SA Network and WWE® have announced the final 13 competitors for the high-octane reality series, WWE Tough Enough, premiering live, Tuesday, June 23 at 8/7C on USA Network and around the world.* The cast was chosen from more than 11,100 submissions from 113 countries. Forty finalists attended tryouts last week at the WWE Performance Center in Orlando, Fla., with only 13 making the final cut. Tough Enough Competition Special, an inside look at last week’s tryouts, will premiere on WWE Network tomorrow, Tuesday, June 16 at 8/7C, and will also air on USANetwork.com on Thursday, June 18, at 10/9C.
The final 13 WWE Tough Enough competitors are:
Mada Abdelhamid, Los Angeles, California
Hank Avery Jr., Macon, Georgia
Daria Berenato, Los Angeles, California
Joshua Bredl, Thornton, Colorado
Gabi Castrovinci, Southington, Connecticut
Patrick Clark, Jr., Washington, D.C.
Dianna Dahlgren, Spokane, Washington
Alexander Frekey, Dallas, Texas
Sara Lee, Hope, Michigan
Zamariah “ZZ” Loupe, Bayou Boeuf, Louisiana
Giorgia Piscina, Brisbane, Australia
Amanda Saccomanno, Yorktown Heights, New York
Tanner Saraceno, Boiling Springs, South Carolina
WWE Tough Enough is hosted by WWE Superstar Chris Jericho®, who will be joined by a panel of judges including WWE Hall of Famer Hulk Hogan®, WWE Superstar Daniel Bryan® and WWE Diva Paige™. This season will combine the can’t-miss excitement of live television with reality-show drama, as WWE hopefuls vie for the once-in-a-lifetime opportunity to become the next WWE Superstar or Diva. Unlike anything on television today, the lightning-fast hour of entertainment and competition will include live results every week, giving fans worldwide the power to decide who stays and who goes the very same night.
Every week, the three judges will each nominate one competitor they believe should be cut, and it will be up to the WWE Universe to vote and determine who they feel is “Tough Enough,” to remain in the competition. The competitor with the least number of votes will be eliminated. Throughout the season, each judge will have the ability to save one competitor from being sent home. Ultimately, one man and one woman will be considered “Tough Enough,” with each earning a one-year, $250,000 WWE contract.
Each week, the competitors will be coached by WWE Legends Booker T™, Billy Gunn™ and Lita™, and competitors will come face-to-face with WWE icons including WWE Chairman & Chief Executive Officer Vince McMahon; Executive Vice President, Talent, Live Events & Creative, Paul “Triple H®” Levesque; and WWE Superstars John Cena®, Big Show® and Randy Orton®, among others.
The revolutionary WWE Tough Enough App is now available for download. This app will provide an unprecedented fan experience before, during and after the show by enabling fans to vote for who stays and who goes with results calculated in real-time during the final minutes of each episode. The app will also include competitor bios and video and social updates as the competition unfolds throughout the week.
*Check local listings
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‘Mufasa: The Lion King’ Will Leave You Breathless
“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.
The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.
The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.
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Is ‘Kraven the Hunter’ a Total Letdown?
“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.
Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.
Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.
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A Brief Review and History of A Year Without a Santa Claus
A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.
The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.
Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.
Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.
The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.
For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.