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TV Analysis: The Case of the Vanishing Character

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Anyone who watches a show for more than one season comes to the inevitable tragedy; your favorite side character leaves a show. No, I’m not talking about when it falls in line with the plot of the narrative; i.e. Gus on Breaking Bad or anyone you love on Game of Thrones. I’m talking about when either contract negotiations go sour or an actor leaves a show to pursue another opportunity, or frankly, the character isn’t working, and they just disappear.

Now, there are two ways to handle this: one is to not acknowledge it whatsoever. Very few people realize that Richie Cunningham on Happy Days had an older brother, Chuck. He went upstairs, never to return, and no one was the wiser. Another great example was Family Matters. Judy, Laura and Eddie’s little sister, just… wasn’t on the show anymore, then Aunt Rachel disappeared, then Grandma Winslow… without any kind of explanation. I guess the rest of the Winslows were just too distracted by the antics of the nerdy neighbor Steve Urkel to notice their family was dwindling. My bet is Urkel was the culprit serial killer, but enough of my FMFF (that’s Family Matters Fan Fiction for short)

The other option, and my personal favorite, is have the characters not only acknowledge cast changes, but to make fun of them. Anyone who has binge watched The New Girl has seen this in the character Coach, played by Damon Wayans. Coach was in the pilot, but was replaced on the second episode by Bishop, played by Lamorne Morris. There are a slew of examples of the writers mocking this, one case where Nick Miller tells his future self, “Don’t be mean to Coach, or he’ll leave us for another group of white people,” which, actually happened. Wayans left the cast of Caucasians on New Girl to be the token black cast member on Happy Endings.

Boy Meets World did this type of thing in spades. Morgan Matthews, Corey and Eric’s little sister, was absent for several seasons. She suddenly came down the stairs, and Corey, aghast, says, “Morgan, long time no see.” Morgan responds, “Yeah. That was the longest time out I’ve ever had.” Two years. No kidding.

The show also had Minkus, the arch-rival dweeb who had stopped appearing after the main characters went into high school. Then, as Corey and Shawn are reminiscing about the friends they may have lost touch with, the camera pans to Minkus. He says that he’s been in the other part of the school and points off camera, then runs to greet Mr. Turner, another mainstay character who had disappeared two years before. It’s season 5, episode 24. I highly recommend you check it out.

Altogether, I don’t envy any writer who has to ax a character for the wrong reasons, but I applaud those who give their audience at least a half-hearted or even comical reasoning as to why a character leaves. I mean, that’s a writer’s job, right? That’s my Entertainment, what’s yours?

Written by: John Stiens

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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