dreamed – will roam the convention floor and participate in the famed Wizard World Costume Contest on Saturday evening.
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The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.