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‘Z Nation’ Season Four: Follow the Black Rainbow

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Welcome back to that post-apocalyptic world of Z Nation still on-going with brand new and even revitalized former ways to screw up what’s left of the world! Spoilers will eat your flesh!

When we last left our dubious heroes, well never-mind that, the point is, Roberta Warren (Kellita Smith) just woke in a stark laboratory-like setup, to learn she’s been out for damn near two years, and it comes with costs. I actually like the white-blonde hair Warren sports throughout the entirety of Season Four, it makes her seem more affected by the end of the world.

So while Warren’s been cooling her heels in stasis, Murphy’s (Keith Allen) been hanging like a King in a Stepford Wives-like community called ZONA. While ZONA might seem idyllic, or at least be Murphy’s version of what he thinks is perfect, Dr. Teller (Frank Boyd) and the all-important Founder (Michael Berryman) of ZONA himself are hatching plans for the ultimate end-game, that giant action they call the Reset, which is exactly what it sounds like.

After figuring out that, y’know, perhaps ZONA isn’t actually a place they want to hang around, Warren takes her vision-besotted self and a reluctant Murphy, off to find the rest of the scattered team and figure out what the hell to do now! Some of the gang want to head to Numerica, that’s where Addie’s purported to be, along with perchance others who want to find out why and how ZONA’s forces are hunting them down, and a few want to follow Warren’s devastating visions of the black rainbow and the flesh eating rain, hopefully to try and stop it.

Meanwhile elsewhere, Kaya in the Sky-a (Ramona Young) has already had Citizen Z’s (DJ Qualls) son and of course named him JZ, cuz he’s Junior Z after all, and is trying to fight off ZONA stealth forces come to raid the base of Northern Light. What could evil world-changing ZONA want from Northern Light that is so important and pivotal to the Reset? It would have to be something vital, that was gathered before the apocalypse and managed to survive the zom-pocalypse too.

It’s from these worrisome thoughts and Warren’s scary visions, we get the brand new tone of Z Nation season four, all washed out and faded, raging fire forever in the distance but always edging closer, a very real sense that, holy shit, not only did the world already actually end when the dead rose, but that someone is now trying to Reset the world, once again. The very different light filters and faded colors when Z Nation had been known for exactly the opposite beforehand, is a bold risk but it actually seems to have paid off. Most of the season rather reminded me of the excellent zombie Horror flick 28 Days Later,  and that film is a damn legend at this point. (If you haven’t seen 28 Days Later already, do.)

The world of two-years-later and ZONA ascendant is a much more somber and quiet thing, here in Z Nation, and the tension mounts in every episode. Even the cheesy SyFy special effects used for Warren’s visions – it was so well acted on Warren’s part, we believed right along with her. That’s something Z Nation has surprisingly managed to do, across three seasons of goofy nonsense zombie trope wacky-world ‘Merica funnery, is make us believe, right along with the characters. It’s usually believing in Murphy, that beleaguered half-zombie half-hero Luthor wannabe, so Warren taking a turn at messiah-hood in Season Four is cool beans, man.

I did enjoy the addition of Henry Rollins as Lieutenant Mueller for several episodes, and of course he got a badass death at the hands of his overly-trained sergeant called inevitably Sarge, and y’know, also his daughter named Lilley (Gracie Gillam). The inevitable death of Lucy, Murphy’s blue zombie daughter, was at least set to a good purpose this season, and will likely serve as a goad for Murphy to pull off some other grand scheme in Season Five. Everyone’s favorite stoner Doc (Russell Hodgkinson) and 10K (Nat Zang) were rather overshadowed this season, though no-one is really surprised by this and 10K did get his own little storyline with a missing Red and 5K showing up to aid him in crisis time.

Z Nation is, of course, already approved for season five, and we can’t wait! What about the Man with the Plan, and why did his canister turn Murphy freaking red? By the way, this means Murphy has literally been red, white, and blue over the course of the show! Is it truly the reset-ted end of the world? Will the Black Rainbow and the delivery drones dispense death, or life, or both in some stupefying combination that only the wacky writers at ‘Z Nation’ could come up with! What will Warren, the ultimate soldier whose mission was perverted at the hands of ZONA, do now that she’s at least partially foiled their plans? Gird your loins, grab your modified highway-sign-turned-zombie-shield, have some of that z-weed, follow the signs to Numerica and keep score of zombie kills along the way, because we’re all in Z Nation now!

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‘Mufasa: The Lion King’ Will Leave You Breathless

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“Mufasa: The Lion King” is a visually stunning addition to the beloved Lion King franchise, offering a fresh and emotionally resonant take on the origins of one of Disney’s most iconic characters. The film beautifully explores Mufasa’s journey, balancing heartfelt moments with touches of comedy that lighten the mood and make the story accessible to audiences of all ages. The animation is breathtaking, capturing the vibrant landscapes and lush environments of the Pride Lands, adding depth to Mufasa’s character and his relationships.

The storytelling is compelling, effectively pulling at the heartstrings while providing insights into Mufasa’s character before he becomes the legendary king. However, the setup for Scar’s betrayal feels somewhat underdeveloped, lacking the deeper motivation that could have enriched their complex brotherly relationship. This missed opportunity leaves a slight gap in understanding Scar’s actions, which could have elevated the dramatic stakes.

The musical score is impressive, featuring memorable songs that enhance the emotional impact of pivotal scenes. While there are several standout tracks, one song, in particular, resonates deeply and is sure to linger in viewers’ minds long after the credits roll. Overall, “Mufasa: The Lion King” is an amazing film and a worthy addition to the Lion King lore that manages to deliver both laughter and tears, offering a rich tapestry of storytelling that fans will appreciate.

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Is ‘Kraven the Hunter’ a Total Letdown?

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“Kraven the Hunter,” directed by J.C. Chandor, aims to introduce a beloved Spider-Man villain to the big screen, but unfortunately, it falls short of expectations. The film suffers from noticeable issues, notably an overuse of ADR (Automated Dialogue Replacement), which detracts from the authenticity of the characters’ interactions and contributes to an uneven audio experience. This technical flaw is compounded by rough storytelling that feels disjointed and lacking in coherence, leaving viewers struggling to connect with the narrative.

Aaron Taylor-Johnson delivers a commendable performance as Kraven, showcasing the character’s gritty nature and complex motivations. His portrayal has potential, and it’s evident that he could elevate the character far beyond what is presented with a stronger script and direction. However, the absence of Spider-Man, a central figure in Kraven’s lore, leaves a void that the film struggles to fill. Without this critical connection, the plot meanders and fails to create the tension or stakes that fans of the superhero genre crave.

Additionally, including Rhino as a villain feels like a missed opportunity; he is presented more as a gag character with limited screen time, undermining any sense of threat or depth. For the average moviegoer, “Kraven the Hunter” might entertain but ultimately feels like a mediocre viewing experience. Comic book fans, however, may find disappointment in this lackluster attempt to create a solo character film. Instead of an exhilarating dive into Kraven’s world, the film presents a watered-down version, leaving audiences wishing for a more cohesive vision that honors its comic book roots.

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A Brief Review and History of A Year Without a Santa Claus

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A Year Without a Santa Claus, the 1974 stop-motion holiday classic produced by Rankin/Bass, is a heartwarming and whimsical tale that has cemented its place in holiday traditions. Based on Phyllis McGinley’s 1956 book, the story revolves around a disheartened Santa Claus who, feeling unappreciated, decides to take a year off from his Christmas duties. It’s up to Mrs. Claus and a pair of well-meaning elves, Jingle and Jangle, to reignite the Christmas spirit and show Santa the world’s unwavering belief in him.

The movie is beloved for its unforgettable characters, especially the bickering Miser Brothers, Snow Miser and Heat Miser. Their catchy, vaudeville-style musical numbers, “Snow Miser Song” and “Heat Miser Song”, are so iconic they’ve become cultural touchstones, often parodied and celebrated decades later.

Directed by Arthur Rankin Jr. and Jules Bass, the film continues the duo’s tradition of stop-motion magic, blending heartfelt storytelling with quirky humor. The voice cast, featuring Mickey Rooney as Santa and Shirley Booth as Mrs. Claus, delivers standout performances. Booth’s warm narration was her final acting role before retirement, adding a layer of poignancy to the film.

Initially released on December 10, 1974, on ABC, the special didn’t immediately achieve the legendary status of Rudolph the Red-Nosed Reindeer. However, it gained a dedicated following through annual holiday airings, nostalgic appeal, and its distinct charm.

The film’s themes of hope, unity, and rekindling joy remain timeless, making it a perennial favorite for audiences of all ages. Its blend of humor, catchy songs, and a touching message about believing in magic and goodwill ensures its enduring legacy during the holiday season.

For fans of holiday classics, A Year Without a Santa Claus is a must-watch that never fails to warm hearts and spread cheer.

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