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What We Do in the Shadows TV Pilot | SXSW Review

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You can bet that if a foreign show or film lands stateside with a good amount of success someone immediately begins scheming on the best way to recreate it with a more American mindset.

The latest victim of this remake culture is 2014’s What We Do in the Shadows, a New Zealand comedy from Taika Waititi and Jemaine Clement. By keeping the original creators on board the What We Do in the Shadows television series, at least going by the pilot screened at SXSW, maintains the ingenuity of the source material while setting up even more enticing plot lines.

Like the film, the show is a docuseries following three vampire roommates who have been living together for hundreds of years; Nandor (Kayvan Novak), Laszlo (Matt Berry), and Nadja (Natasia Demetriou). Where things start to diverge is the introduction of an energy vampire (Mark Proksch) who drains the life out of you through boring conversations, and Nandor’s familiar – a vampire servant who hopes to be bitten as a reward – Guillermo (Harvey Guillen) who also live in the New York City home.

The episode lays the groundwork for a couple key relationships. One between Laszlo and Nadja who have been together for years, yet haven’t managed to develop many healthy habits in that time. It’s a relationship built on lust and instant gratification, and in the limited time we get with the characters we see how a small push from outside forces can quickly derail their happiness much to the audience’s benefit.

To fit these, some fantastic moments with Proksch’s energy vampire, and the introduction of a couple of recurring characters the pilot has to move at an frantic pace which can be difficult to keep up with. We don’t get as much time as we’d like to sit with these characters and the jokes don’t get much time to breathe, but that should be ironed out over the 10-episodes that are scheduled for the first season. It’s a proof of concept showing that the team has more than enough juice in the tank to carry through this run.

WHAT WE DO IN THE SHADOWS — “Pilot” — Season 1, Episode 1 – Pictured (l-r): Kayvan Novak as Nandor. CR: John P Johnson/FX

Fans of the original What We Do in the Shadows can rest easy knowing that the new television series captures the spirit of the source material while stretching itself to extend outside the walls of the vampiric residence. For those who have yet to dive into Waititi and Clement’s original world, get a clean cup because you’ll be drinking the blood-flavored kool-aid soon too. This is how adaptations should be done.

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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