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Twisted Metal: Save me EV3L1N!
Based on a vehicular combat video game franchise of the same name from Sony Online Entertainment, Twisted Metal is a post-apocalyptic nightmare of survival with souped-up cars, modded guns, and crazed other raiders!
So meet the world as it currently is, a good old-fashioned sh*t-show. Awhile ago something big and nasty wiped out computers, and the internet, and then electricity, and civility was left in the dust as everyone began fighting everyone else for whatever was left. The cities that were left walled themselves off and left the bad element of society, the killers and thieves and misfits, all who didn’t fit in with the new societal norms were ousted and left to fend for themselves against other Mad Max-style marauders, with their own modded cars and guns.
Our protagonist is the Milkman, John Doe (Anthony Mackie), a man with a past he can’t remember and only a photo to remind him, who, as his handle suggests, makes delivery runs of needed supplies between various areas. He is effortlessly charming, cheerfully employs explosive countermeasures against other marauders in his beloved car EV3L1N, bombs epic 90’s nostalgia tunes from her speakers, and is somehow one of the more free people still alive in this post-apocalyptic world. The only thing is, John Doe is lonely, and has no place he calls Home. Then one day, John gets called in to meet the leader of New San Fracisco, Raven (Neve Campbell).
Life in this world of after-the-disaster is often about appearances, style over substance, and the song and dance Raven sells John Doe about giving him a Home in New San Fracisco, a place to belong amongst the not-at-all-subjugated denizens, with access to meat and sporting things like alive babies and OMGdude toilet paper, sounds very much too good to be true. Because it is. However, the trip all the way from New San Francisco to Chicago to pick up a package for Raven with a ten-day deadline, is right up the Milkmans alley, and it’s unlikely any other delivery man has the audacity to pull it off.
But the road to Chicago is fraught with peril, especially from the mad murderous clown known as Sweet Tooth that’s taken over the entirety of Vegas, as John Doe’s friend the Mapmaker Tommy (Lou Beatty Jr.) repeatedly warns.
In this post-apocalyptic world there will likely always be folk who want things to go back to order, with rules and laws and consequences, usually taking a bit too far and murderous in the process. Enter self-proclaimed Agent Stone (Thomas Hayden Church), the head lawman of this brave new world, determined to bring the full force of his version of the law down on the dregs of outcast society here beyond the walls of the cities. He has good old-fashioned executions after long pompous speeches about how he’s doing the new world a favor by cleaning it up, all under the putative protective banner of the badge, and recruits by means fair or foul other would-be ACAB acolytes. And the execution of a sibling pair of car thieves, one very Loud (Richard Cabral) and one dubbed Quiet (Stephanie Beatriz) later, is the perfect example to leave as a message to other would-be lawbreakers.
Making the run from New San Francisco to Chicago is always better with a co-pilot, or would be if she spoke at all. Somehow Quiet and John Doe are thrown together for better or worse to make this run, John even naively thinks he can convince Raven to allow Quiet’s entrance into New San Francisco too, for helping him.
You wouldn’t think a killer psychotic clown would need a backstory, much less a semi-relatable one, but Sweet Tooth has one and it’s actually pretty good. The body actor for Sweet Tooth (Joe Seanoa) accompanied by the unexpected affable everyman drawl of Will Arnett for his voice, is a real treat, as he cheerfully lops off arms and heads, all while explaining about the need for closure with his various traumas, often suddenly and violently and all over the place. Despite his penchant for sudden ultra-violence, Sweet Tooth is actually what could be considered a good guy in this post-apocalyptic disaster of a world, where people will quite literally kill you over the last half-bag of doggie chow. Sweet Tooth cares about things like emotional scars and the need for entertainment and lauding your artists, often yes at the expense of several audience member lives, but you can’t make a fantastic omelette without beating the hell out of the eggs! And when Sweet Tooth comes across a down on his luck about to be killed by the supposed cops type of dude, the aptly named Stu (Mike Mitchell), who had so recently been betrayed by his pal Mike (Taj Vaughans), he takes Stu under his fiery wing!
Plenty of other interesting characters round out our after-world sh*t-show – Watts (Jamie Neumann) and Granny Dread (Peg O’Keef) of the convoy, and Watts’ old herbal hippie lover but still good with poisons Amber (Diany Rodriguez); the trophy-hungry crew of the Orange County Astral Burger, who oh so deserved the comeuppance they finally got; the “everything goes” haunt of Preacher (Jason Mantzoukas) and his ridiculous Holy Men; even the enigmatic Calypso, who clearly has a strained secret relationship with Raven and her ultimate agenda.
So, what now? It seems that Home, even with it’s toilet paper and meat and potential answers to John’s history to be found, is pretty boring if John is alone. That supposed practice run he did for Raven has soured him a bit on the whole Milkman life, and even if we’re all pretty sure he could absolutely kill the ultimate race Raven is demanding he run next, John has to be in charge of his own life now. Annnd of course that’s right about when family just has to show up, much to Quiet’s dismay!
Full of cheerful violence, casual cruelty between humans, epic bangin’ 90’s tunes, enough gleeful swearing to make a sailor stammer and a well-understood desire not just to survive but thrive, Twisted Metal is lit on fire on the Peacock channel now!
Genre: Action, Drama
Language: Telugu
Director: Boyapati Srinu
Writer: Boyapati Srinu
Producer: Alexander Vallabha
Studio: Creative Commercials
Runtime: 158 minutes
Main Cast:
Nandamuri Taraka Rama Rao Jr. (NTR Jr.) as Rama Chandra / Chinna
Trisha Krishnan as Sathya
Karthika Nair as Neelaveni
Kota Srinivasa Rao, Nassar, and Venu Thottempudi in pivotal roles.
Where to Watch: Currently available for streaming on Sun NXT and Amazon Prime Video (check regional availability).
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Dammu, directed by Boyapati Srinu, is a high-octane Telugu action drama that delivers exactly what it promises: mass entertainment, powerful dialogues, and larger-than-life action sequences. This film stands tall in NTR Jr.’s filmography, showcasing his unmatched screen presence, powerful dialogue delivery, and action hero persona.
The story follows Rama Chandra (NTR Jr.), an orphan raised in a loving environment. His peaceful life takes a turn when he learns about his royal lineage and is chosen to bring back honor to a powerful but fallen royal family. The narrative pits him against a ruthless rival family, setting the stage for intense confrontations, emotional dilemmas, and a classic good-versus-evil showdown.
This is NTR Jr.’s film through and through. His charismatic screen presence, intense emotional range, and commanding action sequences are the highlights of Dammu. Whether it’s delivering punchy mass dialogues or executing gravity-defying stunts, NTR Jr. proves why he’s one of the top mass heroes of Tollywood. His transformation from a soft-spoken man to a ferocious warrior fighting for justice is executed with nuance and raw energy.
As a lover of NTR Jr. movies, Dammu is a treat. His power-packed performance holds the film together even when the narrative feels familiar. Fans of his previous films like Simhadri and Yamadonga will appreciate the high-voltage drama and emotional depth he brings to the role of Rama Chandra.
Trisha Krishnan and Karthika Nair add grace and charm, though their roles are secondary to the male-centric narrative. Veteran actors like Kota Srinivasa Rao and Nassar lend strong support. Director Boyapati Srinu, known for mass entertainers (Legend, Sarrainodu), stays true to his brand with larger-than-life storytelling, heavy on action and sentiment.
The film is loaded with action sequences, choreographed to satisfy die-hard mass film lovers. The fight scenes are over-the-top yet entertaining, with NTR Jr.’s agility and intensity making them believable. MM Keeravani’s music and background score elevate key emotional and action moments. “Ruler” and “Dammu Dammu” are foot-tapping numbers that resonate with the film’s tone.
C. Ramprasad’s cinematography captures the grandeur and the rustic locations beautifully. Editing by Kotagiri Venkateswara Rao keeps the film’s pace brisk, although the second half could have been tighter.
NTR Jr.’s electrifying performance, Mass appeal with high-voltage action sequences, Powerful dialogues that will thrill fans, Strong emotional undertone in the storyline, Well-composed background score and songs, Weaknesses Predictable plotline with familiar trope,s Over-the-top violence and melodrama may not appeal to all Secondary characters are underdeveloped
Dammu is a full-on mass action entertainer, tailor-made for NTR Jr. fans and lovers of Telugu commercial cinema. His performance is the soul of the film, making it a must-watch for anyone who enjoys powerful hero-centric storytelling. Despite its predictability, Dammu delivers what it promises: high-voltage action, emotional drama, and a powerful lead performance.
Rating: 7.5/10 (An action-packed entertainer elevated by NTR Jr.’s magnetic presence and energy.)
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Dante: Mary Arkham (Lady):
White Rabbit: Enzo Ferino:
Writers: Adi Shankar and Alex Larsen
Producers: Adi Shankar, Lee Seung-wook, Hideaki Itsuno
Genre: Animation, Fantasy, Action, Adventure
Episodes: 8
Runtime: Each episode ranges from 21 to 32 minutes
Story Overview: Set against a backdrop where demonic forces threaten to breach the human realm, the series follows Dante, a charismatic demon hunter-for-hire. Armed with his signature weapons and a mysterious amulet, Dante confronts the enigmatic White Rabbit, who orchestrates a series of supernatural events, including a bold attack on Vatican City. Alongside fellow hunter Mary Arkham, Dante delves into a hidden world where demons have evolved parallel to humanity, uncovering dark secrets that intertwine his fate with the world’s survival.
Review: Devil May Cry masterfully blends ’80s nostalgia with contemporary themes, creating a unique aesthetic that appeals to both longtime fans and newcomers. The animation is notably expressive, capturing the fluidity and intensity of the game’s combat sequences. The voice cast delivers commendable performances, with Johnny Yong Bosch embodying Dante’s devil-may-care attitude and Kevin Conroy lending gravitas to Vice President Baines. The series’ self-awareness and cheeky humor add layers to its dark narrative, making it a standout addition to Netflix’s animation lineup.
Rating: 8.5/10
Devil May Cry is a thrilling ride that captures the essence of its source material while offering fresh perspectives. It’s a must-watch for animation enthusiasts and fans of supernatural action alike.
“The Electric State,” now streaming on Netflix, is a science fiction adventure directed by Anthony and Joe Russo. The screenplay, crafted by Christopher Markus and Stephen McFeely, is loosely based on Simon Stålenhag’s 2018 illustrated novel of the same name. The film boasts a star-studded cast, including Millie Bobby Brown as Michelle, Chris Pratt as Keats, and features voices from Anthony Mackie and Woody Harrelson. With a runtime of 128 minutes, the movie transports viewers to a retro-futuristic 1990s America, where a teenage girl embarks on a quest to find her missing brother amidst a landscape populated by sentient robots.
Despite its ambitious premise and substantial $320 million budget, “The Electric State” has garnered predominantly negative reviews from critics. Many have pointed out the film’s lack of emotional depth and coherence. For instance, The Guardian described it as a “bogglingly expensive dud,” criticizing its soulless storytelling and lack of artistic merit. Similarly, Vulture labeled the film a “$320 million piece of junk,” highlighting issues with direction, character development, and overall execution.
The narrative follows Michelle, portrayed by Millie Bobby Brown, as she ventures into a dystopian version of the late 1990s, accompanied by Keats, a smuggler played by Chris Pratt. Their mission leads them into an exclusion zone inhabited by defeated robots, all in search of Michelle’s younger brother, Christopher. While the film’s special effects have been acknowledged for their quality, these visual achievements are overshadowed by a storyline that many found lacking in engagement and originality.
Audience reactions have been mixed, with some viewers appreciating the visual spectacle and performances, while others echo the critics’ sentiments regarding the film’s shortcomings. On Rotten Tomatoes, the film holds a critic score of 17%, reflecting the overall negative critical reception.
In conclusion, “The Electric State” presents a visually impressive but narratively deficient experience. Despite the high-profile cast and substantial investment, the film struggles to deliver a compelling and cohesive story. Based on the critical consensus and audience feedback, I would rate this film a 4 out of 10.
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